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As Speculation about Next Bond Grows, Here’s How Some Actors Have Responded to Casting Rumors

Actor Aaron Taylor-Johnson gestures as he poses for the media before the news conference to promote his latest movie "Bullet Train" in Seoul, South Korea on Aug. 19, 2022. (AP)
Actor Aaron Taylor-Johnson gestures as he poses for the media before the news conference to promote his latest movie "Bullet Train" in Seoul, South Korea on Aug. 19, 2022. (AP)
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As Speculation about Next Bond Grows, Here’s How Some Actors Have Responded to Casting Rumors

Actor Aaron Taylor-Johnson gestures as he poses for the media before the news conference to promote his latest movie "Bullet Train" in Seoul, South Korea on Aug. 19, 2022. (AP)
Actor Aaron Taylor-Johnson gestures as he poses for the media before the news conference to promote his latest movie "Bullet Train" in Seoul, South Korea on Aug. 19, 2022. (AP)

Aaron Taylor-Johnson is the latest actor reportedly offered a license to kill and succeed Daniel Craig as the new James Bond.

The “Kick-Ass” star is no stranger to action movies and at 33 is a good age to join the franchise, as producers likely want a 10-year commitment to the role.

Since Craig announced that he was hanging up his tuxedo after five outings as 007 — the last being “No Time to Die” in 2021 — there has been frenzied speculation over which actor will take the coveted role.

Bond producers have not commented on the Taylor-Johnson rumors.

Speculating about the next Bond is a frequent subject (sometimes even before the job is available), leading British actors to adopt various strategies and responses when the topic comes up.

One of the foremost names in the frame over the past few years has been Idris Elba, though producer Barbara Broccoli said in 2022 that the “Luther” star had ruled himself out.

“He apparently has said he’s out,” she told The Associated Press. “We love Idris and he’s been a wonderful friend and we love him as an actor. But I think he feels like a, you know, 10- or 12-year commitment or 15-year commitment might be a bit too much for him.”

“You know, it’s a rumor that’s stuck with me,” Elba said in 2023. “I think I’m the most famous ‘Bond’ actor that never actually played the part. So, what can I say? I’ll take that.”

Elba has high profile fans including Matt Damon. “I think he’s brilliant. I’ll watch him in anything and he makes everything he’s in better and he would make that franchise better.”

“Inception” and “Dunkirk” star Tom Hardy was touted as the next Bond back in 2015, though he claimed to have “heard nothing” about press speculation.

“I think answering something like that means immediately you’re out of the running. So there goes my spot,” he joked.

Luke Evans, who has starred in a wide variety of movies and TV series from “The Hobbit” to “Beauty and the Beast” to “Nine Perfect Strangers,” felt his dream of playing Bond has slipped away.

“By the time they cast it again, I’ll be too old,” the 44-year-old actor told The Associated Press in 2022.

Richard Madden brushed off rumors about his involvement in Bond at a press conference for “Rocket Man” in Cannes back in 2019.

“It’s very flattering to be involved in that conversation at all. But it’s all just talk and I’m sure next week you’ll be someone different,” he laughed.

Other names connected with the role in recent years include Regé-Jean Page, who shot to fame in “Bridgerton” as the Duke of Hastings, Theo James, who earned an Emmy nomination for his role in “The White Lotus,” and Henry Golding, star of “Crazy Rich Asians.”

Every time Golding has appeared on a red carpet wearing a tuxedo, rumors swirl about him being the next 007, but he remains tight-lipped.

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Movie Review: In ‘Deadpool & Wolverine,’ the Superhero Movie Finally Accepts Itself for What It Is 

Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)
Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)
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Movie Review: In ‘Deadpool & Wolverine,’ the Superhero Movie Finally Accepts Itself for What It Is 

Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)
Hugh Jackman and Ryan Reynolds attend the premiere of "Deadpool & Wolverine" in New York City, New York, US, July 22, 2024. (Reuters)

If one thing is certain about “Deadpool,” it’s that its titular hero, for reasons never explained, understands his place in the world — well, in our world.

Indeed, the irreverent and raunchy mutant is sure to belabor his awareness of the context in which he lives — namely an over-saturated, increasingly labyrinthine multibillion-dollar Marvel multiverse which spans decades, studios and too many films for most viewers to count.

From its inception, the “Deadpool” franchise has prided itself on a subversive, self-aware anti-superhero superhero movie, making fun of everything from comic books to Hollywood to its biggest champion, co-writer and star, Ryan Reynolds.

It’s no surprise then, as fans have come to expect, that the long-anticipated “Deadpool & Wolverine” further embraces its fourth wall-breaking self-awareness — even as it looks increasingly and more earnestly like the superhero movie blueprint it loves to exploit. That tension — the fact that “Deadpool” has called out comic book movie tropes despite being, in fact, a comic book movie — is somehow remedied in “Deadpool & Wolverine,” which leans into its genre more than the franchise’s first two movies.

Perhaps this gives viewers more clarity on its intended audience. After all, someone who hates superhero films — I’m looking at you, Scorsese — isn’t going to be won over because of a few self-deprecating jokes about lazy writing, budgets for A-list cameos and the overused “superhero landing” Reynolds’ Deadpool regularly refers to.

But this time around, director Shawn Levy — his first Marvel movie — seems to have found a sweet spot. Levy is surely helped by the fact that the third film in the franchise has a bigger budget, more hype and, of course, a brooding Hugh Jackman as Wolverine.

That anticipation makes their relationship, packed with hatred and fandom, all the more enticing. Their fight scenes against each other are just as compelling as their moments of self-sacrificial partnership in the spirit of, you guessed it, saving the world(s).

Speaking of worlds, there is one important development in our own to be aware of ahead of time. The first two “Deadpool” films were distributed by 20th Century Fox, whose $71.3 billion acquisition by the Walt Disney Co. in 2019 opened the door for the franchise to join the Marvel Cinematic Universe.

Perhaps unsurprisingly, “Deadpool & Wolverine” takes full advantage of that vast playground, which began in 2008 with Robert Downey Jr.’s “Iron Man” and now includes more than 30 films and a host of television shows. The acquisition is also a recurring target of Deadpool’s sarcasm throughout the movie.

Although steeped in references and cameos that can feel a bit like inside baseball for the less devoted, “Deadpool & Wolverine” is easy enough to follow for the casual Marvel viewer, though it wouldn’t hurt to have seen the first “Deadpool” and Jackman’s 2017 “Logan,” a harbinger of the increasing appetite for R-rated superhero violence. The Disney+ series “Loki” also gives helpful context, though is by no means a must watch, on the Time Variance Authority, which polices multiverse timelines to avoid “incursions,” or the catastrophic colliding of universes.

A defining feature of “Deadpool” has been its R rating and hyper violent action scenes. Whether thanks to more money, Levy’s direction or some combination of the two, these scenes are much more visually appealing.

But “Deadpool & Wolverine” does succumb to some of the deus ex machina writing that so often plagues superhero movies. Wade Wilson’s (the real identity of Deadpool) relationship with his ex (?) Vanessa is particularly underdeveloped — though it’s possible that ambiguity is a metaphor for Deadpool’s future within the MCU.

The plot feels aimless at points toward the end. One cameo-saturated battle scene in particular is resolved in a way that leaves its audience wanting after spending quite a bit of time building tension around it. While there are a few impressive stars who make an appearance, audiences may be disappointed by the amount of MCU characters referenced who don’t make it in.

The bloody but comedic final fight scene, however, is enough to perk viewers back up for the last act, solidifying the film’s identity as a fun, generally well-made summer movie.

The sole MCU release of 2024, “Deadpool & Wolverine” proves it’s not necessarily the source material that’s causing so-called superhero fatigue. It also suggests, in light of Marvel’s move to scale back production following a pandemic and historic Hollywood strikes, that increased attention given to making a movie will ultimately help the final product.