Cannes Sets Lineup with Lanthimos, Coppola and Trump Film ‘The Apprentice’

The logo of Cannes film festival before the press conference to present the 77th Cannes Film Festival Official Selection at the UGC Normandie hall in Paris, France, 11 April 2024.  (EPA)
The logo of Cannes film festival before the press conference to present the 77th Cannes Film Festival Official Selection at the UGC Normandie hall in Paris, France, 11 April 2024. (EPA)
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Cannes Sets Lineup with Lanthimos, Coppola and Trump Film ‘The Apprentice’

The logo of Cannes film festival before the press conference to present the 77th Cannes Film Festival Official Selection at the UGC Normandie hall in Paris, France, 11 April 2024.  (EPA)
The logo of Cannes film festival before the press conference to present the 77th Cannes Film Festival Official Selection at the UGC Normandie hall in Paris, France, 11 April 2024. (EPA)

New films from Yorgos Lanthimos, Andrea Arnold and Francis Ford Coppola, as well as a portrait of 1980s Donald Trump, will compete for the Palme d’Or at the 77th Cannes Film Festival next month, organizers announced Thursday.

Thierry Frémaux, Cannes’s artistic director who announced the selections in a news conference in Paris with festival president Iris Knobloch, said this year’s lineup was plucked from 2,000 submissions. Though Frémaux noted he went into the process concerned about the effect of last year’s strikes on American films, the lineup is typically full of top international filmmakers as well as a few hotly anticipated blockbusters.

Among the 19 films selected for competition is Lanthimos’ “Kinds of Kindness,” the Greek director’s follow-up to the Oscar-winning “Poor Things.” Its cast includes two stars of “Poor Things”: Emma Stone and Willem Dafoe.

Paolo Sorrentino, the Italian filmmaker of “The Great Beauty,” returns to Cannes with “Parthenhope,” a Naples-set drama co-starring Gary Oldman. Arnold, the British director of “American Honey” and “Fish Tank,” also returns to Cannes with “Bird,” starring Barry Keoghan and Franz Rogowski.

Sure to draw attention will be Ali Abbasi’s “The Apprentice,” a film about the former president’s early business career. In it, Sebastian Stan stars as Trump, Jeremy Strong plays Roy Cohn and Maria Bakalova co-stars as Ivana Trump. The Iranian director Abbasi was previously in competition at Cannes with 2022’s “Holy Spider.”

Numerous other big-name filmmakers are also returning to Cannes, which runs May 14-25. Among them: David Cronenberg (“The Shrouds,” with Vincent Cassel and Diane Kruger); Paul Schrader (“Oh, Canada,” with Richard Gere and Uma Thurman) and the lauded Chinese director Jia Zhang-Ke (“Caught By the Tides”). Also in competition are Sean Baker (“Anora”), whose “Red Rocket” and “The Florida Project” also premiered at Cannes; and the French filmmaker Jacques Audiard (“Emilia Perez”), who won the Palme in 2015 for “Dheepan.”

As previously reported, Francis Ford Coppola’s “Megalopolis” will premiere in competition in Cannes. The 85-year-old director’s self-financed, long-gestating epic will debut 50 years after his “The Conversation” won the Palme d’Or.

This year’s Cannes follows a banner 2023 edition that featured the premieres of three films that went on to win best-picture nominations at the Academy Awards: Martin Scorsese’s “Killers of the Flower Moon”; Jonathan Glazer’s “The Zone of Interest”; and Justine Triet’s Palme d’Or winner “Anatomy of a Fall.”

“Anatomy of a Fall” was only the third film directed by a woman to win the Palme. This year, there are four female filmmakers in competition. Frémaux said he may add further selections in the coming weeks.

Cannes had already lined up a few notable world premieres playing out of competition including George Miller’s “Furiosa: A Mad Max Saga” and Kevin Costner’s “Horizon, An American Saga.” George Lucas is set to receive an honorary Palme d’Or at the closing ceremony. The festival will kick off May 14 with the French comedy “The Second Act,” starring Léa Seydoux and Vincent Lindon.

Greta Gerwig, coming off the success of “Barbie,” is heading the jury that will decide the Palme d’Or.

One new addition this year: The festival is launching a competitive immersive section featuring works of virtual and augmented reality.



Video Game Performers Will Go on Strike Over Artificial Intelligence Concerns 

SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
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Video Game Performers Will Go on Strike Over Artificial Intelligence Concerns 

SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)

Hollywood's video game performers announced they would go on strike Thursday, throwing part of the entertainment industry into another work stoppage after talks for a new contract with major game studios broke down over artificial intelligence protections.

The strike — the second for video game voice actors and motion capture performers under the Screen Actors Guild-American Federation of Television and Radio Artists — will begin at 12:01 a.m. Friday. The move comes after nearly two years of negotiations with gaming giants, including divisions of Activision, Warner Bros. and Walt Disney Co., over a new interactive media agreement.

SAG-AFTRA negotiators say gains have been made over wages and job safety in the video game contract, but that the two sides remained split over the regulation of generative AI. A spokesperson for the video game producers, Audrey Cooling, said the studios offered AI protections, but SAG-AFTRA’s negotiating committee said that the studios’ definition of who constitutes a "performer" is key to understanding the issue of who would be protected.

"The industry has told us point blank that they do not necessarily consider everyone who is rendering movement performance to be a performer that is covered by the collective bargaining agreement," SAG-AFTRA Chief Contracts Officer Ray Rodriguez said at a news conference Thursday afternoon. He said some physical performances are being treated as "data."

Without guardrails, game companies could train AI to replicate an actor’s voice, or create a digital replica of their likeness without consent or fair compensation, the union said.

"We strike as a matter of last resort. We have given this process absolutely as much time as we responsibly can," Rodriguez told reporters. "We have exhausted the other possibilities, and that is why we’re doing it now."

Cooling said the companies' offer "extends meaningful AI protections."

"We are disappointed the union has chosen to walk away when we are so close to a deal, and we remain prepared to resume negotiations," she said.

Andi Norris, an actor and member of the union's negotiating committee, said that those who do stunt work or creature performances would still be at risk under the game companies' offer.

"The performers who bring their body of work to these games create a whole variety of characters, and all of that work must be covered. Their proposal would carve out anything that doesn’t look and sound identical to me as I sit here, when, in truth, on any given week I am a zombie, I am a soldier, I am a zombie soldier," Norris said. "We cannot and will not accept that a stunt or movement performer giving a full performance on stage next to a voice actor isn’t a performer."

The global video game industry generates well over $100 billion dollars in profit annually, according to game market forecaster Newzoo. The people who design and bring those games to life are the driving force behind that success, SAG-AFTRA said.

Members voted overwhelmingly last year to give leadership the authority to strike. Concerns about how movie studios will use AI helped fuel last year’s film and television strikes by the union, which lasted four months.

The last interactive contract, which expired in November 2022, did not provide protections around AI but secured a bonus compensation structure for voice actors and performance capture artists after an 11-month strike that began in October 2016. That work stoppage marked the first major labor action from SAG-AFTRA following the merger of Hollywood’s two largest actors unions in 2012.

The video game agreement covers more than 2,500 "off-camera (voiceover) performers, on-camera (motion capture, stunt) performers, stunt coordinators, singers, dancers, puppeteers, and background performers," according to the union.

Amid the tense interactive negotiations, SAG-AFTRA created a separate contract in February that covered independent and lower-budget video game projects. The tiered-budget independent interactive media agreement contains some of the protections on AI that video game industry titans have rejected. Games signed to an interim interactive media agreement, tiered-budget independent interactive agreement or interim interactive localization agreement are not part of the strike, the union said.