‘Shardlake’ Is a Tudor-Era Mystery Series. It’s Also a Win for Disabled Characters, Its Star Says

This image release by Hulu shows Arthur Hughes in a scene from “Shardlake.” (Martin Mlaka/Disney+/Hulu via AP)
This image release by Hulu shows Arthur Hughes in a scene from “Shardlake.” (Martin Mlaka/Disney+/Hulu via AP)
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‘Shardlake’ Is a Tudor-Era Mystery Series. It’s Also a Win for Disabled Characters, Its Star Says

This image release by Hulu shows Arthur Hughes in a scene from “Shardlake.” (Martin Mlaka/Disney+/Hulu via AP)
This image release by Hulu shows Arthur Hughes in a scene from “Shardlake.” (Martin Mlaka/Disney+/Hulu via AP)

Matthew Shardlake steps out of the pages of the late C.J. Sansom's popular historical mystery novels and into a new show, bringing with him disability representation.

“We don’t see a lot of leading disabled characters,” says Arthur Hughes, who plays the title character. “Well, we might, but they might not be played by disabled actors.”

Shardlake is a clever lawyer who solves puzzles and problems during the reign of King Henry VIII. He is also disabled. The character is referred to as a “hunchback” by a rude rival in the books — an example of the attitude of the Tudor period, with no allowance or acceptance of differences.

“I really hope the disabled audience can see that and see maybe some of the parallels with the world we live in today. And also just to show that that a disabled actor can play a leading part,” says Hughes, who was born with radial dysplasia, The AP reported.

Joining him in the show are Anthony Boyle, as codpiece-wearing rogue Jack Barak, and Sean Bean portraying Thomas Cromwell, the notorious and real-life political player who sends Shardlake on a mission to solve a murder at a monastery. The show airs Wednesday on Disney+ in the UK and Hulu in the US.

The cast spoke to The Associated Press about the importance of casting, the comfort of a codpiece and coldness of old castles. The interview was conducted before Sansom's death Saturday at 71. Answers have been edited for brevity and clarity.

AP: So who read the books? BEAN: I read the first three but a long time ago. Forty years or so.

AP: Was the appeal that you already knew this world? BEAN: Yes, when I found out it was based on C.J. Sansom's books, I thought, I’ve read those, you know. It was something I really wanted to be involved with and when I was offered the role of Cromwell, (I was) delighted.

AP: Shardlake himself, he’s a great role. HUGHES: It was a really, really enjoyable role. He’s a complicated guy. Kind of strong but vulnerable and compromised in many ways within himself, within the job he’s got. But I think, ultimately, a really good, just man. And a great story to go through and an interesting world to navigate. It was a lot of fun. We had a ball.

AP: He’s also a very cool character. HUGHES: Yeah, I found reading the books, he’s a very interesting character, but there’s something a little weak and afraid and meek in him and actually, I wanted him to be stronger and stoic. Still vulnerable and lonely and isolated and maybe somewhat awkward, but I wanted him to have a kind of inner strength. This is a disabled man navigating a really difficult world for him and I think he’ll need that kind of inner strength burning inside him.

AP: Codpiece. BOYLE: Yes, let’s talk about it. It’s something.

AP: Was it comfortable? BOYLE: I sort of had to go to myself — this is the leather jacket of the era. It was like getting your codpiece on and going out, like, this looks all right. Once I got over that hurdle, I loved it and I actually felt a bit naked without it. So I did take one from set. It’s in the wardrobe. I’m hoping if the show does well, people will watch it and it will be the new sort of fashion statement this summer. You know, everyone’s knocking about with codpieces.

AP: You’ve been jumping around historical periods quite a lot recently. BOYLE: Someone said to me, I’ve done so many period dramas, it looks like I’ve got a face that just can’t comprehend the internet. And they just keep putting me in these sort of random period dramas because I look like I don’t know how to work Deliveroo.

HUGHES: That’s brilliant.

AP: Thomas Cromwell is a really interesting historical figure — what was your take on him? BEAN: I’m not sure I quite liked him, but I admired his resolute character. He’s very headstrong and very, very sure about himself, about what he was doing. But he obviously takes a lot of pleasure in the dissolution of the monasteries and the robbing and everything that goes on changing the religion completely, to accommodate Henry VIII’s marriage to Anne Boleyn. And he sees Shardlake, he knows he’s a very intelligent, very gifted man and it’s an interesting relationship that we have.

AP: There was talk about doing something with this before, but with an able bodied actor. How important is it for you that Shardlake is represented properly? HUGHES: I think having those leading roles, especially in this Tudor world that Shardlake lives in, which is built in ableism every day, but which is backed up by God and by everything that everyone’s taught. And also to show that that a disabled actor can play a leading part. And he’s written as a disabled man and even some of the smallest things about growing up a bit different, looking different — Shardlake will feel all those things and I’ve felt those things. Maybe I don’t have to kind of manufacture that so much.

AP: What was it like filming the 16th century? It looks really cold. BOYLE: It was very cold. We were up there in freezing Budapest and I was wearing tights and a codpiece. All I can remember from the whole shoot, how cold it was. I remember riding horses, which was a laugh. We had a good fun on those didn’t we?

HUGHES: We did.

BOYLE: It was a good craic. Riding into Scarnsea on the back of these horses. The sets were amazing. It really did make you feel like you were in that time period. Looking round you didn’t really have to act that much because it was 360. We were on set. We were in the muck. We filmed these amazing locations, these castles and monasteries. And you didn’t have to do much thinking, you were just in it.



Simone Biles to Join Snoop Dogg as Guest Mentor for an Episode on NBC's 'The Voice'

Simone Biles arrives at the 58th Annual CMA Awards on Wednesday, Nov. 20, 2024, at Bridgestone Arena in Nashville, Tenn. (Photo by Evan Agostini/Invision/AP)
Simone Biles arrives at the 58th Annual CMA Awards on Wednesday, Nov. 20, 2024, at Bridgestone Arena in Nashville, Tenn. (Photo by Evan Agostini/Invision/AP)
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Simone Biles to Join Snoop Dogg as Guest Mentor for an Episode on NBC's 'The Voice'

Simone Biles arrives at the 58th Annual CMA Awards on Wednesday, Nov. 20, 2024, at Bridgestone Arena in Nashville, Tenn. (Photo by Evan Agostini/Invision/AP)
Simone Biles arrives at the 58th Annual CMA Awards on Wednesday, Nov. 20, 2024, at Bridgestone Arena in Nashville, Tenn. (Photo by Evan Agostini/Invision/AP)

Snoop Dogg and Simone Biles turned their Olympic bond from this summer’s Paris Games into a new challenge: The superstar tandem will team up on NBC’s “The Voice.”
Biles will join Snoop for an episode on the reality competition television series, airing Monday. As a coach on the show, the rap star enlisted Biles as a mentor in the playoff round to help advise five vocalists who are vying for a spot in the live shows.
For Snoop and Biles, their pairing was a superb match for the sports and music icons — who carried their effortless chemistry from the Olympics to the TV set of “The Voice.”
“We were able to riff off each other and give the artists the best insight going into the next round,” Biles told The Associated Press in a recent interview with Snoop after both finished filming the episode in Los Angeles.
“It was pretty easy, simple,” added Biles, the most decorated gymnast of all-time who won four medals — three of them gold — at the recent Olympics. “We’re both very mellow. But if we need to bring that energy up, then we can. For us, it was about instilling confidence going into the next week.”
Biles might be famous for her athletic prowess, but she was able to relate to the music contestants — from one competitor to another.
“These are the learning steps: Learn, process, go back in and work,” she said. “They all have the vocal talent. It’s about harnessing that, knowing when to bring it out and which songs to sing and which genre you fit in. And what you want your legacy to be. This is truly a special show as well as the judging. They don’t get to see the physical appearance first. It’s all off of ears, listening and putting their craft together as well.”
Despite having different career paths, Snoop and Biles share a mutual respect for each other’s ability to shine on the biggest stages.
“We have such diverse careers. But the things that we dealt with, they’re dealing with now,” said Snoop, the ultra-smooth entertainer who took on a starring role as a special correspondent in NBC’s record-breaking coverage. He’s a coach on “The Voice” along with Michael Bublé, Reba McEntire and Gwen Stefani, with each attempting to discover and coach the next singing phenomenon.
Snoop said they felt the need to instill wisdom and confidence in each participant.
“We have the best experience and knowledge to give to these performers,” he said. “She’s a performer. I’m a performer. We’ve performed under extreme conditions. We always do our best. But sometimes things happen behind closed doors that you don’t know about. So, we’re able to speak to those things and give them real reassurance.”
During the Olympics, Biles and Snoop had a few viral moments. Both caught up with each other to cheer on Sydney McLaughlin-Levrone during her 400-meter hurdles race; he gifted Biles’ father, Ronald Biles, with a Death Row Records gold necklace for his 75th birthday; and he was spotted dancing in the crowd during the women's gymnastics qualifying round as Biles and her teammate Jordan Chiles joined in.
While on set, Biles was often all smiles while watching Snoop in his charismatic element.
“I knew Snoop would stay true and authentic to himself here on ‘The Voice.’” she said. “It’s nice that you don’t have to fit a mold. There’s a space for everyone.”
Snoop said it made sense for both to work together on the episode.
“This is family. It feels good,” Snoop said. “(Biles) can do anything she wants to do. She picks and chooses what she wants to do.