‘Kung Fu Panda 4’ Repeats at No. 1 on the Box Office Charts

 16 March 2024, Australia, Sydney: Movie character "PO" poses at the Australian Premiere of "Kung Fu Panda 4" at Event Cinemas Bondi Junction on in Sydney. (dpa)
16 March 2024, Australia, Sydney: Movie character "PO" poses at the Australian Premiere of "Kung Fu Panda 4" at Event Cinemas Bondi Junction on in Sydney. (dpa)
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‘Kung Fu Panda 4’ Repeats at No. 1 on the Box Office Charts

 16 March 2024, Australia, Sydney: Movie character "PO" poses at the Australian Premiere of "Kung Fu Panda 4" at Event Cinemas Bondi Junction on in Sydney. (dpa)
16 March 2024, Australia, Sydney: Movie character "PO" poses at the Australian Premiere of "Kung Fu Panda 4" at Event Cinemas Bondi Junction on in Sydney. (dpa)

“Kung Fu Panda 4” stayed at the top of the North American box office in its second weekend in theaters. The Universal and DreamWorks Animation movie earned $30 million in ticket sales, according to studio estimates Sunday.

The franchise featuring the voice of Jack Black is responsible for over $1.9 billion at the box office since it launched in 2008 and spawned several animated series, shorts, video games and a holiday special. The fourth installment, playing in 4,067 locations in North America, has already made $107.7 million domestically.

There were several new movies arriving in over 1,000 theaters (or expanding) this weekend, including Lionsgate’s Mark Wahlberg dog movie “Arthur the King,” Focus Features’ comedic satire “The American Society of Magical Negroes” and A24’s Kristen Stewart-led bodybuilding thriller “Love Lies Bleeding.”

But the charts still belonged to the franchises, including “Dune: Part Two,” which came in a very close second in its third weekend, with $29.1 million. That's down only 37% from last weekend. It’s now made $205.3 million domestically. The first film, which was released simultaneously in theaters and on streaming, capped out at around $435 million globally, while “Part Two” is already at almost $500 million worldwide.

“Arthur the King” did the best of the newcomers, landing in third place with $7.5 million from 3,003 locations. The studio went into the weekend expecting something in the $8 million to $10 million range. Its low production cost and international presales should yield profits.

Directed by Simon Cellan Jones and written by Michael Brandt, the movie is based on the true story of an adventure racer who befriends a stray dog on a perilous 435-mile trek in the Dominican Republic. Simu Liu plays one of Wahlberg’s teammates. With an A CinemaScore, the studio is hoping positive word of mouth will boost sales in the coming weeks.

“Love Lies Bleeding” opened in 1,362 locations to $2.5 million. Written and directed by Rose Glass (“Saint Maud”), it’s a pulpy ’80s-set Western thriller about an isolated gym manager (Stewart) and a bodybuilder (Katy O’Brian) passing through town.

“The American Society of Magical Negroes” opened in 1,147 theaters and made an estimated $1.3 million. According to exit data, 52% of the opening weekend audience was Black. The movie, written and directed by Kobi Libii, is a satire about a secret society of Black people dedicated to making white lives easier. Justice Smith and David Alan Grier star.

In the first weekend following the Oscars, “Poor Things” added $2.3 million globally, bumping its total to $112.6 million.

Next weekend, “Ghostbusters: Frozen Empire” will arrive in theaters, armed with proton packs and brand name recognition.

“When there’s not a newcomer dominating the marketplace, it makes for a rather slow weekend,” said Paul Dergarabedian, the senior media analyst for Comscore. “Now we’re just waiting for ‘Ghostbusters: Frozen Empire’ and ‘Godzilla x Kong: The New Empire.’ That combo should take us out of the month of March on a high note.”

He added: “We’re going to have to have a lot of patience until we get to May and ‘The Fall Guy’ and the summer movie season. But there’s some great movies on the way.”



‘The Institute’: Stephen King’s New TV Thriller Premieres in London

Author and screenwriter Stephen King appears at the premiere of "The Life of Chuck" during the Toronto International Film Festival in Toronto on Sept. 6, 2024. (Christopher Katsarov/The Canadian Press via AP, File)
Author and screenwriter Stephen King appears at the premiere of "The Life of Chuck" during the Toronto International Film Festival in Toronto on Sept. 6, 2024. (Christopher Katsarov/The Canadian Press via AP, File)
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‘The Institute’: Stephen King’s New TV Thriller Premieres in London

Author and screenwriter Stephen King appears at the premiere of "The Life of Chuck" during the Toronto International Film Festival in Toronto on Sept. 6, 2024. (Christopher Katsarov/The Canadian Press via AP, File)
Author and screenwriter Stephen King appears at the premiere of "The Life of Chuck" during the Toronto International Film Festival in Toronto on Sept. 6, 2024. (Christopher Katsarov/The Canadian Press via AP, File)

American writer Stephen King and director Jack Bender have joined forces again for a new TV thriller "The Institute", which premiered in London on Thursday.

Based on King’s best-selling 2019 novel by the same name, Bender said after working together on shows such as crime drama "Mr. Mercedes" and sci-fi show "Under the Dome" they were keen to find a new project.

"This show is about the power of youth coming together to rectify the world that all of us adults have screwed up a little bit," Bender said.

As well as directing, Bender, along with King has an executive producer credit on the show, as does Ben Cavell, who also wrote the small screen adaptation.

Joe Freeman, in his first major role, stars as Luke Ellis, a teenager with unusual abilities, who is kidnapped and taken to "The Institution," a facility full of trapped kids with psychological powers.

"He's never acted and he's remarkable .... The minute I saw him on tape, it was: 'Oh, my God, this kid is it. He's so real,'" Bender said of 19-year-old Freeman, the son of actor Martin Freeman.

Asked if his dad, known for "The Hobbit" franchise and "Sherlock" had given him any advice, Joe Freeman said it was not to take anything for granted, as "the job (of an actor) is 99% rejection."

Freeman stars alongside Emmy award winner Mary-Louise Parker as Ms. Sigsby, who runs the institution and Ben Barnes, who plays an ex-cop whose life becomes intertwined with the facility.

"It's a sort of... a slow simmering sort of horrifying thriller rather than a horror," Barnes said.

While the first series covers the book, there are plans to continue.

"We certainly intend to tell much more story... if there's an appetite for it, we will absolutely continue this story because these characters, these actors, this crew... it all feels too good to leave behind," Cavell said.