'Godzilla x Kong: The New Empire" Roars to an $80 Million Box Office Opening

This image released by @2023 TOHO CO., LTD. shows Godzilla in a scene from “Godzilla Minus One.” (@2023 TOHO CO., LTD. via AP)
This image released by @2023 TOHO CO., LTD. shows Godzilla in a scene from “Godzilla Minus One.” (@2023 TOHO CO., LTD. via AP)
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'Godzilla x Kong: The New Empire" Roars to an $80 Million Box Office Opening

This image released by @2023 TOHO CO., LTD. shows Godzilla in a scene from “Godzilla Minus One.” (@2023 TOHO CO., LTD. via AP)
This image released by @2023 TOHO CO., LTD. shows Godzilla in a scene from “Godzilla Minus One.” (@2023 TOHO CO., LTD. via AP)

The Godzilla-King Kong combo stomped on expectations as “ Godzilla x Kong: The New Empire ” roared to an $80 million opening on 3,861 North American screens, according to Sunday studio estimates.
The monster merger from Warner Bros. and Legendary Pictures starring Rebecca Hall and Brian Tyree Henry brought the second-highest opening in what has been a robust year, falling just short of the $81.5 million debut of “Dune: Part 2.”
Projections had put the opening weekend of “Godzilla x Kong: The New Empire,” which sees the monsters teaming up instead of squaring up, at closer to $50 million.
“It’s a cinematic event, and we’re seeing these iconic characters doing things we’ve never seen them do before,” said Mary Parent, chairman of worldwide production for Legendary. “There’s big swaths of the film that don’t have any dialogue, where we put you with the characters, it’s a very mythic experience.”
Last week's No. 1 at the box office, “ Ghostbusters: Frozen Empire,” was second with $15.7 million for a two-week total of $73.4 million.
“ Dune: Part Two ” stayed strong in its fifth week, falling in the third spot with an $11.1 million take and a domestic total of $252.4 million.
The last matchup of the two monsters from Warner Bros. and Legendary, 2021's “ Godzilla vs. Kong,” had a much smaller opening weekend of $48.5 million, but for a film slowed by the coronavirus pandemic and released simultaneously on HBO Max, it was a serious success that signaled what was to come for the pairing.
“It was a really big number all things considered,” Parent said.
The newer film had the second biggest opening of the studios' broader MonsterVerse franchise. “Godzilla” brought in $93.2 million in 2014. It was the biggest earner in the nearly 70-year cinematic history of the creature that originated and spent most of its screen life in Japan. It earned more than $200 million in North America and more than $500 million globally.
“Godzilla x Kong” comes just four months after the most recent Japanese rendition, the critical favorite and Oscar winner “Godzilla Minus One.”
But there was clearly no Godzilla glut for audiences, many of whom were willing to pay extra for IMAX and other special formats.
“These are literally two of the biggest movie stars in the world, and you have to see them on the biggest screen possible with the biggest sound possible,” said Paul Dergarabedian, senior media analyst for data firm Comscore.
The combination of “Godzilla x Kong," “Dune Part Two” and “Ghostbusters" has put the year to date 6 percent behind 2023, while it was 20 percent behind on the eve of the March 1 release of “Dune."
“The industry was feeling pretty glum right before ‘Dune Part 2’ opened, but they've made up a lot of ground,” said Dergarabedian.
The summer is full of titles that are not guaranteed megahits but could break big, including Ryan Gosling's “The Fall Guy" and the next installments of “Planet of the Apes,” “Mad Max,” “Inside Out” and “Deadpool.”
That brings cause for optimism as the theatrical movie business seeks to hang on, though it’s highly unlikely it will surpass 2023, which saw “Barbie” surpass $1 billion globally with its release-date mate “Oppenheimer” not far behind.
“'Barbenheimer'” is kind of a once-in-a-lifetime event," Dergarabedian said.
Estimated ticket sales are for Friday through Sunday at US and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.
1. “Godzilla x Kong: The New Empire,” 80 million.
2. “Ghostbusters: Frozen Empire,” $15.7 million.
3. “Dune: Part Two," $11.1 million.
4. “Kung Fu Panda 4,” $10.2. million.
5. “Immaculate,” $3.3 million.
6. “Arthur the King,” $2.4 million.
7. “Late Night With the Devil,” $2.2 million.
8. “Tillu Square,” $1.8 million.
9. “Crew,” $1.5 million.
10. “Imaginary,” $1.4 million.



UK Blues Legend John Mayall Dead at 90 

English blues singer John Mayall performs with his band The Bluesbreakers, on the stage of the Miles Davis hall during the 42nd Montreux Jazz Festival in Montreux, Switzerland, late Monday, July 7, 2008. (AP)
English blues singer John Mayall performs with his band The Bluesbreakers, on the stage of the Miles Davis hall during the 42nd Montreux Jazz Festival in Montreux, Switzerland, late Monday, July 7, 2008. (AP)
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UK Blues Legend John Mayall Dead at 90 

English blues singer John Mayall performs with his band The Bluesbreakers, on the stage of the Miles Davis hall during the 42nd Montreux Jazz Festival in Montreux, Switzerland, late Monday, July 7, 2008. (AP)
English blues singer John Mayall performs with his band The Bluesbreakers, on the stage of the Miles Davis hall during the 42nd Montreux Jazz Festival in Montreux, Switzerland, late Monday, July 7, 2008. (AP)

John Mayall, the British blues pioneer whose 1960s music collective the Bluesbreakers helped usher in a fertile period of rock and brought guitarists like Eric Clapton to prominence, has died at 90, his family said Tuesday.

Mayall, a singer and multi-instrumentalist who was dubbed "the godfather of British blues," and whose open-door arrangement saw some of the greats in the genre hone their craft with him and his band, "passed away peacefully in his California home" on Monday, according to a statement posted on his Facebook page.

It did not state a cause of death.

"Health issues that forced John to end his epic touring career have finally led to peace for one of this world's greatest road warriors," it said. "John Mayall gave us 90 years of tireless efforts to educate, inspire and entertain."

Mayall's influence on 1960s rock and beyond is enormous. Members of the Bluesbreakers eventually went on to join or form groups including Cream, Fleetwood Mac, the Rolling Stones and many more.

At age 30, Mayall moved to London from northern England in 1963. Sensing revolution in the air, he gave up his profession as a graphic designer to embrace a career in blues, the musical style born in Black America.

He teamed up with a series of young guitarists including Clapton, Peter Green, later of Fleetwood Mac, and Mick Taylor who helped form the Rolling Stones.

In the Bluesbreakers' debut album in 1966, "Blues Breakers With Eric Clapton," John Mayall enthralled music aficionados with a melding of soulful rock and gutsy, guitar-driven American blues featuring covers of tunes by Robert Johnson, Otis Rush and Ray Charles.

The blues music he was playing in British venues was "a novelty for white England," he told AFP in 1997.

That album was a hit, catapulting Clapton to stardom and bringing a wave of popularity to a more raw and personal blues music.

Mayall moved to California in 1968 and toured America extensively in 1972.

He recorded a number of landmark albums in the 1960s including "Crusade," "A Hard Road," and "Blues From Laurel Canyon." Dozens more followed in the 1970s and up to his latest, "The Sun Is Shining Down," in 2022.

Mayall was awarded an OBE, an Officer of the Order of the British Empire, in 2005.