The Rolling Stones Set to Play New Orleans Jazz Fest 2024, Opening Thursday

The members of the Rolling Stones Mick Jagger and Keith Richards perform during a private record release party of their new album "Hackney Diamonds" in New York City, US, October 19, 2023. REUTERS/Shannon Stapleton
The members of the Rolling Stones Mick Jagger and Keith Richards perform during a private record release party of their new album "Hackney Diamonds" in New York City, US, October 19, 2023. REUTERS/Shannon Stapleton
TT

The Rolling Stones Set to Play New Orleans Jazz Fest 2024, Opening Thursday

The members of the Rolling Stones Mick Jagger and Keith Richards perform during a private record release party of their new album "Hackney Diamonds" in New York City, US, October 19, 2023. REUTERS/Shannon Stapleton
The members of the Rolling Stones Mick Jagger and Keith Richards perform during a private record release party of their new album "Hackney Diamonds" in New York City, US, October 19, 2023. REUTERS/Shannon Stapleton

It looks like the third time is the charm as the 2024 New Orleans Jazz & Heritage festival prepares, again, for The Rolling Stones to perform.
The festival, which spans two weekends, is set to open Thursday with dozens of acts playing daily on 14 stages spread throughout the historic Fair Grounds race course. The Stones play next Thursday, May 2, tickets for which have long been sold out, The Associated Press said.
In 2019, festival organizers thought they had landed the legendary rock band, but the appearance was canceled because lead singer Mick Jagger had heart surgery. They tried again in 2021, but a surge in COVID-19 cases ultimately forced the fest to cancel.
Now, says festival producer Quint Davis, “It's gonna be special.”
This will be the first time the Stones play Jazz Fest.
Opening day acts include rock bands Widespread Panic and The Beach Boys, reggae artist Stephen Marley and jazz vocalist John Boutte.
“The talent is great, the weather is projected to be good and people's expectations are going to be met,” Davis said.
Blue skies, sunshine and temperatures in the 80s were forecast for opening day Thursday. Similar weather was expected for the rest of the first weekend, which runs through Sunday and showcases performances by Grammy Award-winning singer-songwriter Jon Batiste, country megastar Chris Stapleton, R&B singer Fantasia, rock band Heart, Cajun fiddler Amanda Shaw and The Cute Guys, jazz pianist Patrice Rushen, and blues and folk artist Ruthie Foster.
Anticipation for the Stones' performance is palpable, Davis said.
“All I'm hearing is ‘How can I get a ticket?’” he said of fans trying to see the marquee performance. “Unfortunately for some, that day sold out in like a day-and-a-half after tickets went on sale. I think people have just waited so long for this.”
The Rolling Stones in October released “ Hackney Diamonds,” their first album of original material since 2005 and their first without drummer Charlie Watts, who died in 2021. Though he hasn't seen a set list, Davis said fans can expect to hear a mix of greatest hits and new releases. No special guests are expected to perform with the Rolling Stones, but Davis said “never say never.”
“Just expect euphoria," he said laughing. "I think maybe we're going to need some ambulances on site because people are going to spontaneously combust from the excitement. And, they're playing in a daylight event. They're gonna be able to make eye contact with the audience. That's going to create a really special bond.”
Acts on the festival's 14 stages usually play simultaneously beginning when gates open at 11 a.m. and continuing until the music ends at 7 p.m. But the other stages will shut down next week when the Stones take the stage.
“We didn't want to have 13 empty stages and no people in front of them when the Stones start singing favorites like '(I Can't Get No) Satisfaction' and ‘Jumpin’ Jack Flash,'" Davis said. “Everyone who bought a ticket for that day primarily bought one to see The Stones.”
Davis said tickets for the festival's other days remain available and can be purchased online through their website.
Much of Jazz Fest celebrates the Indigenous music and culture of New Orleans and Louisiana but the music encompasses nearly every style imaginable: blues, R&B, gospel, Cajun, Zydeco, Afro-Caribbean, folk, Latin, rock, rap, contemporary and traditional jazz, country, bluegrass and everything in between.
Colombia’s rhythms, from music to dance and food, also will be highlighted this year as part of the festival’s cultural exchange. Close to 200 Colombian artists are scheduled to participate, including headliners Bomba Estéreo on Saturday, ChocQuibTown’s lead singer Goyo in a guest appearance with local band ÌFÉ on Sunday, and salsa legends Grupo Niche closing the celebration on May 5.
And don’t forget the food. During the festival, food available on site includes crawfish bread, pecan catfish meuniere and catfish almondine, cochon de lait and turducken po-boys, boudin, crawfish étouffée, jambalaya, crawfish Monica and shrimp and grits.



‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

 This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
TT

‘Dirty Dancing,’ ‘Beverly Hills Cop,’ ‘Up in Smoke’ among Movies Entering the National Film Registry

 This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)
This image released by the Library of Congress shows James Cagney, right, in a scene from the 1938 film "Angels with Dirty Faces." (Warner Bros/Discovery/Library of Congress via AP)

Nobody puts baby in a corner, but they're putting her in the National Film Registry.

“Dirty Dancing,” along with another 1980s culture-changer, “Beverly Hills Cop,” are entering the Library of Congress' registry, part of an annual group of 25 announced Wednesday that spans 115 years of filmmaking.

“Dirty Dancing” from 1987 used the physicality and chemistry of Patrick Swayze as Johnny Castle and Jennifer Grey as Frances “Baby” Houseman to charm generations of moviegoers, while also taking on issues like abortion, classism and antisemitism. In the climactic moment, Swayze defiantly declares, “Nobody puts baby in a corner” before taking Grey to dance to “(I’ve Had) The Time of My Life.”

1984's “Beverly Hills Cop,” the first Eddie Murphy film in the registry, arguably made him the world's biggest movie star at the time and made action comedies a blockbuster staple for a decade.

Since 1988, the Librarian of Congress has annually selected movies for preservation that are “culturally, historically or aesthetically” significant. The current picks bring the registry to 900 films. Turner Classic Movies will host a TV special on Wednesday, screening a selection of the class of 2024.

The oldest film is from 1895 and brought its own form of dirty dancing: “Annabelle Serpentine Dance” is a minute-long short of a shimmying Annabelle Moore that was decried by many as a public indecency for the suggestiveness of her moves. The newest is David Fincher's “The Social Network" from 2010.

A look at some of the films entering the registry “Pride of the Yankees” (1942): The film became the model for the modern sports tear-jerker, with Gary Cooper playing Lou Gehrig and delivering the classic real-life line: “Today I consider myself the luckiest man on the face of the Earth.”

“The Miracle Worker” (1962): Anne Bancroft won an Oscar for best actress for playing title character Anne Sullivan and 16-year-old Patty Duke won best supporting actress for playing her deaf and blind protege Helen Keller in director Arthur Penn's film.

“Up in Smoke” (1978): The first feature to star the duo of Cheech Marin and Tommy Chong established a template for the stoner genre and brought weed culture to the mainstream. Marin, who also appears in the inductee “Spy Kids” from 2001, is one of many Latinos with prominent roles in this year's crop of films.

“Star Trek II: Wrath of Khan” (1982): The second movie in the “Star Trek” franchise featured one of filmdom's great villains in Ricardo Montalban's Khan, and showed that the world of Captain Kirk and Mr. Spock could bring vital thrills to the cinema.

“Common Threads: Stories from the Quilt” (1989): The Oscar-winning documentary on the NAMES Project Aids Memorial Quilt was a landmark telling of the devastation wrought by the disease.

“My Own Private Idaho” (1991): Director Gus Van Sant's film featured perhaps the greatest performance of River Phoenix, a year before the actor's death at age 23.

“American Me” (1992): Edward James Olmos starred and made his film directorial debut in this tale of Chicano gang life in Los Angeles and the brutal prison experience of its main character.

“No Country for Old Men” (2007): Joel and Ethan Coen broke through at the Oscars with their adaptation of Cormac McCarthy's novel, winning best picture, best director and best adapted screenplay, while Javier Bardem won best supporting actor for playing a relentless killer with an unforgettable haircut.