Ramy Youssef Constantly Asks If Jokes Are Harmful or Helpful. He Keeps Telling Them Anyway

 Ramy Youssef poses for a portrait, Wednesday, March 13, 2024, in Culver City, Calif. (AP)
Ramy Youssef poses for a portrait, Wednesday, March 13, 2024, in Culver City, Calif. (AP)
TT

Ramy Youssef Constantly Asks If Jokes Are Harmful or Helpful. He Keeps Telling Them Anyway

 Ramy Youssef poses for a portrait, Wednesday, March 13, 2024, in Culver City, Calif. (AP)
Ramy Youssef poses for a portrait, Wednesday, March 13, 2024, in Culver City, Calif. (AP)

Fresh off his awards season high after attending the Oscars with his fellow “Poor Things” stars — and presenting — Ramy Youssef is heading back into more familiar territory. The actor and comedian, known for the critically acclaimed Hulu series “Ramy,” will premiere his latest stand-up special Saturday on HBO and Max.

In keeping with much of his previous work, “Ramy Youssef: More Feelings” doesn’t shy away from fraught topics, including the upcoming presidential election and the ongoing war between Israel and Hamas. Although Youssef says he is “constantly interrogating” whether tackling these subjects through comedy is a good use of his time, he thinks there is enough reason to keep doing it — for now. The interview has been edited for clarity and brevity.

AP: This special felt very timely. I wondered how soon after Oct. 7 and the war in Gaza began that you started working on it.

YOUSSEF: I think actually what’s really interesting about the special is that it appears more topical than it is. There’s definitely jokes in there that were written in the last few months, and there’s some of them that were even written a few days before. But I think that the bedrock of a lot of the stories that you would think I was writing in terms of a response to what was happening, I had been actually workshopping for years. I think that there’s a lot of focus on Oct. 7, rightfully so, because it was obviously a horrific day. And Oct. 6 was horrific, you know?

I think that’s kind of the point I’m making in terms of like this not being topical material. I think there actually is some press from that first week of October that talks about it being the deadliest year ever for children anywhere, in regards to Palestinian children. So, you know, this is something that’s heavy. And I think in terms of trying to find light and trying to find commonality between people, which I think is the goal of the special and kind of the goal of what I’ve always done.

AP: I could see some people being reluctant to broach such taboo topics through comedy. Is it a way for you to process things?

YOUSSEF: Yeah. I think for me personally it’s a processing thing. It’s a place again to kind of create an alternative space that is kind of without logic. Obviously, I kind of go out of my way to be pretty dumb when I’m doing stand-up. I think there’s something in just figuring out, you know, is there a pocket here to let the air out somehow in terms of it being healing? It might be. It could also not be. It also could be part of the problem. I actually have no idea, to be honest with you.

And I think I’m constantly interrogating myself of like, is this helpful? And I don’t think I’ll ever really know. But I do know that there’s a feeling that I get when I do a live show and people kind of walk out and the things that I get from the people who I meet and I get to shake their hand, or the people who write where they kind of feel, like we’ve kind of recharged a little bit. But yeah, no tangible answers or solutions or anything like that. Just maybe, a bit of a recharge, hopefully.

AP: Do you think the fear of it being hurtful is that it minimizes serious things?

YOUSSEF: Yeah. It could. It could be, maybe I should be doing something else with my time. You know, all these things are possible.

AP: It’s like the Bo Burnham joke that he’s healing the world with comedy.

YOUSSEF: It’s interesting because I think I’d had that conversation with Bo about that actually like many years ago, just kind of around the topic of, at the very least, like when we’re doing what we’re doing, that we should be interrogating ourselves.

AP: Do you kind of relish making people squirm a little bit?

YOUSSEF: Probably, yeah. But again, not to be sensational. It’s not like ambulance chasing. It’s just kind of this feeling of this is how I feel and I wonder what it would look like if we felt it together and then kind of did something with that feeling, you know? So let’s bring that up and then kind of look at it and then toss it away and kind of get into something else.

AP: You also talk a lot about politics in the special. Did somebody from Joe Biden’s campaign really reach out to you in 2020?

YOUSSEF: Yeah, we had a Zoom. I mean they’re very nice people, by the way. Like, they’re really good. And I think, you know, obviously in the special, it’s kind of fun to play with those situations. We’re in a really interesting predicament where it’s kind of like, “Hey are you sure you want to complain about Biden? Because Trump is worse.” And then it’s kind of like OK, you know that’s kind of that’s like textbook abuse, right? You know, don’t say anything because then it’s going to get worse. And you say, “OK, I thought we’re in a democracy. Aren’t we supposed to kind of question it and poke at it?”

And then I’m feeling an interesting thing where we’re kind of voicing, you know, what I think is an incredibly fair argument and also starting to feel this feeling of, “Hey, you might blow this election for us.” It’s kind of like, you know, I think you might blow it for you. And I don’t want that. I actually don’t want that. I want this to work. I love being an American. I really want this to work out.

AP: And then I have to ask about Taylor Swift coming to your show. I think people didn’t really know she was into comedy.

YOUSSEF: You gotta see her “Saturday Night Live.” Her “SNL” was great.

AP: So were you guys already friends?

YOUSSEF: It’s so funny. It’s kind of like it’s just one of those things where I think because she’s one of the biggest people, I mean, she was like person of the year, that it kind of becomes this huge talking point or whatever. I kind of have a throwaway joke about it, but for the most part, it’s like we just met, you know? Like she was a big fan of the movie, of “Poor Things.” But there’s almost something slightly embarrassing about like talking about it too much because it’s just like we just met, you know? So I don’t have like a ton to say, but she's just a really cool person.



Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
TT

Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)

More than 80 actors, directors and other ‌artists who have taken part in the Berlin Film Festival, including Tilda Swinton and Javier Bardem, signed an open letter to the organizers published on Tuesday calling for them to take a clear stance on Israel's war in Gaza.

"We call on the Berlinale to fulfil its moral duty and clearly state its opposition to Israel's genocide, crimes against humanity and war crimes against Palestinians," said the open letter, which was published in full in entertainment industry magazine Variety.

Multiple human rights experts, scholars and a UN inquiry say Israel's assault on Gaza amounts to genocide. Israel calls its actions self-defense after Hamas' October 2023 attack on Israel.

"We are appalled by Berlinale's institutional silence," ‌said the letter, which ‌was also signed by actors Adam McKay, Alia Shawkat and ‌Brian ⁠Cox, and director ⁠Mike Leigh.

It said organizers had not met demands to issue a statement affirming Palestinians' right to life and committing to uphold artists' right to speak out on the issue.

"This is the least it can - and should - do," the letter said.

The festival did not immediately respond to an emailed request for comment.

THE MOST POLITICAL FESTIVAL

The Berlin Film Festival is considered the most political of its peers, Venice and Cannes, and ⁠prides itself on showing cinema from under-represented communities and young ‌talent. However, it has been repeatedly criticized by pro-Palestinian activists ‌for not taking a stand on Gaza, in contrast to the war in Ukraine ‌and the situation in Iran.

Calls have also previously been made for the ‌entertainment industry to take a stance on Gaza.

Last year, over 5,000 actors, entertainers, and producers, including some Hollywood stars, signed a pledge to not work with Israeli film institutions that they saw as being complicit in the abuse of Palestinians by Israel.

Paramount studio later condemned that ‌pledge and said it did not agree with such efforts.

ROY PULLS OUT

Tuesday's letter also condemned statements by this year's ⁠jury president, German director ⁠Wim Wenders, that filmmakers should stay out of politics, writing: "You cannot separate one from the other."

Wenders' comments prompted Indian novelist Arundhati Roy, winner of the Booker Prize in 1997 for her novel "The God of Small Things", to pull out of the festival earlier this week.

Roy, who had been due to present "In Which Annie Gives It Those Ones", a 1989 film which she wrote, in the Berlinale's Classics section, characterized Wenders' comments as "unconscionable."

In response, festival director Tricia Tuttle issued a note on Saturday defending artists' decision not to comment on political issues.

"People have called for free speech at the Berlinale. Free speech is happening at the Berlinale," she said.

"But increasingly, filmmakers are expected to answer any question put to them," she wrote, and are criticized if they do not answer, or answer "and we do not like what they say."


‘Godfather’ and ‘Apocalypse Now’ Actor Robert Duvall Dead at 95 

Actor Robert Duvall arrives at the 72nd Golden Globe Awards in Beverly Hills, California January 11, 2015. (Reuters)
Actor Robert Duvall arrives at the 72nd Golden Globe Awards in Beverly Hills, California January 11, 2015. (Reuters)
TT

‘Godfather’ and ‘Apocalypse Now’ Actor Robert Duvall Dead at 95 

Actor Robert Duvall arrives at the 72nd Golden Globe Awards in Beverly Hills, California January 11, 2015. (Reuters)
Actor Robert Duvall arrives at the 72nd Golden Globe Awards in Beverly Hills, California January 11, 2015. (Reuters)

Robert Duvall, who played the smooth mafia lawyer in "The Godfather" and stole the show with his depiction of a surfing-crazed colonel in "Apocalypse Now," has died at the age of 95, his wife said Monday.

His death Sunday was confirmed by his wife Luciana Duvall.

"Yesterday we said goodbye to my beloved husband, cherished friend, and one of the greatest actors of our time. Bob passed away peacefully at home," she wrote.

Blunt-talking, prolific and glitz-averse, Duvall won an Oscar for best actor and was nominated six other times. Over his six decades-long career, he shone in both lead and supporting roles, and eventually became a director. He kept acting in his 90s.

"To the world, he was an Academy Award-winning actor, a director, a storyteller. To me, he was simply everything," Luciana Duvall said. "His passion for his craft was matched only by his deep love for characters, a great meal, and holding court."

Duvall won his Academy Award in 1983 for playing a washed-up country singer in "Tender Mercies."

But his most memorable characters also included the soft-spoken, loyal mob consigliere Tom Hagen in the first two installments of "The Godfather" and the maniacal Lieutenant Colonel William Kilgore in Francis Ford Coppola's 1979 Vietnam War epic "Apocalypse Now."

"It was an honor to have worked with Robert Duvall," Oscar winner Al Pacino, who acted alongside Duvall in "The Godfather" films, said in a statement.

"He was a born actor as they say, his connection with it, his understanding and his phenomenal gift will always be remembered. I will miss him."

As Colonel Kilgore, Duvall earned an Oscar nomination and became a bona fide star after years playing lesser roles, in a performance where he utters what is now one of cinema's most famous lines.

"I love the smell of napalm in the morning," his war-loving character -- bare chested, cocky and sporting a big black cowboy hat -- muses as low-flying US warplanes bomb a beachfront tree line where he wants to go surfing.

That character was originally created to be even more over the top -- his name was at first supposed to be Colonel Carnage -- but Duvall had it toned down, demonstrating his meticulous approach to acting.

"I did my homework," Duvall told veteran talk show host Larry King in 2015. "I did my research."

Cinema giant Francis Ford Coppola -- who directed Duvall in "Apocalypse Now" and "The Godfather" -- called his loss "a blow."

"Such a great actor and such an essential part of American Zoetrope from its beginning," Coppola said in a statement on Instagram.

- A 'vast career' -

Duvall was sort of a late bloomer in Hollywood -- he was already 31 when he delivered his breakout performance as the mysterious recluse Boo Radley in the 1962 film adaptation of Harper Lee's novel "To Kill a Mockingbird."

He would go on to play myriad roles -- a bullying corporate executive in "Network" (1976), a Marine officer who treats his family like soldiers in "The Great Santini" (1979), and then his star turn in "Tender Mercies."

Duvall often said his favorite role, however, was one he played in a 1989 TV mini-series -- the grizzled, wise-cracking Texas Ranger-turned-cowboy Augustus McCrae in "Lonesome Dove," based on the novel by Larry McMurtry.

British actress Jane Seymour, who worked with Duvall on the 1995 film "The Stars Fell on Henrietta," took to Instagram to share a heartfelt tribute to the star.

"We were able to share in his love of barbecue and even a little tango," Seymour captioned a photo of herself with Duvall. "Those moments off camera were just as memorable as the work itself."

US actor Alec Baldwin made a short video tribute to Duvall, speaking about the star's "vast career."

"When he did 'To Kill A Mockingbird' he just destroyed you with his performance of Boo Radley, he used not a single word of dialogue, not a single word, and he just shatters you," Baldwin said.

Film critic Elaine Mancini once described Duvall as "the most technically proficient, the most versatile, and the most convincing actor on the screen in the United States."


Songwriter Billy Steinberg Dies at 75

Grammy-winning songwriter Billy Steinberg (L) was behind several top hits of the 1980s and 1990s including Madonna's 'Like A Virgin'. Paul A. Hebert / GETTY IMAGES NORTH AMERICA/AFP/File
Grammy-winning songwriter Billy Steinberg (L) was behind several top hits of the 1980s and 1990s including Madonna's 'Like A Virgin'. Paul A. Hebert / GETTY IMAGES NORTH AMERICA/AFP/File
TT

Songwriter Billy Steinberg Dies at 75

Grammy-winning songwriter Billy Steinberg (L) was behind several top hits of the 1980s and 1990s including Madonna's 'Like A Virgin'. Paul A. Hebert / GETTY IMAGES NORTH AMERICA/AFP/File
Grammy-winning songwriter Billy Steinberg (L) was behind several top hits of the 1980s and 1990s including Madonna's 'Like A Virgin'. Paul A. Hebert / GETTY IMAGES NORTH AMERICA/AFP/File

Award-winning US songwriter Billy Steinberg, who wrote several top hit songs including Madonna's "Like a Virgin," died Monday at age 75, according to media reports.

Steinberg wrote some of the biggest pop hits of the 1980s and 1990s and was behind songs performed by singers from Whitney Houston and Celine Dion to Madonna and Cyndi Lauper.

He died following a battle with cancer, his attorney told the Los Angeles Times and BBC News.

"Billy Steinberg's life was a testament to the enduring power of a well-written song -- and to the idea that honesty, when set to music, can outlive us all," his family said in a statement to the outlets.

Steinberg was born in 1950 and grew up in Palm Springs, California, where his family had a table grape business. He attended Bard College in New York and soon began his career in songwriting.

He helped write five number one singles on the Billboard Hot 100 list. Among those was "Like a Virgin," co-written with Tom Kelly, which spent six consecutive weeks at the top of the charts.

Steinberg won a Grammy Award in 1997 for his work on Celine Dion's "Falling Into You."

He was inducted into the Songwriters Hall of Fame in 2011.