Video Game Performers Will Go on Strike Over Artificial Intelligence Concerns 

SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
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Video Game Performers Will Go on Strike Over Artificial Intelligence Concerns 

SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)

Hollywood's video game performers announced they would go on strike Thursday, throwing part of the entertainment industry into another work stoppage after talks for a new contract with major game studios broke down over artificial intelligence protections.

The strike — the second for video game voice actors and motion capture performers under the Screen Actors Guild-American Federation of Television and Radio Artists — will begin at 12:01 a.m. Friday. The move comes after nearly two years of negotiations with gaming giants, including divisions of Activision, Warner Bros. and Walt Disney Co., over a new interactive media agreement.

SAG-AFTRA negotiators say gains have been made over wages and job safety in the video game contract, but that the two sides remained split over the regulation of generative AI. A spokesperson for the video game producers, Audrey Cooling, said the studios offered AI protections, but SAG-AFTRA’s negotiating committee said that the studios’ definition of who constitutes a "performer" is key to understanding the issue of who would be protected.

"The industry has told us point blank that they do not necessarily consider everyone who is rendering movement performance to be a performer that is covered by the collective bargaining agreement," SAG-AFTRA Chief Contracts Officer Ray Rodriguez said at a news conference Thursday afternoon. He said some physical performances are being treated as "data."

Without guardrails, game companies could train AI to replicate an actor’s voice, or create a digital replica of their likeness without consent or fair compensation, the union said.

"We strike as a matter of last resort. We have given this process absolutely as much time as we responsibly can," Rodriguez told reporters. "We have exhausted the other possibilities, and that is why we’re doing it now."

Cooling said the companies' offer "extends meaningful AI protections."

"We are disappointed the union has chosen to walk away when we are so close to a deal, and we remain prepared to resume negotiations," she said.

Andi Norris, an actor and member of the union's negotiating committee, said that those who do stunt work or creature performances would still be at risk under the game companies' offer.

"The performers who bring their body of work to these games create a whole variety of characters, and all of that work must be covered. Their proposal would carve out anything that doesn’t look and sound identical to me as I sit here, when, in truth, on any given week I am a zombie, I am a soldier, I am a zombie soldier," Norris said. "We cannot and will not accept that a stunt or movement performer giving a full performance on stage next to a voice actor isn’t a performer."

The global video game industry generates well over $100 billion dollars in profit annually, according to game market forecaster Newzoo. The people who design and bring those games to life are the driving force behind that success, SAG-AFTRA said.

Members voted overwhelmingly last year to give leadership the authority to strike. Concerns about how movie studios will use AI helped fuel last year’s film and television strikes by the union, which lasted four months.

The last interactive contract, which expired in November 2022, did not provide protections around AI but secured a bonus compensation structure for voice actors and performance capture artists after an 11-month strike that began in October 2016. That work stoppage marked the first major labor action from SAG-AFTRA following the merger of Hollywood’s two largest actors unions in 2012.

The video game agreement covers more than 2,500 "off-camera (voiceover) performers, on-camera (motion capture, stunt) performers, stunt coordinators, singers, dancers, puppeteers, and background performers," according to the union.

Amid the tense interactive negotiations, SAG-AFTRA created a separate contract in February that covered independent and lower-budget video game projects. The tiered-budget independent interactive media agreement contains some of the protections on AI that video game industry titans have rejected. Games signed to an interim interactive media agreement, tiered-budget independent interactive agreement or interim interactive localization agreement are not part of the strike, the union said.



Iran's Panahi Takes on Iran's Jailers in Cannes Comeback

Iranian director Jafar Panahi, who has been banned and jailed in his homeland - AFP
Iranian director Jafar Panahi, who has been banned and jailed in his homeland - AFP
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Iran's Panahi Takes on Iran's Jailers in Cannes Comeback

Iranian director Jafar Panahi, who has been banned and jailed in his homeland - AFP
Iranian director Jafar Panahi, who has been banned and jailed in his homeland - AFP

Dissident Iranian filmmaker Jafar Panahi made his first appearance at an international film festival in 15 years in Cannes on Tuesday, with a story about political prisoners trying to get back at their jailers.

Panahi was banned from making films for 20 years and has been repeatedly detained since 2009 over his gritty, social dramas, considered subversive by the Islamic republic's regime.

His new feature, "It Was Just An Accident" -- which is in the running for the top prize -- risks causing new legal problems for a prize-winning director celebrated by fans for his defiance, according to AFP.

The 64-year-old said his nearly seven months in the notorious Evin prison in Tehran until February 2023 had helped inspire his latest wry tale.
"One of the characteristics of the Iranian people is their humor," Panahi, 64, told Screen magazine.

"This regime has been trying for over four decades now to impose on Iranians tragedy, tears and suffering but the Iranians always come up with humour and jokes."

The acclaimed director has repeatedly skirted the ban on him by shooting in secret, including 2022's "No Bears", which screened at the Venice film festival and won a special jury prize there while he was in jail.

"Although I am not banned any more, it didn't really change my actual situation. I still had to work illegally," he told Screen.

A source close to the filmmaker, who asked not to be named, told AFP Panahi's latest film had been shot in secret and had no government funding.

Cannes has a long history of supporting independent Iranian filmmakers, who often face legal problems and intimidation from Iranian authorities.

- Assange appears -

A second Iranian film is competing in the top Cannes competition this year -- "Mother and Child" by Saeed Roustaee.

Roustaee was sentenced to six months in prison for the screening of his film "Leila's Brothers" in Cannes in 2022 but his latest production has drawn criticism from some exiled directors.

The Iranian Independent Filmmakers Association (IIFMA) has called it a "propaganda film" but it is unclear if they have seen it in full.

Fellow Iranian Cannes favorite Mohammad Rasoulof, who fled the country last year, defended Roustaee.

He told Variety that there was a "clear distinction between the propaganda films of Iran and the films that are made under the constraints of censorship".

Wikileaks founder Julian Assange -- who spent five years in prison over his leak of classified US files -- is also in Cannes for the premiere on Wednesday of a documentary about him, "The Six Billion Dollar Man".

Its American director, Eugene Jarecki, was awarded the first ever Golden Globe for documentary at Cannes on Monday for his previous work, including his 2018 film about Elvis, "The King".

Ecuador's left-wing former president Rafael Correa, who famously offered Assange asylum in the Ecuadorian embassy in London, was set to appear alongside the Australian at the premiere.

- Denzel's up and down night -

Panahi and Assange's presence comes at one of the most political Cannes for many years, dominated by protest over the war in Gaza, sexual politics and US President Donald Trump's threat to impose tariffs on movies from "foreign lands".

Monday night featured a tense exchange with a photographer that took some of the joy from Hollywood star Denzel Washington's lifetime achievement award.

The surprise honorary Palme d'Or was handed to Washington, 70, at the premiere of his latest film with New York director Spike Lee, "Highest 2 Lowest" -- the first time the actor has appeared at the festival.

"It's a total surprise. I'm so emotional," Washington said, according to a member of the audience.

The photographer had earlier appeared to grab the actor by the arm as he posed in front of a bank of cameras.

Washington shook him off and then pointed his finger at him and appeared to say "Stop it" a number of times, videos showed.

But despite the awkward incident, Washington's mood was no doubt lifted by the rave reviews of his and Lee's film.

Loosely adapted from a Japanese master Akira Kurosawa's 1963 classic, "High and Low", the Hollywood Reporter said the film had "wit, high style and kinetic energy to burn".

The Guardian praised Washington's "magnificent form" in the movie, saying he played a music mogul with "grinning monarchical assurance".

The Cannes film festival runs until Saturday.