What to Stream this Week: Beyoncé, Steve Martin, J-Hope, Mike Birbiglia, Bill Nighy and 'Madu'

Beyoncé pictured during her Glastonbury headline set, June 26, 2011. (Getty Images)
Beyoncé pictured during her Glastonbury headline set, June 26, 2011. (Getty Images)
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What to Stream this Week: Beyoncé, Steve Martin, J-Hope, Mike Birbiglia, Bill Nighy and 'Madu'

Beyoncé pictured during her Glastonbury headline set, June 26, 2011. (Getty Images)
Beyoncé pictured during her Glastonbury headline set, June 26, 2011. (Getty Images)

Beyoncé's country album and a documentary about a Nigerian boy who dreams of being a professional ballet dancer are some of the new television, movies, music and games headed to a device near you.
Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Bill Nighy plays an English soccer manager taking a team to the Homeless World Cup in “The Beautiful Game,” a two-part documentary about comedy master Steve Martin and Netflix offers “Testament: The Story of Moses,” just in time for Easter.
NEW MOVIES TO STREAM — Bill Nighy leads a charming crowd-pleaser on Netflix, “The Beautiful Game,” in which he plays an English soccer (sorry, football) manager taking a team to the Homeless World Cup in Rome. Michael Ward co-stars as an especially talented player, Vinny, who reluctantly joins the team. New to housing insecurity, he feels above his teammates and the circus of the games at first. The story, written by Frank Cottrell-Boyce and directed by Thea Sharrock is loosely inspired by the real thing (Cottrell-Boyce worked with the Homeless World Cup Foundation to develop the characters) but at heart is very much a movie, tidy and feel-good in the vein of “Ted Lasso” – perhaps what “Next Goal Wins” wanted to be. It starts streaming on Friday, March 29.
— Oscar-winning documentarian Morgan Neville dives into the life of a personal idol, Steve Martin, in “STEVE! (martin) a documentary in 2 pieces,” coming to Apple TV+ on Friday, March 29. Neville (“Won’t You Be My Neighbor”) essentially created two different movies, one about Martin’s beginnings and one about the present. Martin has told his story many times, but the Neville movies offer unprecedented access to him reflecting on successes, failures and finding happiness. He assures viewers that they can be watched in any order. And yes, there will be banjos.
— This week is all about affirmation and inspiration in streaming movies, apparently, and Disney+ has its own submission with “Madu." It’s about a 12-year-old Nigerian boy who leaves home to study ballet at a prestigious school in England for seven years. If this sounds vaguely familiar it’s likely because at age 11, Anthony Madu went viral online with a 44-second video of him dancing shoeless in the mud and rain in Lagos. It got the attention of the national media and the likes of Cynthia Erivo and Viola Davis and put him on the path you see in the film. “Madu” begins streaming on Friday, March 29.
— AP Film Writer Lindsey Bahr
NEW MUSIC TO STREAM — This ain’t a country album, it’s a Beyoncé album. At least, that phrase was briefly projected onto the exterior of some of New York City’s most famous museums, the Guggenheim, Whitney, New Museum, and the Museum of Arts and Design, in the week leading up to her highly anticipated new album, “Act ll: Cowboy Carter.” The album was first announced last month, after a Verizon commercial starring Beyoncé aired during the Super Bowl ended with the superstar saying, “They ready, drop the new music.” A cryptic Instagram tease later, and Bey surprise release two singles, the country stomp “Texas Hold ’Em,” and the soulful slow burn “16 Carriages.” It’s not new territory for Beyoncé, as anyone who remembers the track “Daddy Lessons” from her 2016 studio album “Lemonade” will remember, but it has opened up new territory. A few weeks ago, the superstar singer became the first Black woman to top Billboard’s country music chart. The album drops Friday, March 29.
— Also on Bey Day (or however the culture has decided to describe the unofficial holiday), Sheryl Crow will release “Evolution,” her 12th studio album and first in half a decade. After 2019’s “Threads” was released, Crow said she would not release another full-length. Time changes things, as any artist will let you know, and it’s a great thing. One listen of her cover of Peter Gabriel’s 1992 track “Digging in the Dirt,” recorded with Gabriel, guarantees it.
— Bid farewell to Sum 41, the playful pop-punk band from Canada known for their raucous hits “In Too Deep” and “Fat Lip.” The band’s final album, “Heaven :x: Hell,” releases Friday, March 29. They’re going out with an explosion – their enthusiastic rock never missing a beat — but it is an end to an era, nonetheless. Was lead single “Landmines” written in 2023 or 2001? Who knows – palm-muted power chords hit just as hard now as they did then.
— With members of the K-pop group BTS currently participating in South Korea’s mandatory military service, it’s hard not to miss them. But there is a balm: an Amazon Prime docuseries about member J-Hope titled “Hope on the Street.” The show follows J-Hope’s story — can’t miss viewing for the superfans in your life.
— AP Music Writer Maria Sherman
NEW SHOWS TO STREAM — This one’s for the comedy nerds. Peacock debuts “Good One: A Show About Jokes,” based on a popular Vulture podcast, on Tuesday. The documentary follows Mike Birbiglia, known for his personal comedy, as he mines his life for new material. “Good One” also features Seth Meyers, Hasan Minhaj and Atsuko Okatsuka.
— In time for Easter Sunday, Netflix offers a new docudrama in the faith-based genre with “Testament: The Story of Moses.” It follows the Biblical story of Moses and his journey from Egyptian prince to being given the Ten Commandments by God. He also went from an outcast to a liberator. Charles Dance narrates and Avi Azulay plays Moses, and the three-parts also features interviews with religion experts. “Testament” premieres Wednesday.
— BritBox offers the second season of the British prison drama “Time.” If you missed season one, it’s OK, because “Time” is an anthology series. Season two stars Jodie Whittaker of “Doctor Who” and “Broadchurch” along with Bella Ramsey from “The Last of Us.” Whittaker, Ramsey and Tamara Lawrence play three women who meet on their first day in prison. “Time” premieres Wednesday.
— A new limited drama series on “Hulu” called “We Were the Lucky Ones” follows the members of the Kurc family, who get separated during World War II after the Nazi’s invaded Poland. It’s based on a book by Georgia Hunter who discovered her own Jewish ancestry and that her grandfather was actually a Holocaust survivor while writing a report for school. The series stars Logan Lerman as her grandfather Addy and Joey King as his sister. The family’s love, resilience and survival is one of hope and optimism. “We Were the Lucky Ones” debuts Thursday.
— Prime Video introduces “The Baxters” on Thursday. The Christian-based series stars Roma Downey and Ted McGinley as John and Elizabeth Baxter, who have five adult children. The family’s faith is tested when one of the Baxter daughters learns her husband has had an affair. It’s based on a book series by Christian author Karen Kingsbury. Cassidy Gifford (daughter Frank Gifford and Kathy Lee Gifford) also plays one of the Baxter daughters.
— Beloved for playing Gus Fring on “Breaking Bad” and "Better Call Saul,” Giancarlo Esposito executive produces and stars in his own series called “Parish” for AMC. Esposito plays Gracian “Gray” Parish, who is drawn back into the crime world after a family tragedy. “Parish” is a passion project for Esposito, who worked to get it developed for eight years. Skeet Ulrich co-stars and Bradley Whitford has a recurring role. “Parish” is based on a BBC One show called “The Driver” and debuts Sunday, March 31 on AMC and AMC+.
— Alicia Rancilio
— Louise Harland stars in the Disney+ series “Renegade Nell” as Nellie Jackson, an 18th century swashbuckling cockney who outwits and survives robbers and barons, and even beats a murder charge. She’s assisted by a protective sprite played by “Ted Lasso's” Nick Mohammed. The eight-episode drama premieres Friday, March 29.
— Hilary Fox
NEW VIDEO GAMES TO PLAY — “South Park” has been around for so long that Cartman, Stan, Kyle and Kenny should be old enough to have kids of their own. Fortunately, the boys are still stuck in elementary school purgatory, so they’re just the right age to go nuts for THQ Nordic’s South Park: Snow Day! The town has been shut down by a massive blizzard, so the gang is free to get outside and create all sorts of mayhem. Your character is the “New Kid,” and you can play solo or join forces with up to three friends in battles that go way beyond a neighborhood snowball fight. Break open the Cheesy Poofs on Tuesday on PlayStation 5, Xbox X/S, Nintendo Switch and PC.
— Annapurna Interactive’s Open Roads begins with teenager Tess Devine and her mother, Opal, discovering a stash of old letters that hint at dark secrets — and maybe a hidden treasure. So the two of them hit the road in their station wagon on a mission to visit some long neglected family properties. It might not be the best idea for a mother-daughter road trip, since Opal might revive some memories she’s spent years trying to forget. Open Roads comes from some of the creators of the much-admired 2013 mystery Gone Home, and features the voices of Keri Russell and Kaitlyn Dever. The drive begins Thursday on PlayStation 5, Xbox X/S, Nintendo Switch and PC.



‘The Devil Wears Prada 2’ Bests ‘Mortal Kombat II’ at the Box Office

Meryl Streep, wearing Givenchy by Sarah Burton FW26, arrives at the New York Premiere of “The Devil Wears Prada 2” held at the David Geffen Hall at the Lincoln Center for the Performing Arts on 20 April 2026 in Manhattan, New York City, New York, United States. (AP)
Meryl Streep, wearing Givenchy by Sarah Burton FW26, arrives at the New York Premiere of “The Devil Wears Prada 2” held at the David Geffen Hall at the Lincoln Center for the Performing Arts on 20 April 2026 in Manhattan, New York City, New York, United States. (AP)
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‘The Devil Wears Prada 2’ Bests ‘Mortal Kombat II’ at the Box Office

Meryl Streep, wearing Givenchy by Sarah Burton FW26, arrives at the New York Premiere of “The Devil Wears Prada 2” held at the David Geffen Hall at the Lincoln Center for the Performing Arts on 20 April 2026 in Manhattan, New York City, New York, United States. (AP)
Meryl Streep, wearing Givenchy by Sarah Burton FW26, arrives at the New York Premiere of “The Devil Wears Prada 2” held at the David Geffen Hall at the Lincoln Center for the Performing Arts on 20 April 2026 in Manhattan, New York City, New York, United States. (AP)

In a box office battle of the sequels, “The Devil Wears Prada 2” had the slight edge over “Mortal Kombat II” in North American theaters this weekend. According to studio estimates Sunday, “The Devil Wears Prada 2” earned a chart topping $43 million in its second weekend, while “Mortal Kombat II” took in $40 million in its first.

This weekend had wide variety of newcomers playing in wide release, including the family-friendly whodunnit “The Sheep Detectives” and a James Cameron co-directed Billie Eilish concert film.

But it was the holdover that triumphed. “The Devil Wears Prada 2,” which has grossed $433.2 million worldwide in its first 12 days in release, helped push The Walt Disney Studios over $2 billion globally for the year. It’s also surpassed the total grosses of the first film, which earned $327 million globally in 2006, not accounting for inflation.

“Mortal Kombat II” provided some gendered counterprogramming in the second weekend of Hollywood's summer movie season. Warner Bros. opened the movie in 3,503 locations where it drew a heavily male audience. According to PostTrak, 75% of the ticket buyers were men. “The Devil Wears Prada 2” had almost the exact opposite gender breakdown on its first weekend.

The first movie in this series, “Mortal Kombat,” was released simultaneously in theaters and on HBO Max in April 2021 as a part of Warner Bros.’ pandemic-era day-and-date strategy. Reviews have been mixed for the sequel, as was its B CinemaScore. It also earned $23 million from 78 markets internationally, adding up to a $63 million global debut.

“Michael” landed in third place in its third weekend with another $36.5 million over the weekend, down only 33% from last weekend. The Michael Jackson biopic has now earned $240.5 million in North America, surpassing the total domestic grosses of “Bohemian Rhapsody,” and $577.4 million globally.

Fourth place went to Amazon MGM Studios' “The Sheep Detectives” which brought in $15.9 million in its first weekend in 3,457 theaters. The quirky, all-ages murder mystery features a starry ensemble including Hugh Jackman, Emma Thompson and Nicholas Braun, as well as the voices of Julia Louis-Dreyfus, Bryan Cranston, Regina Hall and Patrick Stewart as the sheep who try to figure out who murdered their shepherd. Audiences gave it an A- CinemaScore. The movie cost a reported $75 million to produce.

Rounding out the top five was “Billie Eilish—Hit Me Hard & Soft: The Tour (Live in 3D)” an immersive concert experience which Cameron shared co-directing credits on with Eilish. Paramount released the movie in 2,613 theaters, where it earned $7.5 million in North America and $12.6 million internationally. The movie was very well reviewed by critics (93% on Rotten Tomatoes) and audiences, who gave it an A CinemaScore.


Eurovision Fever Hits Host City Vienna

The Austrian capital is pulling out all the stops to host the 70th edition of the world's most-watched song contest. Joe Klamar / AFP
The Austrian capital is pulling out all the stops to host the 70th edition of the world's most-watched song contest. Joe Klamar / AFP
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Eurovision Fever Hits Host City Vienna

The Austrian capital is pulling out all the stops to host the 70th edition of the world's most-watched song contest. Joe Klamar / AFP
The Austrian capital is pulling out all the stops to host the 70th edition of the world's most-watched song contest. Joe Klamar / AFP

Eurovision fever was set to hit Vienna on Sunday with events planned for thousands of fans in advance of the song contest's grand final on May 16, with the build-up once again facing calls for a boycott over Israel's participation.

The Austrian capital is pulling out all the stops to host the 70th edition of the world's most-watched song contest, with many side events scheduled in the run-up, AFP said.

On Sunday afternoon, it will roll out the carpet -- which at Eurovision is not red but turquoise -- to welcome a parade of the 35 delegations from participating countries, as part of a colorful opening ceremony set to begin at 1200 GMT.

On the agenda: the best - and worst - from seven decades of the music competition on a giant screen in front of the neo-Gothic city hall, in a square turned into a secured area reserved for fans.

Today, the contest reaches more than 170 million people on television and online around the world, and its content generates billions of views across digital platforms.

Finland is the heavy favorite this year, hoping to hit the jackpot with an entry pairing brooding singer Pete Parkkonen with radiant violinist Linda Lampenius.

Instruments are usually pre-recorded but organizers the European Broadcasting Union (EBU) have made an exception to allow Lampenius to play live, according to the Nordic country's media.

- Hundreds of police -

Spain, Ireland, Iceland, the Netherlands and Slovenia have decided to snub this year's edition in protest at Israel's participation.

They have criticized Israel over its bombardment of Gaza in retaliation for the October 7, 2023 attack by the Palestinian movement Hamas.

More than 1,000 artists or groups have also called for a boycott, including Peter Gabriel and Massive Attack.

Pro-Palestinian as well as pro-Israeli demonstrations are planned in Vienna with tight security helmed by several hundred police officers on duty every day until Saturday's finale.

Germany, France, Italy and Britain, which contribute the largest financial share, are guaranteed a place in the final.

Austria will also be on stage because local artist JJ won the previous edition. But this year, its contestant, Cosmo, is not expected to trouble the leaderboard.


The Cannes Film Festival Is About to Begin. Here Are the Key Films Making Their Debut

 This image released by Neon shows Hwang Jung-min in a scene from "Hope." (Neon via AP)
This image released by Neon shows Hwang Jung-min in a scene from "Hope." (Neon via AP)
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The Cannes Film Festival Is About to Begin. Here Are the Key Films Making Their Debut

 This image released by Neon shows Hwang Jung-min in a scene from "Hope." (Neon via AP)
This image released by Neon shows Hwang Jung-min in a scene from "Hope." (Neon via AP)

For 12 days this week, the eyes of the movie world will be on the Cannes Film Festival.

The Cote d’Azur spectacular will play host — starting on Tuesday — to some of the most anticipated movies of the year in a constant parade of red carpets and megawatt premieres. This year, Hollywood studios are mostly on the sidelines. But for more than 78 years, Cannes has been an unparalleled showcase, and sun-dappled circus, for some of the best in cinema.

Last year that included Oscar nominees like “Sentimental Value,” “The Secret Agent” and “It Was Just an Accident.” This year is just as likely to produce a crop of contenders. In recent years, movies like “Parasite” and “Anora” have launched at Cannes and gone on to win best picture at the Academy Awards.

Presiding over the jury deciding the Palme this year is South Korean filmmaker Park Chan-wook. At the opening ceremony Tuesday, Cannes will also bestow an honorary Palme d’Or on Peter Jackson. Later, Barbra Streisand will get one, too.

So there will be much to keep an eye on at this year’s Cannes, including “The White Lotus.” The HBO series has come to the Croisette — the Mediterranean city's famous promenade — to shoot its fourth season.

On the screen, these are some of the movies that should stir Cannes.

‘Hope’ Na Hong-jin isn’t as well-known as some of his fellow Korean filmmakers, but he may be poised for a breakout moment this year. His latest is a long-gestating sci-fi thriller that Cannes artistic director Thierry Fremaux said “constantly changes genres.” The cast has both Korean and Hollywood stars, including Hwang Jung-min, Zo In-sung, Jung Ho-yeon, Michael Fassbender, Alicia Vikander and Taylor Russell.

‘Paper Tiger’ Though not initially announced as part of the festival competition slate, James Gray’s latest Queens-set drama was subsequently added. And it instantly became one of the most anticipated and star-studded American films at the festival. Gray, the filmmaker of “Armageddon Time” and “The Immigrant,” tells a story about two brothers (Adam Driver, Miles Teller) who become mixed up with the Russian mafia. Scarlett Johansson co-stars.

‘Fjord’ The Romanian director Cristian Mungiu is a heavyweight of European cinema because of films like the 2007 Palme d’Or winner “4 Months, 3 Weeks and 2 Days” and 2022’s “R.M.N.” Sebastian Stan and Renate Reinsve star in his latest as a Romanian-Norwegian couple who move to the wife’s remote Norwegian hometown.

‘Fatherland’ Polish filmmaker Pawel Pawlikowski is best known for a pair of black-and-white, powerfully succinct period dramas: “Ida” and “Cold War.” His latest makes it three. It stars Hanns Zischler as the German author Thomas Mann on a road trip following World War II. Accompanying him is his daughter, played by Sandra Hüller.

‘All of a Sudden’ The Japanese auteur Ryusuke Hamaguchi makes his French-language debut. Hamaguchi’s 2021 opus “Drive My Car” made history as the first Japanese film nominated for best picture. His 2023 follow-up, “Evil Does Not Exist,” was also acclaimed. “All of a Sudden,” starring Virginie Efira and Tao Okamoto, is about a nursing home director and a terminally ill Japanese playwright.

‘Sheep in the Box’ Long revered for his delicate humanism, the Japanese filmmaker Hirokazu Kore-eda will unveil his latest. Kore-eda has already won the Palme d’Or, for 2018’s “Shoplifters.” But his three decades of moviemaking have made him a never-to-be-missed filmmaker of exquisite tenderness. The sci-fi “Sheep in the Box” is about a couple, grieving the loss of their son, who adopt an infant humanoid robot.

‘The Unknown’ The French filmmaker Arthur Harari three years ago co-wrote the Palme d’Or winner “Anatomy of a Fall” with his partner, Justine Triet. In “The Unknown,” Harari directs and cowrites a film about a photographer who, after photographing a woman at a party and then following her, wakes up in her body. Starring Léa Seydoux.

‘Minotaur’ The Russian filmmaker Andrey Zvyagintsev has been behind some powerfully potent dramas, including 2014’s “Leviathan” and 2017’s “Loveless” — both of which were Oscar nominated. After a near-death experience during the pandemic, Zvyagintsev returns to Cannes with a business executive in crisis in rural Russia.

’John Lennon: The Last Interview’ Steven Soderbergh ’s documentary about John Lennon’s final interview, granted at the Dakota in New York just before he was killed, drew headlines after Soderbergh acknowledged using artificial intelligence to illustrate some of Lennon’s more philosophical musings. But the film, playing in Cannes as a special screening, promises to lend unparalleled intimacy with the great Beatle.

‘Bitter Christmas’ Pedro Almodovar is among the most regular filmmakers in Cannes. This festival, he'll debut “Bitter Christmas,” a multilayered melodrama about filmmaking, grief and aging. After making his English-language debut with “The Room Next Door,” starring Tilda Swinton and Julianne Moore, Almodovar is back in his native Spain with one of his most personal films yet.