‘I Was Afraid for My Life’ — Orlando Bloom Puts Himself in Peril for New TV Series

 This image released by Peacock shows Chris Copeland and Orlando Bloom in an episode of the television series "Orlando Bloom: To the Edge." (Peacock via AP)
This image released by Peacock shows Chris Copeland and Orlando Bloom in an episode of the television series "Orlando Bloom: To the Edge." (Peacock via AP)
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‘I Was Afraid for My Life’ — Orlando Bloom Puts Himself in Peril for New TV Series

 This image released by Peacock shows Chris Copeland and Orlando Bloom in an episode of the television series "Orlando Bloom: To the Edge." (Peacock via AP)
This image released by Peacock shows Chris Copeland and Orlando Bloom in an episode of the television series "Orlando Bloom: To the Edge." (Peacock via AP)

Orlando Bloom wanted to test himself for his latest adventure project. Not by eating something gross or visiting a new country. He wanted to risk death — with not one but three extreme sports.

The Peacock series “Orlando Bloom: To the Edge” sees the “Pirates of the Caribbean” star shoot through the sky thousands of feet above the ground, dive into a deep sinkhole and rock climb hundreds of feet.

“While I was at moments scared for my life during the show, having come out the other end of it I feel way more capable,” Bloom tells The Associated Press.

The series, which debuts Thursday, was born from the pandemic, which made outside adventures even more alluring. It met the perfect host in a man who is a natural risk-taker. When he made his Broadway debut in “Romeo and Juliet,” he roared onto the stage on a Triumph motorcycle.

“I’m like a collector of experiences in some ways,” he says. “I’ve been remarkably gifted and fortunate to have some unique ones, but this was definitely like, ‘Oh, wow, I’m capable of this. Therefore I can do anything.’”

First up was wingsuiting — skydiving in a special jumpsuit that adds lift so you can glide longer before opening your parachute. Bloom's goal was to jump out of plane at 13,000 feet (3,962 meters) fly 3 miles (4.8 kilometers) over the Pacific Ocean and land on the beach.

Then he heads to the Bahamas, to a 663-foot-deep (202 meters) hole in the ocean, with the aim of plunging to 100 feet (30.5 meters) on just one breath. After that, it’s off to Utah to climb a 400-foot (122 meter) tower and stand on a summit the size of a pizza box.

“We all experience fear. It’s how we face this fear that defines us,” Bloom says in the first episode. “I never feel so alive being so close to death.”

There were some heart-in-your throat moments, like on his seventh skydiving jump, where Bloom needed to activate his reserve chute, something that is necessary just 1 in 1,000 times. And for his 21st jump, he did it holding hands with his 80-year-old uncle, Christopher Copeland, a master skydiver.

Usually it takes 200 solo skydives before anyone is allowed to wingsuit but Bloom convinces his instructor in just two weeks. Katy Perry, his partner, is on hand for the first wobbly flight, embracing her man after he lands and lovingly calling him “a flying wombat.”

Bloom battles ear pain to attempt the 100-foot (30.5 meter) freedive and practicing a breath exercise leaves him in tears, struggling and sweating. Freediving turns out to require a slowing heart, conserving energy and relaxing — the opposite of most sports.

The rock climbing challenge sees a usual 2-3 year training process condensed into a week. There was added stress because Bloom broke his back in a fall in his 20s and really didn't want to do that again.

“Just remember if everything hurts and you want to puke, you’re doing it right,” an instructor helpfully tells him. Bloom also leans into his Buddhist belief, meditating and chanting in the run-up to each daredevil step.

Bloom joins a crowded field of adventure-seeking celeb TV hosts, which includes Eugene Levy, Zac Efron, José Andrés, Chris Hemsworth, Will Smith, Stanley Tucci, Macaulay Culkin and Ewan McGregor.

Bloom, already a guy who went to the gym twice a day, was a quick learner and even emerged with a skydiving license. But he had one-on-one help from experts usually out of the reach of regular thrillseekers, like Maureen “Mo” Beck, a gold medal at the 2014 Spanish Paraclimbing World Championships, and Camila Jaber, the youngest female freediver to break records.

Bloom credits his instructors for their patience, expertise and teaching him to trust them and their gear. His life was in their hands but very often, their lives were in his hands.

“It wasn’t just as simple as like, ‘I’m just going to go with the flow here.’ No, I learned the tools. There are protocols,” he says. “There is a framework with which I was working. And while I was doing that, I was able to get into a rhythm, into a flow, and achieve things that I never thought I would ever do in my lifetime.”

Bloom hopes viewers will tune in to see a novice achieve remarkable feats but also to inspire them to get outside their comfort zones, be it perhaps by managing public speaking or learning a new language.

“For me, the idea of the show was like, ’Well, what is it for you?” he asks. “What is your version of jumping out of a plane? It doesn’t have to be physical or death defying in some form or another.”

Bloom says he's in a happy place, with a good career, a loving partner and great children. That made the stakes even higher for the new series.

“I’m very grateful for my life,” he says. “I’m even more grateful having survived ‘Orlando Bloom: To the Edge.’”



‘Wicked’ and ‘Gladiator’ Make Gravity-Defying Theater Debuts

 People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
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‘Wicked’ and ‘Gladiator’ Make Gravity-Defying Theater Debuts

 People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)
People wait to watch a screening of the film "Wicked" at the TCL Chinese Theater in Los Angeles, California, US, November 23, 2024. (Reuters)

With a combined $270 million in worldwide ticket sales, “Wicked” and “Gladiator II” breathed fresh life into a box office that has struggled lately, leading to one of the busiest moviegoing weekends of the year.

Jon M. Chu’s lavish big-budget musical “Wicked,” starring Ariana Grande and Cynthia Erivo, debuted with $114 million domestically and $164.2 million globally for Universal Pictures, according to studio estimates Sunday. That made it the third-biggest opening weekend of the year, behind only “Deadpool & Wolverine” and “Inside Out 2.” It’s also a record for a Broadway musical adaptation.

Ridley Scott’s “Gladiator II,” a sequel to his 2000 best picture-winning original, launched with $55.5 million in ticket sales. With a price tag of around $250 million to produce it, “Gladiator II” was a big bet by Paramount Pictures to return to the Coliseum with a largely new cast, led by Denzel Washington and Paul Mescal. While it opened with a touch less than the $60 million predicted in domestic ticket sales, “Gladiator II” has performed well overseas. It added $50.5 million internationally.

Going into the weekend, box office was down about 11% from last year and some 25% from pre-pandemic times. That meant this week's two headline films led a much-needed resurgence for theaters. With “Moana 2” releasing Wednesday, Hollywood might be looking at historic sales over the Thanksgiving holiday.

“This weekend’s two strong openers are invigorating a box office that fell apart after a good summer,” said David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment.

The collision of the two movies led to some echoes of the “Barbenheimer” effect of last year, when “Barbie" and “Oppenheimer” launched simultaneously. The nickname this time, “Glicked,” wasn’t quite as catchy and the cultural imprint was also notably less. Few people sought out a double feature this time. The domestic grosses in 2023 – $162 million for “Barbie” and $82 million for “Oppenheimer” – were also higher.

But the counter-programming effect was still potent for “Wicked” and “Gladiator II,” which likewise split broadly along gender lines. And it was again the female-leaning release – “Wicked,” like “Barbie” before it – that easily won the weekend. About 72% of ticket buyers for “Wicked” were female, while 61% of those seeing “Gladiator II” were male.

And while “Barbenheimer” benefitted enormously from meme-spread word-of-mouth, both “Wicked” and “Gladiator II” leaned on all-out marketing blitzes.

Both movies pulled out all the stops in global advertising campaigns that spanned everything from “Wicked” Mattel dolls (some of which led to an awkward recall) to an Airbnb cross-promotion with the actual Colosseum in Rome. For “Gladiator II,” Paramount even took the unusual step of simultaneously running a one-minute trailer on more than 4,000 TV networks, radio station and digital platforms.

Though “Wicked” will face some direct competition from “Moana 2,” it would seem to be better set up for a long and lucrative run in theaters. Even at 2 hours and 40 minutes, the film has had mostly stellar reviews. Audiences gave it an “A” on CinemaScore. The reception for “Wicked” has been strong enough that Oscar prognosticators expect it to be a contender for best picture at the Academy Awards, among other categories.

Producers, perhaps sensing a hit, also took the step of splitting “Wicked” in two. Part two, already filmed, is due out next November. Each “Wicked” installation cost around $150 million to make.

“Gladiator II” has also enjoyed good reviews, particularly for Washington's charismatic performance. Audience scores, though, were weaker, with ticket buyers giving it a “B” on CinemaScore. “Gladiator II” will make up for some of that, however, with robust international sales. It launched in many overseas markets a week ago, earning $87 million before landing in North America.