‘Kung Fu Panda 4’ Repeats at No. 1 on the Box Office Charts

 16 March 2024, Australia, Sydney: Movie character "PO" poses at the Australian Premiere of "Kung Fu Panda 4" at Event Cinemas Bondi Junction on in Sydney. (dpa)
16 March 2024, Australia, Sydney: Movie character "PO" poses at the Australian Premiere of "Kung Fu Panda 4" at Event Cinemas Bondi Junction on in Sydney. (dpa)
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‘Kung Fu Panda 4’ Repeats at No. 1 on the Box Office Charts

 16 March 2024, Australia, Sydney: Movie character "PO" poses at the Australian Premiere of "Kung Fu Panda 4" at Event Cinemas Bondi Junction on in Sydney. (dpa)
16 March 2024, Australia, Sydney: Movie character "PO" poses at the Australian Premiere of "Kung Fu Panda 4" at Event Cinemas Bondi Junction on in Sydney. (dpa)

“Kung Fu Panda 4” stayed at the top of the North American box office in its second weekend in theaters. The Universal and DreamWorks Animation movie earned $30 million in ticket sales, according to studio estimates Sunday.

The franchise featuring the voice of Jack Black is responsible for over $1.9 billion at the box office since it launched in 2008 and spawned several animated series, shorts, video games and a holiday special. The fourth installment, playing in 4,067 locations in North America, has already made $107.7 million domestically.

There were several new movies arriving in over 1,000 theaters (or expanding) this weekend, including Lionsgate’s Mark Wahlberg dog movie “Arthur the King,” Focus Features’ comedic satire “The American Society of Magical Negroes” and A24’s Kristen Stewart-led bodybuilding thriller “Love Lies Bleeding.”

But the charts still belonged to the franchises, including “Dune: Part Two,” which came in a very close second in its third weekend, with $29.1 million. That's down only 37% from last weekend. It’s now made $205.3 million domestically. The first film, which was released simultaneously in theaters and on streaming, capped out at around $435 million globally, while “Part Two” is already at almost $500 million worldwide.

“Arthur the King” did the best of the newcomers, landing in third place with $7.5 million from 3,003 locations. The studio went into the weekend expecting something in the $8 million to $10 million range. Its low production cost and international presales should yield profits.

Directed by Simon Cellan Jones and written by Michael Brandt, the movie is based on the true story of an adventure racer who befriends a stray dog on a perilous 435-mile trek in the Dominican Republic. Simu Liu plays one of Wahlberg’s teammates. With an A CinemaScore, the studio is hoping positive word of mouth will boost sales in the coming weeks.

“Love Lies Bleeding” opened in 1,362 locations to $2.5 million. Written and directed by Rose Glass (“Saint Maud”), it’s a pulpy ’80s-set Western thriller about an isolated gym manager (Stewart) and a bodybuilder (Katy O’Brian) passing through town.

“The American Society of Magical Negroes” opened in 1,147 theaters and made an estimated $1.3 million. According to exit data, 52% of the opening weekend audience was Black. The movie, written and directed by Kobi Libii, is a satire about a secret society of Black people dedicated to making white lives easier. Justice Smith and David Alan Grier star.

In the first weekend following the Oscars, “Poor Things” added $2.3 million globally, bumping its total to $112.6 million.

Next weekend, “Ghostbusters: Frozen Empire” will arrive in theaters, armed with proton packs and brand name recognition.

“When there’s not a newcomer dominating the marketplace, it makes for a rather slow weekend,” said Paul Dergarabedian, the senior media analyst for Comscore. “Now we’re just waiting for ‘Ghostbusters: Frozen Empire’ and ‘Godzilla x Kong: The New Empire.’ That combo should take us out of the month of March on a high note.”

He added: “We’re going to have to have a lot of patience until we get to May and ‘The Fall Guy’ and the summer movie season. But there’s some great movies on the way.”



Disney’s ‘Zootopia 2’ Set to Join $1 Billion Box Office Club

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
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Disney’s ‘Zootopia 2’ Set to Join $1 Billion Box Office Club

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)

Walt Disney Animation Studios' "Zootopia 2" is on track to surpass $1 billion at the global box office, the company said on Friday, as the sequel continues its strong run in international markets.

The film, which revisits the bustling animal metropolis of "Zootopia," features returning characters Judy Hopps, a rabbit police officer voiced by Ginnifer Goodwin, and her fox partner Nick Wilde, voiced by Jason Bateman.

The duo embarks on a new adventure that blends humor and social themes, echoing the formula that made the original a hit.

"Zootopia 2" opened strongly over the US Thanksgiving weekend, giving Hollywood a boost at the start of the critical holiday season.

The film's runaway success has been fueled by an extraordinary reception in China, where "Zootopia 2" dominated the box office during its opening weekend, accounting for roughly 95% of all ticket sales nationwide.

The original "Zootopia" also became China's most popular foreign animated film when it was released in 2016.

The performance offers welcome relief for theater operators hoping for packed cinemas through Christmas, traditionally the second-busiest moviegoing period of the year. Global box office receipts have yet to return to the pre-pandemic levels seen in 2019.


Disney to Invest $1 Billion in OpenAI, License Characters for Sora Video Tool

FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
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Disney to Invest $1 Billion in OpenAI, License Characters for Sora Video Tool

FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser

Walt Disney is investing $1 billion in OpenAI and will let the startup use characters from Star Wars, Pixar and Marvel franchises in its Sora AI video generator, a crucial deal that could reshape how Hollywood makes content.

The three-year partnership announced on Thursday is a pivotal step in Hollywood's embrace of generative artificial intelligence, side-stepping the industry's concerns over the impact of AI on creative jobs and intellectual property rights.

As part of the licensing deal, Sora and ChatGPT Images will start generating videos using licensed Disney characters such as Mickey Mouse, Cinderella and Mufasa, from early next year. The agreement excludes any talent likenesses or voices.

"Through this collaboration with OpenAI we will thoughtfully and responsibly extend the reach of our storytelling through generative AI, while respecting and protecting creators and their works," Disney CEO Bob Iger said.

OpenAI has been engaging with Disney and others in Hollywood for the past year in its search for partners, a person with knowledge of the discussions said.
The move marks a major shift in Disney's approach to AI - the company had decided to keep out its characters from the Sora app when OpenAI was in talks with companies regarding the tool's copyright policy.

Disney and Comcast's Universal had in June filed a copyright lawsuit against AI photo generation firm Midjourney for its use of the studios' best-known characters.

As part of the agreement with OpenAI, a selection of the videos by users will be made available for streaming on Disney+, allowing the streaming platform to capitalize on the growing appeal for short-form video content.

The media conglomerate will also receive warrants to purchase additional equity in the ChatGPT maker.

The companies will use OpenAI's models to build new products and customer experiences, including for Disney+ subscribers, while Disney will deploy ChatGPT for its employees, Reuters reported.

The partnership comes months after Hollywood's premier talent agency sharply criticized the same technology Disney is now embracing.

Creative Artists Agency, which represents thousands of actors, directors and music artists, said in October OpenAI was exposing artists to "significant risk" through Sora, questioning whether the AI company believed creative professionals "deserve to be compensated and credited for the work they create".


In Photos, the Details that Illuminated the 2025 Marrakech International Film Festival

An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
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In Photos, the Details that Illuminated the 2025 Marrakech International Film Festival

An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)

The carpet outside the 2025 edition of the Marrakech International Film Festival was unfurled in its usual red, but the stars who walked across it shimmered in every color.

Actors and filmmakers drifted down its length in embroidered velvet robes and delicately cut black lace dresses, amid the sounds of camera shutters and microphones humming.

Some ensembles nodded explicitly to the region: hand-stitched caftans and robes with hems that followed the geometry of North African embroidery, The AP news reported.
Youssra, one of Egypt’s best-known actors, carried a black sequined, pearl-trimmed clutch emblazoned with her name across the front, recognizable to audiences all over the Middle East.

Palestinian filmmaker Annemarie Jacir poses for a photo on the red carpet during the 22nd Marrakech Film Festival, in Morocco, Saturday, Dec. 6, 2025. (AP Photo/Mosa’ab Elshamy)

Others went crisp and relied on an austere palette of black and white to make their statement. And woven through were quiet gestures of political intent. Clutches patterned like keffiyehs, pins worn close to the heart — small but unmistakable signals of solidarity with Palestinians at a festival on the edge of a region in conflict.

This year’s festival — whose guests included jury president Bong Joon Ho, Jafar Panahi and Anya Taylor-Joy — concluded Saturday.

An actress poses for a photo on the red carpet during the 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa'ab Elshamy)