‘Furiosa,’ the Follow-up to ‘Mad Max: Fury Road,’ Will Premiere at Cannes Film Festival 

This image released by Warner Bros. Pictures shows Anya Taylor-Joy in a scene from "Furiosa: A Mad Max Saga." (Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows Anya Taylor-Joy in a scene from "Furiosa: A Mad Max Saga." (Warner Bros. Pictures via AP)
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‘Furiosa,’ the Follow-up to ‘Mad Max: Fury Road,’ Will Premiere at Cannes Film Festival 

This image released by Warner Bros. Pictures shows Anya Taylor-Joy in a scene from "Furiosa: A Mad Max Saga." (Warner Bros. Pictures via AP)
This image released by Warner Bros. Pictures shows Anya Taylor-Joy in a scene from "Furiosa: A Mad Max Saga." (Warner Bros. Pictures via AP)

“Furiosa: A Mad Max Saga,” George Miller’s eagerly awaited follow-up to “Mad Max: Fury Road,” will make its world premiere at the Cannes Film Festival in May.

“Furiosa,” a prequel to “Fury Road” starring Anya Taylor-Joy, will roar down the Croisette nine years after Miller’s previous “Mad Max” film did. After its 2015 bow at Cannes, “Fury Road” went on to gross $380 million worldwide and win six Oscars.

“Furiosa,” screening out of competition at Cannes, will premiere May 15. The film, co-starring Chris Hemsworth and Tom Burke, features Taylor-Joy in the role played by Charlize Theron in “Fury Road.”

“The idea of this prequel has been with me for over a decade,” Miller said in a statement. “I couldn’t be more thrilled to return to the Festival de Cannes — along with Anya, Chris and Tom — to share ‘Furiosa: A Mad Max Saga.’ There is no better place than La Croisette to experience this film with audiences on the world stage.”

Miller’s previous film, 2022’s “Three Thousand Years of Longing,” also premiered at Cannes.

“Furiosa” will land in US theaters May 24. The 77th Cannes Film Festival runs May 14-25.



Eminem Brings Taylor Swift's Historic Reign at No. 1 to an End, Stevie Wonder's Record Stays Intact

Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)
Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)
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Eminem Brings Taylor Swift's Historic Reign at No. 1 to an End, Stevie Wonder's Record Stays Intact

Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)
Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)

Eminem's latest album, “The Death of Slim Shady (Coup de Grâce),” has debuted at No. 1 on the Billboard 200, unseating Taylor Swift's "The Tortured Poets Department" after 12 weeks.
In its first week, “The Tortured Poets Department” hit 891.34 million album streams stateside, according to Luminate, the biggest streaming week for an album in history, The Associated Press said.
Swift's album debuted at No. 1 in April and held the top spot for three months. She is the only woman to have done so; Swift beat the previous record held by Whitney Houston's 1987 album, “Whitney.” It spent its first 11 weeks at No. 1.
“The Tortured Poets Department” tied Morgan Wallen's 2023 album “One Thing at a Time,” which also debuted at No. 1 and stayed there for 12 consecutive weeks. (It would later remerge at the top spot, spending 19 weeks total at No. 1.)
The only album to outperform them is Stevie Wonder’s 1976 masterpiece, “Songs in the Key of Life.” It spent 13 weeks at No. 1 after debuting in the top spot; 14 weeks there in total.
“The Death of Slim Shady (Coup de Grâce)" is Eminem's 12th album and his 11th to hit No. 1. “The Tortured Poets Department” dropped to No. 4 as a result. In the second slot is K-pop boy band ENHYPHEN's “ROMANCE:UNTOLD” and irreverent country Zach Bryan's “The Great American Bar Scene” is at No. 3.