Warner Bros. Teases ‘Joker’ Sequel, ‘Beetlejuice 2’ and More at CinemaCon

 US director, producer and writer Todd Phillips poses during a Warner Bros Pictures photo opp as he arrives to promote “Joker: Folie a Deux” during CinemaCon 2024 at Caesars Palace in Las Vegas, Nevada, on April 9, 2024. (AFP)
US director, producer and writer Todd Phillips poses during a Warner Bros Pictures photo opp as he arrives to promote “Joker: Folie a Deux” during CinemaCon 2024 at Caesars Palace in Las Vegas, Nevada, on April 9, 2024. (AFP)
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Warner Bros. Teases ‘Joker’ Sequel, ‘Beetlejuice 2’ and More at CinemaCon

 US director, producer and writer Todd Phillips poses during a Warner Bros Pictures photo opp as he arrives to promote “Joker: Folie a Deux” during CinemaCon 2024 at Caesars Palace in Las Vegas, Nevada, on April 9, 2024. (AFP)
US director, producer and writer Todd Phillips poses during a Warner Bros Pictures photo opp as he arrives to promote “Joker: Folie a Deux” during CinemaCon 2024 at Caesars Palace in Las Vegas, Nevada, on April 9, 2024. (AFP)

Warner Bros. isn’t resting on its “Barbie” laurels: The 100-year studio has its sights on a record-breaking 2024 as well, with a release slate that includes a new Mad Max film, “Furiosa,” Kevin Costner’s two-part Western epic, “Horizon: An American Saga,” the “Beetlejuice” sequel, and “Joker: Folie à Deux,” which brings Lady Gaga to Gotham City.

The studio was first up Tuesday night to dazzle theater owners who are gathered this week in Las Vegas for the annual CinemaCon convention and trade show. They came armed with stars, including the likes of Kevin Costner, Michael Keaton, Robert Pattinson, Anya Taylor-Joy and Chris Hemsworth, as well as footage and trailers to show.

“Joker” director Todd Phillips showed the audience a trailer for “Joker: Folie à Deux,” out Oct. 4, which brings Joaquin Phoenix back as the violent and mentally ill Arthur Fleck and introduces Gaga’s Harley Quinn. Phillips thanked the exhibitors in the room for helping the first movie become such a big success.

Addressing rumors that the sequel is a musical, Phillips said that he hasn't referred to it as such.

“It’s a movie where music is an essential element,” Phillips said. “To me that doesn’t veer very far from the first film.”

Before its world premiere at the Cannes Film Festival next month and theatrical release on May 24, “Furiosa” director George Miller stars Taylor-Joy and Hemsworth, spoke a bit about the prequel and showed some explosive new footage.

“We just finished last week,” said the 79-year-old filmmaker, whose first Mad Max film came out 45 years ago.

This new film is focused on a young Furiosa, who was played by Charlize Theron in “Mad Max: Fury Road,” the 2015 blockbuster that made over $300 million at the box office and won four Oscars.

“This is the story of one woman’s relentless commitment to impossible hope,” Taylor-Joy said. “We see her go through everything.”

Hemsworth plays a warlord named “Dementus.”

The audience was especially excited to hear from Kevin Costner, who will be back in theaters this summer with a two-part Western, “Horizon: An American Saga,” which he directed, co-wrote and stars in. Set during the Civil War, Costner wanted to look at the idea of the promise of America.

“It was the promise that if you could come west, if you could survive it, you could make a home at the expense of a lot of things,” Costner said. “To me, that’s drama.”

The film is getting an unconventional release, with “Part 1” hitting theaters on June 28 followed by “Part 2” on Aug. 16. The ensemble includes Sienna Miller, Sam Worthington, Danny Huston and “Stranger Things” breakout Jamie Campbell Bower.

“A lot of people like plot movies,” Costner said. “I have a tendency to like journey movies.”

“Horizon: An American Saga” will premiere at Cannes next month as well.

Tim Burton was also on hand to hype “Beetlejuice Beetlejuice,” the sequel to his 1988 hit, which brings back Keaton, Winona Ryder and Catherine O’Hara to reprise their roles, and introduces new characters played by Jenna Ortega, Monica Bellucci, Willem Dafoe and Justin Theroux. It opens in theaters on Sept. 5.

Burton said he always related to Lydia Deetz and wanted to know what happened to the Deetz women over the years and was happy that Ryder, O’Hara and Keaton were on board too.

“It was like a weird family reunion,” Burton said.

Keaton said they had discussed the possibility many times over the years and they finally got it right. “It’s good. It’s really, really good,” Keaton said. “In fact, it’s great.”

Oscar-winning director Bong Joon-ho showed a trailer for his new film, “Mickey 17,” starring Robert Pattinson, which will be in theaters in Jan. 2025.

“It’s about a simple man who ultimately ends up saving the world,” the “Parasite” director said through a translator. “It’s a very strange type of hero’s journey.”

Pattinson called the story unusual, funny and bizarre. “I was told, you’re going to love the script, but the part is impossible,” he said.

Warner Bros. is also at work rebooting its DC superhero universe, under the supervision of Peter Safran and James Gunn, who is currently filming the new “Superman” in Atlanta for a summer 2025 release. Before that, the studio is releasing a documentary about the first cinematic Superman, Christopher Reeve, which they acquired out of Sundance. “Super/Man: The Christopher Reeve Story” will be in theaters in September.

Three years after the studio’s former leaders made the decision to release all of their films day-and-date in theaters and on its streaming service, Warner Bros. has reestablished itself as a vital part of the movie theater ecosystem.

In December, they made the unconventional move to release three major films in short order: “Wonka,” “Aquaman and the Lost Kingdom” and “The Color Purple.” It was done in agreement with theater owners who said that they needed more films. Those movies, domestic distribution president Jeff Goldstein said, cumulatively made over $1 billion globally, and the studio was responsible for approximately 50% of the box office at Christmas.

This year has gotten off to a strong start too, propelled by “Wonka” and leading into “Dune: Part Two” (both have made over $600 million globally) and “Godzilla x Kong” which has surpassed $300 million at the box office.

“Storytelling is our business,” Goldstein said. “We are committed to making big, crowd-pleasing, event movies.”



Venice Film Festival Lineup includes ‘Joker 2,’ Films with Pitt, Clooney, Jolie, More

The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law - The AP
The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law - The AP
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Venice Film Festival Lineup includes ‘Joker 2,’ Films with Pitt, Clooney, Jolie, More

The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law - The AP
The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law - The AP

Five years after “Joker” won the top prize at the Venice Film Festival, filmmaker Todd Phillips is returning with the sequel. “Joker: Folie à Deux” will play in competition with 20 other titles, festival organizers said Tuesday.

The highly anticipated follow-up to the blockbuster comic book film stars Joaquin Phoenix as the mentally ill Arthur Fleck and Lady Gaga as Harley Quinn.

The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law, The AP reported.

Among the films playing alongside “Joker 2” in competition are Pablo Larraín's Maria Callas film “Maria,” starring Jolie; Walter Salles' “I'm Still Here"; the erotic thriller “Babygirl” starring Kidman and Harris Dickinson from filmmaker Halina Reijn; Luca Guadagnino’s William S. Burrough’s adaptation “Queer,” with Craig and Jason Schwartzman; and Pedro Almodóvar’s first English-language film, “The Room Next Door,” starring Julianne Moore and Tilda Swinton. Set in New England, the filmmaker has said it’s about an imperfect mother and a resentful daughter.

“The Order,” Justin Kurzel’s 80s-set crime thriller about the white supremacist group starring Law as an FBI agent, Nicholas Hoult and Jurnee Smollett, will also be in competition, as will Brady Corbet’s “The Brutalist,” with Adrien Brody, Guy Pearce, Felicity Jones and Joe Alwyn. Shot on 70mm, the 215-minute epic is about a Hungarian Auschwitz survivor who goes to the United States.

Pitt and Clooney will reunite in Jon Watts’ “Wolfs,” an adrenaline packed action-comedy about a few fixers that will screen out of competition.

Several interesting films playing in the horizons extra section include “September 5,” about the live television coverage of the Munich Olympics, starring Peter Sarsgaard; John Swab’s “King Ivory,” with Ben Foster and James Badge Dale; and Alex Ross Perry’s film about Stephen Malkmus’ California rock band Pavement.

Venice will also screen Peter Weir’s 2003 epic “Master and Commander: The Far Side of the World,” in conjunction with his lifetime achievement award.

Seven episodes of Alfonso Cuarón’s psychological thriller series “Disclaimer” will also premiere at the festival. The AppleTV+ show is based on a novel about a documentary journalist and a secret she’s been keeping. It stars Cate Blanchett and Kevin Kline and will debut on the streamer in October.

Among the nonfiction titles playing out of competition are Kevin Macdonald and Sam Rice-Edwards’ “One to One: John & Yoko,” which reconstructs the New York years of the Beatle and his wife; Errol Morris’ “Separated,” about the separation of immigrant children from their parents in the US; Anastasia Trofimova’s “Russians at War”; Göran Hugo Olsson's “Israel Palestine on Swedish TV 1958-1989”; “Riefenstahl,” about the German propagandist; And another Beatles-focused doc, “The Things We Said Today,” a time capsule of their arrival in New York and first concert at Shea Stadium.

Last year’s festival took place amid the actors’ strike. Although some attended under interim agreements, like Adam Driver and Penelope Cruz for “Ferrari” and “Priscilla” stars Cailee Spaeny and Jacob Elordi, the festival was lacking its usual, consistent supply of star power. But its awards season influence remained strong: Seven Venice world premieres went on to get 24 Oscar nominations and five wins: Four for “Poor Things” and one for Wes Anderson’s “The Wonderful Story of Henry Sugar.”

Venice is a significant launching ground for awards hopefuls and the first major stop of a busy fall film festival season, with Toronto, Telluride and the New York Film Festivals close behind.

The 81st edition kicks off on August 28, with the world premiere of Tim Burton’s “Beetlejuice, Beetlejuice.” All of the main cast, including Michael Keaton, are expected to grace the red carpet. The Venice Film Festival runs through Sept. 7.