Yoko Ono to Receive Edward Macdowell Medal for Lifetime Achievement 

Yoko Ono appears before the dedication ceremony for her permanent art installation, a sculpture called SKYLANDING, at Jackson Park, Oct. 17, 2016, in Chicago. (AP)
Yoko Ono appears before the dedication ceremony for her permanent art installation, a sculpture called SKYLANDING, at Jackson Park, Oct. 17, 2016, in Chicago. (AP)
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Yoko Ono to Receive Edward Macdowell Medal for Lifetime Achievement 

Yoko Ono appears before the dedication ceremony for her permanent art installation, a sculpture called SKYLANDING, at Jackson Park, Oct. 17, 2016, in Chicago. (AP)
Yoko Ono appears before the dedication ceremony for her permanent art installation, a sculpture called SKYLANDING, at Jackson Park, Oct. 17, 2016, in Chicago. (AP)

One of the country's leading artist residency programs, MacDowell, has awarded a lifetime achievement prize to Yoko Ono. The groundbreaking artist, filmmaker and musician is this year's recipient of the Edward MacDowell Medal, an honor previously given to Stephen Sondheim and Toni Morrison among others.

“There has never been anyone like her; there has never been work like hers,” MacDowell board chair Nell Painter said in a statement Sunday. "Over some seven decades, she has rewarded eyes, provoked thought, inspired feminists, and defended migrants through works of a wide-ranging imagination. Enduringly fresh and pertinent, her uniquely powerful oeuvre speaks to our own times, so sorely needful of her leitmotif: Peace.”

Ono's son, Sean Ono Lennon, said in a statement that the medal was “an incredible honor.”

“The history and list of past recipients is truly remarkable. It makes me very proud to see her art appreciated and celebrated in this way," he said.

Ono, 91, has made few public appearances in recent years and is not expected to attend the July awards ceremony, at the MacDowell campus in Peterborough, New Hampshire. Ono's music manager, David Newgarden, will accept the award on her behalf.

Ono first became known as part of the avant-garde Fluxus movement of the 1960s, then reached international fame after meeting John Lennon, to whom she was married from 1969 until his death, in 1980.

Their many collaborations included the songs “Give Peace a Chance,” “Imagine” and “Happy Xmas (War Is Over)," the basis for “War Is Over! Inspired by the Music of John & Yoko,” this year's winner of the Oscar for best animated short film.

Over the past 40 years, Ono has had a busy career as a visual and recording artist, her albums including “Season of Glass,” “Starpeace” and “Take Me to the Land of Hell.” She was recently the subject of a career retrospective at London's Tate Modern.



‘Despicable Me 4’ Reigns at Box Office, While ‘Longlegs’ Gets Impressive Start

 This image released by Neon shows Maika Monroe in a scene from "Longlegs." (Neon via AP)
This image released by Neon shows Maika Monroe in a scene from "Longlegs." (Neon via AP)
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‘Despicable Me 4’ Reigns at Box Office, While ‘Longlegs’ Gets Impressive Start

 This image released by Neon shows Maika Monroe in a scene from "Longlegs." (Neon via AP)
This image released by Neon shows Maika Monroe in a scene from "Longlegs." (Neon via AP)

Gru and the minions celebrated a second week in first place at the North American box office this weekend, while a small horror movie called “Longlegs” upset the starry $100 million "Fly Me to the Moon."

The supremacy of “Despicable Me 4” was hardly a surprise, as the Universal and Illumination franchise added $44.7 million and pushed the film over $200 million, according to studio estimates Sunday. But the big upset came further down the charts with “Longlegs ” more than doubling the debut of the Scarlett Johansson and Channing Tatum romantic comedy “Fly Me to the Moon.”

“Longlegs,” an original horror about a serial killer starring Maika Monroe and Nicolas Cage, made an estimated $22.6 million from 2,510 theaters. That’s the best ever start for indie outfit Neon (most famous for releasing the Oscar-winning “Parasite”), which acquired the $10 million film for distribution. Written and directed by Osgood Perkins, “Longlegs” also scored the best opening for an R-rated film this year.

Neon deployed an innovative marketing strategy for the film, including touches like placing cipher messages in local newspapers and posting a Los Angeles billboard with a phone number that played an “unnerving” message. In its first 48 hours, the number received over 250,000 calls.

“Longlegs” was well-received by critics (it has an 87% on Rotten Tomatoes), but audiences gave it a less enthusiastic a C+ CinemaScore.

“Fly Me to the Moon,” an Apple Original Films production, launched with only $10 million over the weekend. It trailed holdovers “Inside Out 2,” in third with $20.8 million; and “A Quiet Place: Day One,” in fourth place with $11.8 million.

Sony distributed “Fly Me to the Moon,” the Greg Berlanti-directed film about a marketing executive brought in to sell the space race to the American public, and, later, stage a fake moon landing just in case. Apple has not yet announced when it will debut on its streaming service.

The movie opened in 3,356 locations this weekend, attracting an audience that was mostly over 45. In this case, the audience was kinder than the critics, giving it an A- CinemaScore against a 67% on Rotten Tomatoes, suggesting that word-of-mouth may work in its favor over the long run.

The year-to-date gap between box office performance this year and last is getting moderately slimmer. It's now down 16.1% from 2023 thanks to a run of recent successes. But performance still pales in comparison to pre-pandemic standards. On July 14 in 2019, the annual box office take was at $6.2 billion. This year it’s at $4.1 billion so far.

“A very unpredictable summer movie season continues,” said Paul Dergarabedian, the senior media analyst for Comscore. “And after a slow start in May (it) has continued to surprise and impress with expected as well as unexpected hits adding bottom-line dollars to the industry’s most important season.”

In limited release, A24 opened “Sing Sing,” an early Oscar contender, in four theaters in New York and Los Angeles. With sellouts in both locations, it made $137,119, one of the best limited openings of the year.

The film from director Greg Kwedar is about an arts program at the prison and features many real life participants, including Clarence Maclin in his film debut. “Sing Sing” will continue playing on four screens through July and expand nationwide in August.

Finally, “Twisters,” which opens in North America on Thursday, began its international rollout this weekend, earning $11.5 million from 38 markets including in Australia, Mexico and Brazil.

In its wake comes “Deadpool & Wolverine,” the first Marvel release of the summer.