What to Stream this Week: Beyoncé, Steve Martin, J-Hope, Mike Birbiglia, Bill Nighy and 'Madu'

Beyoncé pictured during her Glastonbury headline set, June 26, 2011. (Getty Images)
Beyoncé pictured during her Glastonbury headline set, June 26, 2011. (Getty Images)
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What to Stream this Week: Beyoncé, Steve Martin, J-Hope, Mike Birbiglia, Bill Nighy and 'Madu'

Beyoncé pictured during her Glastonbury headline set, June 26, 2011. (Getty Images)
Beyoncé pictured during her Glastonbury headline set, June 26, 2011. (Getty Images)

Beyoncé's country album and a documentary about a Nigerian boy who dreams of being a professional ballet dancer are some of the new television, movies, music and games headed to a device near you.
Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Bill Nighy plays an English soccer manager taking a team to the Homeless World Cup in “The Beautiful Game,” a two-part documentary about comedy master Steve Martin and Netflix offers “Testament: The Story of Moses,” just in time for Easter.
NEW MOVIES TO STREAM — Bill Nighy leads a charming crowd-pleaser on Netflix, “The Beautiful Game,” in which he plays an English soccer (sorry, football) manager taking a team to the Homeless World Cup in Rome. Michael Ward co-stars as an especially talented player, Vinny, who reluctantly joins the team. New to housing insecurity, he feels above his teammates and the circus of the games at first. The story, written by Frank Cottrell-Boyce and directed by Thea Sharrock is loosely inspired by the real thing (Cottrell-Boyce worked with the Homeless World Cup Foundation to develop the characters) but at heart is very much a movie, tidy and feel-good in the vein of “Ted Lasso” – perhaps what “Next Goal Wins” wanted to be. It starts streaming on Friday, March 29.
— Oscar-winning documentarian Morgan Neville dives into the life of a personal idol, Steve Martin, in “STEVE! (martin) a documentary in 2 pieces,” coming to Apple TV+ on Friday, March 29. Neville (“Won’t You Be My Neighbor”) essentially created two different movies, one about Martin’s beginnings and one about the present. Martin has told his story many times, but the Neville movies offer unprecedented access to him reflecting on successes, failures and finding happiness. He assures viewers that they can be watched in any order. And yes, there will be banjos.
— This week is all about affirmation and inspiration in streaming movies, apparently, and Disney+ has its own submission with “Madu." It’s about a 12-year-old Nigerian boy who leaves home to study ballet at a prestigious school in England for seven years. If this sounds vaguely familiar it’s likely because at age 11, Anthony Madu went viral online with a 44-second video of him dancing shoeless in the mud and rain in Lagos. It got the attention of the national media and the likes of Cynthia Erivo and Viola Davis and put him on the path you see in the film. “Madu” begins streaming on Friday, March 29.
— AP Film Writer Lindsey Bahr
NEW MUSIC TO STREAM — This ain’t a country album, it’s a Beyoncé album. At least, that phrase was briefly projected onto the exterior of some of New York City’s most famous museums, the Guggenheim, Whitney, New Museum, and the Museum of Arts and Design, in the week leading up to her highly anticipated new album, “Act ll: Cowboy Carter.” The album was first announced last month, after a Verizon commercial starring Beyoncé aired during the Super Bowl ended with the superstar saying, “They ready, drop the new music.” A cryptic Instagram tease later, and Bey surprise release two singles, the country stomp “Texas Hold ’Em,” and the soulful slow burn “16 Carriages.” It’s not new territory for Beyoncé, as anyone who remembers the track “Daddy Lessons” from her 2016 studio album “Lemonade” will remember, but it has opened up new territory. A few weeks ago, the superstar singer became the first Black woman to top Billboard’s country music chart. The album drops Friday, March 29.
— Also on Bey Day (or however the culture has decided to describe the unofficial holiday), Sheryl Crow will release “Evolution,” her 12th studio album and first in half a decade. After 2019’s “Threads” was released, Crow said she would not release another full-length. Time changes things, as any artist will let you know, and it’s a great thing. One listen of her cover of Peter Gabriel’s 1992 track “Digging in the Dirt,” recorded with Gabriel, guarantees it.
— Bid farewell to Sum 41, the playful pop-punk band from Canada known for their raucous hits “In Too Deep” and “Fat Lip.” The band’s final album, “Heaven :x: Hell,” releases Friday, March 29. They’re going out with an explosion – their enthusiastic rock never missing a beat — but it is an end to an era, nonetheless. Was lead single “Landmines” written in 2023 or 2001? Who knows – palm-muted power chords hit just as hard now as they did then.
— With members of the K-pop group BTS currently participating in South Korea’s mandatory military service, it’s hard not to miss them. But there is a balm: an Amazon Prime docuseries about member J-Hope titled “Hope on the Street.” The show follows J-Hope’s story — can’t miss viewing for the superfans in your life.
— AP Music Writer Maria Sherman
NEW SHOWS TO STREAM — This one’s for the comedy nerds. Peacock debuts “Good One: A Show About Jokes,” based on a popular Vulture podcast, on Tuesday. The documentary follows Mike Birbiglia, known for his personal comedy, as he mines his life for new material. “Good One” also features Seth Meyers, Hasan Minhaj and Atsuko Okatsuka.
— In time for Easter Sunday, Netflix offers a new docudrama in the faith-based genre with “Testament: The Story of Moses.” It follows the Biblical story of Moses and his journey from Egyptian prince to being given the Ten Commandments by God. He also went from an outcast to a liberator. Charles Dance narrates and Avi Azulay plays Moses, and the three-parts also features interviews with religion experts. “Testament” premieres Wednesday.
— BritBox offers the second season of the British prison drama “Time.” If you missed season one, it’s OK, because “Time” is an anthology series. Season two stars Jodie Whittaker of “Doctor Who” and “Broadchurch” along with Bella Ramsey from “The Last of Us.” Whittaker, Ramsey and Tamara Lawrence play three women who meet on their first day in prison. “Time” premieres Wednesday.
— A new limited drama series on “Hulu” called “We Were the Lucky Ones” follows the members of the Kurc family, who get separated during World War II after the Nazi’s invaded Poland. It’s based on a book by Georgia Hunter who discovered her own Jewish ancestry and that her grandfather was actually a Holocaust survivor while writing a report for school. The series stars Logan Lerman as her grandfather Addy and Joey King as his sister. The family’s love, resilience and survival is one of hope and optimism. “We Were the Lucky Ones” debuts Thursday.
— Prime Video introduces “The Baxters” on Thursday. The Christian-based series stars Roma Downey and Ted McGinley as John and Elizabeth Baxter, who have five adult children. The family’s faith is tested when one of the Baxter daughters learns her husband has had an affair. It’s based on a book series by Christian author Karen Kingsbury. Cassidy Gifford (daughter Frank Gifford and Kathy Lee Gifford) also plays one of the Baxter daughters.
— Beloved for playing Gus Fring on “Breaking Bad” and "Better Call Saul,” Giancarlo Esposito executive produces and stars in his own series called “Parish” for AMC. Esposito plays Gracian “Gray” Parish, who is drawn back into the crime world after a family tragedy. “Parish” is a passion project for Esposito, who worked to get it developed for eight years. Skeet Ulrich co-stars and Bradley Whitford has a recurring role. “Parish” is based on a BBC One show called “The Driver” and debuts Sunday, March 31 on AMC and AMC+.
— Alicia Rancilio
— Louise Harland stars in the Disney+ series “Renegade Nell” as Nellie Jackson, an 18th century swashbuckling cockney who outwits and survives robbers and barons, and even beats a murder charge. She’s assisted by a protective sprite played by “Ted Lasso's” Nick Mohammed. The eight-episode drama premieres Friday, March 29.
— Hilary Fox
NEW VIDEO GAMES TO PLAY — “South Park” has been around for so long that Cartman, Stan, Kyle and Kenny should be old enough to have kids of their own. Fortunately, the boys are still stuck in elementary school purgatory, so they’re just the right age to go nuts for THQ Nordic’s South Park: Snow Day! The town has been shut down by a massive blizzard, so the gang is free to get outside and create all sorts of mayhem. Your character is the “New Kid,” and you can play solo or join forces with up to three friends in battles that go way beyond a neighborhood snowball fight. Break open the Cheesy Poofs on Tuesday on PlayStation 5, Xbox X/S, Nintendo Switch and PC.
— Annapurna Interactive’s Open Roads begins with teenager Tess Devine and her mother, Opal, discovering a stash of old letters that hint at dark secrets — and maybe a hidden treasure. So the two of them hit the road in their station wagon on a mission to visit some long neglected family properties. It might not be the best idea for a mother-daughter road trip, since Opal might revive some memories she’s spent years trying to forget. Open Roads comes from some of the creators of the much-admired 2013 mystery Gone Home, and features the voices of Keri Russell and Kaitlyn Dever. The drive begins Thursday on PlayStation 5, Xbox X/S, Nintendo Switch and PC.



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”