Kate Winslet’s ‘Regime’ Is Not a Dictatorship — Behind the Scenes, at Least

 This image released by HBO shows Kate Winslet in a scene from "The Regime." (HBO via AP)
This image released by HBO shows Kate Winslet in a scene from "The Regime." (HBO via AP)
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Kate Winslet’s ‘Regime’ Is Not a Dictatorship — Behind the Scenes, at Least

 This image released by HBO shows Kate Winslet in a scene from "The Regime." (HBO via AP)
This image released by HBO shows Kate Winslet in a scene from "The Regime." (HBO via AP)

Kate Winslet is running things — on and off the set of her new TV show, "The Regime."

In the HBO show premiering Sunday, she plays Elena Vernham — also known as The Chancellor, the ruler of a fictional country in Europe, possibly near Poland. Winslet, who is also an executive producer on the show, says she's never been offered a character like this "in her life."

"I’ve never read a script like this before. I’ve never laughed so much at the material that was in front of me, as we did every single day, and I really just felt this was an exciting, challenging, terrifying opportunity for me to step totally out of my comfort zone," she says.

As the show’s worshipped leader, she came face to face with many huge artworks of herself.

"Initially I thought to myself, oh God, that’s so brilliant. I’ve got to have one. And then I got so sick of looking at them that towards the end I just wanted to burn them all," Winslet laughs.

Sometimes, the production team would neglect to warn her of a large, sequined image of her face on set.

"Funnily enough I don’t like looking at me. It’s not a comfortable place to be. So yes, there was a, there was a lot of being confronted with that, this heightened version of myself," she says. "I just had to kind of roll with it."

That’s one of the many major differences between the star and the dictator — who loves to be loved by her people, addressing them regularly and also, occasionally, serenading them with a song ("Santa Baby").

Among her loyal subjects: Guillaume Gallienne, as her husband Nicholas; Andrea Riseborough, who runs the palace, and Danny Webb as one of her many ministers, subservient to her bizarre pronouncements. Martha Plimpton plays a US senator and Hugh Grant is Elena's political rival.

Things in the country are running smoothly — well, as smoothly as they can while Elena deals with her latest hypochondria, paranoia and abandonment issues. Then she hires a soldier, played by Matthias Schoenaerts, in her fight against tiny deadly spores — and begins a relationship with repercussions that shake the regime, and the country, to its core, moving her battles to a much larger scale.

The dark comedy, from "Succession" writer Will Tracy, is billed as a twisted love story about two people who should never have fallen in love, which is "exactly why everybody should watch it," says Schoenaerts.

"The world is full of people that should have never met," he says.

Luckily, off screen, the results were less damaging with lots of laughter on set, Schoenaerts recalls: "It gives us some relief because, obviously, sometimes we really have to go (to dark) places."

And it was much less of a dictatorship than on screen.

"She leads by example," Schoenaerts says of Winslet. "She’s always on time, always prepared, always kind, generous, open and extremely sharp. And she’s a lot of fun to work with."

"The Regime" directors Stephen Frears and Jessica Hobbs both agree that a Winslet set is more like a welcoming theater company.

"It did feel like that," says Winslet, who has appeared in amateur theatrical productions.

Gallienne remembers that Winslet would take time out to talk to any new cast members so that they felt comfortable and part of the team.

"She’s very direct, very honest, but very simple and very kind," he says. "As she says, you know, learn your lines, focus and deliver."

Winslet says that she takes being number one on the call sheet very seriously and tries to lead by example, to "lift the energy every day and just deliver it and show up and, and really be there for everybody."

"As I’m getting older I feel responsibility and gratitude, you know, both simultaneously," Winslet explains. "It’s a really privileged position to be in. And I really respect it."

The self-centered chancellor is a far cry from any real-life figure, if you were wondering, with Winslet describing her character's theatrics as "so enormous and delicious."

"And her hysteria at times, and how volatile she is, how vulnerable she is. I mean, I just couldn’t compare her to anyone," she says.

"I couldn’t say there were things that I actually liked about her," adds Winslet, "but there were things that really just made me laugh."



Venice Film Festival Prepares to Greet Angelina Jolie and 'Maria,' Her Film About Famed Opera Singer

FILE - Angelina Jolie appears at the 77th Tony Awards in New York on June 16, 2024. Jolie brings opera singer Maria Callas to life in “Maria.” (Photo by Evan Agostini/Invision/AP, File)
FILE - Angelina Jolie appears at the 77th Tony Awards in New York on June 16, 2024. Jolie brings opera singer Maria Callas to life in “Maria.” (Photo by Evan Agostini/Invision/AP, File)
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Venice Film Festival Prepares to Greet Angelina Jolie and 'Maria,' Her Film About Famed Opera Singer

FILE - Angelina Jolie appears at the 77th Tony Awards in New York on June 16, 2024. Jolie brings opera singer Maria Callas to life in “Maria.” (Photo by Evan Agostini/Invision/AP, File)
FILE - Angelina Jolie appears at the 77th Tony Awards in New York on June 16, 2024. Jolie brings opera singer Maria Callas to life in “Maria.” (Photo by Evan Agostini/Invision/AP, File)

Angelina Jolie has played an evil queen, a war correspondent, a hacker, an international spy and a sociopath and is now adding opera singer to her resume.
It’s not just any opera singer either: Jolie stars as the legendary soprano Maria Callas in a new film from Chilean filmmaker Pablo Larraín. “Maria” will have its world premiere in competition at the Venice Film Festival Thursday night, The Associated Press said.
Larraín, a Venice regular, continues his to explore the lives of very famous women with tragic narratives attached to them. In 2016, he came to the festival with his Jackie Kennedy portrait, “Jackie,” starring Natalie Portman as the first lady in the aftermath of her husband’s assassination. In 2021, he returned with Kristen Stewart playing Princess Diana as she considered divorce over the Christmas holiday in “Spencer.” Both films earned their leads best actress Oscar nominations.
“Maria” is the so-called conclusion to this trilogy of historical women, though Callas may be a bit less known to younger generations who weren’t around for the headlines and scandals. Born Maria Kalogeropoulos, to Greek parents in New York and made her professional debut in Athens as a 17-year-old.
During her brief life she became one of the greatest opera singers of all time with her unparalleled voice and stage presence; but the accolades also came with the intense scrutiny of her life in the public eye, whether it was her exacting demands and “diva” behavior, her weight or her romantic life. Callas famously had a relationship with shipping magnate Aristotle Onassis who left her for Jackie Kennedy.
She died in Paris at age 53 after a heart attack.
Larraín told Vanity Fair that Jolie trained for six months to prepare for the role. The singing in the film, which reportedly focuses on the final week of her life in 1977, is a blend of actor and the real thing.
Jolie has twice been nominated for acting Oscars. She won for her supporting role in “Girl, Interrupted," and was last nominated for her leading role in Clint Eastwood's “Changeling."
“Maria” was recently acquired by Netflix for distribution.
Jolie is expected to depart Venice before her ex-husband Brad Pitt arrives for the premiere of his film “Wolfs” on Sunday. Though legally single since 2019, they are still fighting over issues like custody, finances and a winery in France.
“Maria” is among the 21 features competing for the festival’s awards which will be announced on Sept. 7.