Start Me up: The Stones Kick off North America Tour in Houston

 Mick Jagger of the rock band The Rolling Stones performs, as the band kick off their 2024 Hackney Diamonds tour at the NRG Stadium in Houston, Texas, US April 28, 2024. (Reuters)
Mick Jagger of the rock band The Rolling Stones performs, as the band kick off their 2024 Hackney Diamonds tour at the NRG Stadium in Houston, Texas, US April 28, 2024. (Reuters)
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Start Me up: The Stones Kick off North America Tour in Houston

 Mick Jagger of the rock band The Rolling Stones performs, as the band kick off their 2024 Hackney Diamonds tour at the NRG Stadium in Houston, Texas, US April 28, 2024. (Reuters)
Mick Jagger of the rock band The Rolling Stones performs, as the band kick off their 2024 Hackney Diamonds tour at the NRG Stadium in Houston, Texas, US April 28, 2024. (Reuters)

The Rolling Stones kicked off their North America tour at a sold-out venue in Houston on Sunday, with people traveling from various cities to watch one of the world's most enduring rock bands amid worries that this could be their last tour.

The show was the first of 16 performances, set across the US and Canada through July.

Fans flocked to the NRG Stadium in Houston in Rolling Stones T-shirts showcasing the band's iconic lips and tongue logo.

The band, formed more than six decades ago, opened with "Start Me Up" with Mick Jagger walking onto the stage in a shiny striped jacket, a gray sequined shirt and black jeans. People immediately started to dance along to the 1981 classic.

Jagger, who is 80, danced, skipped and ran across the stage while showcasing his vocal range.

"Hello Houston, it's good to be back in the lone star state," Jagger said, adding that band visited NASA's Lyndon B. Johnson Space Center in Houston and making quips about Texas-based convenience store chain Buc-ee's.

He performed alongside Keith Richards, 80, and Ronnie Wood, 76, the surviving core of the band.

"Every time I see them, it's such a joy. They're amazing. They take such true joy in playing," said Greta Brasgalla, 56, who traveled from El Paso, Texas, to watch the band for the seventh time. She also plans to watch the Rolling Stones in Atlanta in June.

The band attracted people of all ages to the stadium, with a significant proportion of the audience over 60.

The 18 songs played over two hours included a mix of classics and three from the latest record "Hackney Diamonds", the Stones' first album of original material since 2005 and the first recording since drummer Charlie Watts died in 2021.

Other songs they played included "Jumpin' Jack Flash", "You Can't Always Get What You Want" and "Out of Time", all to massive applause.

Richards, whose song-writing partnership with Jagger is one of the most enduring and successful in rock, sang "Little T&A."

The Stones closed the show with "(I Can't Get No) Satisfaction". They head to the New Orleans Jazz and Heritage Festival for a special performance this week.

Fans, however, worried that this could be one of the last tours by the Stones.

"Every time we see them, we wonder if it's going to be the last. That's our fear," said Savannah Welch, who traveled from Austin and brought along her son Charlie.



‘Venom: The Last Dance’ Misses Projections as Superhero Films’ Grip on Theaters Loosens

 Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
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‘Venom: The Last Dance’ Misses Projections as Superhero Films’ Grip on Theaters Loosens

 Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)
Tom Hardy poses for photographers upon arrival at the premiere of the film "Venom: The Last Dance" on Wednesday, Oct. 23, 2024, in London. (AP)

“Venom: The Last Dance” showed less bite than expected at the box office, collecting $51 million in its opening weekend, according to studio estimates Sunday, significantly down from the alien symbiote franchise’s previous entries.

Projections for the third “Venom” film from Sony Pictures had been closer to $65 million. More concerning, though, was the drop off from the first two “Venom” films. The 2018 original debuted with $80.2 million, while the 2021 follow-up, “Venom: Let There Be Carnage,” opened with $90 million even as theaters were still in recovery mode during the pandemic.

“The Last Dance,” starring Tom Hardy as a journalist who shares his body with an alien entity also voiced by Hardy, could still turn a profit for Sony. Its production budget, not accounting for promotion and marketing, was about $120 million — significantly less than most comic-book films.

But “The Last Dance” is also performing better overseas. Internationally, “Venom: The Last Dance” collected $124 million over the weekend, including $46 million over five days of release in China. That’s good enough for one of the best international weekends of the year for a Hollywood release.

Still, neither reviews (36% fresh on Rotten Tomatoes) nor audience scores (a franchise-low “B-” CinemaScore) have been good for the film scripted by Kelly Marcel and Hardy, and directed by Marcel.

The low weekend for “Venom: The Last Dance” also likely ensures that superhero films will see their lowest-grossing year in a dozen years, not counting the pandemic year of 2020, according to David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment.

Following on the heels of the “Joker: Folie à Deux” flop, Gross estimates that 2024 superhero films will gross about $2.25 billion worldwide. The only upcoming entry is Marvel’s “Kraven the Hunter,” due out Dec. 13.

Even with the $1.3 billion of “Deadpool & Wolverine,” the genre hasn’t, overall, been dominating the way it once did. In 2018, for example, superhero films accounted for more than $7 billion in global ticket sales.

Last week’s top film, the Paramount Pictures horror sequel “Smile 2,” dropped to second place with $9.4 million. That brings its two-week total to $83.7 million worldwide.

The weekend’s biggest success story might have been “Conclave,” the papal thriller starring Ralph Fiennes and directed by Edward Berger (“All Quiet on the Western Front”). The Focus Features release, a major Oscar contender, launched with $6.5 million in 1,753 theaters.

That put “Conclave” into third place, making it the rare adult-oriented drama to make a mark theatrically. Some 77% of ticket buyers were over the age of 35, Focus said. With a strong opening and stellar reviews, “Conclave” could continue to gather momentum both with moviegoers and Oscar voters.