Ramy Youssef Constantly Asks If Jokes Are Harmful or Helpful. He Keeps Telling Them Anyway

 Ramy Youssef poses for a portrait, Wednesday, March 13, 2024, in Culver City, Calif. (AP)
Ramy Youssef poses for a portrait, Wednesday, March 13, 2024, in Culver City, Calif. (AP)
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Ramy Youssef Constantly Asks If Jokes Are Harmful or Helpful. He Keeps Telling Them Anyway

 Ramy Youssef poses for a portrait, Wednesday, March 13, 2024, in Culver City, Calif. (AP)
Ramy Youssef poses for a portrait, Wednesday, March 13, 2024, in Culver City, Calif. (AP)

Fresh off his awards season high after attending the Oscars with his fellow “Poor Things” stars — and presenting — Ramy Youssef is heading back into more familiar territory. The actor and comedian, known for the critically acclaimed Hulu series “Ramy,” will premiere his latest stand-up special Saturday on HBO and Max.

In keeping with much of his previous work, “Ramy Youssef: More Feelings” doesn’t shy away from fraught topics, including the upcoming presidential election and the ongoing war between Israel and Hamas. Although Youssef says he is “constantly interrogating” whether tackling these subjects through comedy is a good use of his time, he thinks there is enough reason to keep doing it — for now. The interview has been edited for clarity and brevity.

AP: This special felt very timely. I wondered how soon after Oct. 7 and the war in Gaza began that you started working on it.

YOUSSEF: I think actually what’s really interesting about the special is that it appears more topical than it is. There’s definitely jokes in there that were written in the last few months, and there’s some of them that were even written a few days before. But I think that the bedrock of a lot of the stories that you would think I was writing in terms of a response to what was happening, I had been actually workshopping for years. I think that there’s a lot of focus on Oct. 7, rightfully so, because it was obviously a horrific day. And Oct. 6 was horrific, you know?

I think that’s kind of the point I’m making in terms of like this not being topical material. I think there actually is some press from that first week of October that talks about it being the deadliest year ever for children anywhere, in regards to Palestinian children. So, you know, this is something that’s heavy. And I think in terms of trying to find light and trying to find commonality between people, which I think is the goal of the special and kind of the goal of what I’ve always done.

AP: I could see some people being reluctant to broach such taboo topics through comedy. Is it a way for you to process things?

YOUSSEF: Yeah. I think for me personally it’s a processing thing. It’s a place again to kind of create an alternative space that is kind of without logic. Obviously, I kind of go out of my way to be pretty dumb when I’m doing stand-up. I think there’s something in just figuring out, you know, is there a pocket here to let the air out somehow in terms of it being healing? It might be. It could also not be. It also could be part of the problem. I actually have no idea, to be honest with you.

And I think I’m constantly interrogating myself of like, is this helpful? And I don’t think I’ll ever really know. But I do know that there’s a feeling that I get when I do a live show and people kind of walk out and the things that I get from the people who I meet and I get to shake their hand, or the people who write where they kind of feel, like we’ve kind of recharged a little bit. But yeah, no tangible answers or solutions or anything like that. Just maybe, a bit of a recharge, hopefully.

AP: Do you think the fear of it being hurtful is that it minimizes serious things?

YOUSSEF: Yeah. It could. It could be, maybe I should be doing something else with my time. You know, all these things are possible.

AP: It’s like the Bo Burnham joke that he’s healing the world with comedy.

YOUSSEF: It’s interesting because I think I’d had that conversation with Bo about that actually like many years ago, just kind of around the topic of, at the very least, like when we’re doing what we’re doing, that we should be interrogating ourselves.

AP: Do you kind of relish making people squirm a little bit?

YOUSSEF: Probably, yeah. But again, not to be sensational. It’s not like ambulance chasing. It’s just kind of this feeling of this is how I feel and I wonder what it would look like if we felt it together and then kind of did something with that feeling, you know? So let’s bring that up and then kind of look at it and then toss it away and kind of get into something else.

AP: You also talk a lot about politics in the special. Did somebody from Joe Biden’s campaign really reach out to you in 2020?

YOUSSEF: Yeah, we had a Zoom. I mean they’re very nice people, by the way. Like, they’re really good. And I think, you know, obviously in the special, it’s kind of fun to play with those situations. We’re in a really interesting predicament where it’s kind of like, “Hey are you sure you want to complain about Biden? Because Trump is worse.” And then it’s kind of like OK, you know that’s kind of that’s like textbook abuse, right? You know, don’t say anything because then it’s going to get worse. And you say, “OK, I thought we’re in a democracy. Aren’t we supposed to kind of question it and poke at it?”

And then I’m feeling an interesting thing where we’re kind of voicing, you know, what I think is an incredibly fair argument and also starting to feel this feeling of, “Hey, you might blow this election for us.” It’s kind of like, you know, I think you might blow it for you. And I don’t want that. I actually don’t want that. I want this to work. I love being an American. I really want this to work out.

AP: And then I have to ask about Taylor Swift coming to your show. I think people didn’t really know she was into comedy.

YOUSSEF: You gotta see her “Saturday Night Live.” Her “SNL” was great.

AP: So were you guys already friends?

YOUSSEF: It’s so funny. It’s kind of like it’s just one of those things where I think because she’s one of the biggest people, I mean, she was like person of the year, that it kind of becomes this huge talking point or whatever. I kind of have a throwaway joke about it, but for the most part, it’s like we just met, you know? Like she was a big fan of the movie, of “Poor Things.” But there’s almost something slightly embarrassing about like talking about it too much because it’s just like we just met, you know? So I don’t have like a ton to say, but she's just a really cool person.



Video Game Performers Will Go on Strike Over Artificial Intelligence Concerns 

SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
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Video Game Performers Will Go on Strike Over Artificial Intelligence Concerns 

SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)

Hollywood's video game performers announced they would go on strike Thursday, throwing part of the entertainment industry into another work stoppage after talks for a new contract with major game studios broke down over artificial intelligence protections.

The strike — the second for video game voice actors and motion capture performers under the Screen Actors Guild-American Federation of Television and Radio Artists — will begin at 12:01 a.m. Friday. The move comes after nearly two years of negotiations with gaming giants, including divisions of Activision, Warner Bros. and Walt Disney Co., over a new interactive media agreement.

SAG-AFTRA negotiators say gains have been made over wages and job safety in the video game contract, but that the two sides remained split over the regulation of generative AI. A spokesperson for the video game producers, Audrey Cooling, said the studios offered AI protections, but SAG-AFTRA’s negotiating committee said that the studios’ definition of who constitutes a "performer" is key to understanding the issue of who would be protected.

"The industry has told us point blank that they do not necessarily consider everyone who is rendering movement performance to be a performer that is covered by the collective bargaining agreement," SAG-AFTRA Chief Contracts Officer Ray Rodriguez said at a news conference Thursday afternoon. He said some physical performances are being treated as "data."

Without guardrails, game companies could train AI to replicate an actor’s voice, or create a digital replica of their likeness without consent or fair compensation, the union said.

"We strike as a matter of last resort. We have given this process absolutely as much time as we responsibly can," Rodriguez told reporters. "We have exhausted the other possibilities, and that is why we’re doing it now."

Cooling said the companies' offer "extends meaningful AI protections."

"We are disappointed the union has chosen to walk away when we are so close to a deal, and we remain prepared to resume negotiations," she said.

Andi Norris, an actor and member of the union's negotiating committee, said that those who do stunt work or creature performances would still be at risk under the game companies' offer.

"The performers who bring their body of work to these games create a whole variety of characters, and all of that work must be covered. Their proposal would carve out anything that doesn’t look and sound identical to me as I sit here, when, in truth, on any given week I am a zombie, I am a soldier, I am a zombie soldier," Norris said. "We cannot and will not accept that a stunt or movement performer giving a full performance on stage next to a voice actor isn’t a performer."

The global video game industry generates well over $100 billion dollars in profit annually, according to game market forecaster Newzoo. The people who design and bring those games to life are the driving force behind that success, SAG-AFTRA said.

Members voted overwhelmingly last year to give leadership the authority to strike. Concerns about how movie studios will use AI helped fuel last year’s film and television strikes by the union, which lasted four months.

The last interactive contract, which expired in November 2022, did not provide protections around AI but secured a bonus compensation structure for voice actors and performance capture artists after an 11-month strike that began in October 2016. That work stoppage marked the first major labor action from SAG-AFTRA following the merger of Hollywood’s two largest actors unions in 2012.

The video game agreement covers more than 2,500 "off-camera (voiceover) performers, on-camera (motion capture, stunt) performers, stunt coordinators, singers, dancers, puppeteers, and background performers," according to the union.

Amid the tense interactive negotiations, SAG-AFTRA created a separate contract in February that covered independent and lower-budget video game projects. The tiered-budget independent interactive media agreement contains some of the protections on AI that video game industry titans have rejected. Games signed to an interim interactive media agreement, tiered-budget independent interactive agreement or interim interactive localization agreement are not part of the strike, the union said.