Costner, Gere, Demi Moore: Hollywood Icons on Cannes Comeback Trail 

Demi Moore. (Getty Images North America/AFP) 
Demi Moore. (Getty Images North America/AFP) 
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Costner, Gere, Demi Moore: Hollywood Icons on Cannes Comeback Trail 

Demi Moore. (Getty Images North America/AFP) 
Demi Moore. (Getty Images North America/AFP) 

This year's Cannes Film Festival hosts a trio of heartthrobs from the back end of the 20th century, making their comeback on the red carpet: Demi Moore, Kevin Costner and Richard Gere.

From "Ghost" to "Pretty Woman" to "Dances with Wolves", they are responsible for some of Generation X's favorite movie moments.

AFP looks at what they've been up to since.

- Demi Moore: ghost girl -

On the Croisette, 61-year-old Moore will be making her unexpected return in slasher-horror "The Substance", competing for the festival's top prize, the Palme d'Or.

It has been a long time since Moore came anywhere near a Cannes red carpet, having appeared mostly in small TV roles and forgettable films since the early 2000s.

In her heyday, Moore was a global star after the weepie "Ghost" co-starring the late Patrick Swayze as a murdered businessman who watches over his grieving ceramicist girlfriend from beyond the grave.

Her baggy, androgynous look in that movie -- the dungarees and boyish crop -- helped define 1990s style, and she had other era-defining hits with steamy dramas "Indecent Proposal" and "Disclosure".

An Annie Leibovitz photoshoot -- showing off her pregnant belly on the cover of Vanity Fair in 1991 -- was a stunning move at the time, since copied by Beyonce, Rihanna and others.

She proved her acting chops in meatier 1990s movies such as blockbuster courtroom drama "A Few Good Men" opposite Tom Cruise and Jack Nicholson.

But since the turn of the century, Moore, who has a life-long passion for collecting dolls and bought an entire house to store her 2,000-strong collection, was in the headlines more for her tumultuous love life than her acting.

She formed two Hollywood power couples, first in the 1980s with "Die Hard" star Bruce Willis, father of her three daughters, and then with Ashton Kutcher, the latter union ending acrimoniously in 2013.

- Kevin Costner: forever West -

The soft-spoken 69-year-old is back in Cannes in his favorite genre, the Western, with the epic "Horizon: An American Saga".

Fans are hoping his fourth feature as director -- which is out of competition at Cannes -- will mark a return to form after a series of expensive duds in the 1990s trashed his Oscar-gilded career.

His directorial debut "Dances With Wolves", despite being a three-hour Western, was a global hit and in 1991 won the double Oscar whammy of best picture and director.

As an actor he captured hearts in smash hits "Robin Hood: Prince of Thieves" (1991) and as Whitney Houston's protector in "The Bodyguard" (1992).

Teaming up with big-gun directors also proved a winning formula, from Oliver Stone's "JFK" (1991) to Clint Eastwood's "A Perfect World" (1993).

But then a string of ultra-expensive and hubristic flops -- especially "Waterworld" (1995) and "The Postman" (1997) made him into something of a laughing stock.

He continued to work in smaller roles, but invested more in music with his nostalgic country band "Kevin Costner & Modern West".

There has been a late resurgence in his 60s, however, thanks to the long-running hit neo-Western series, "Yellowstone".

- Richard Gere: zen charm -

Gere was the world's sexiest man according to People Magazine in 1999, when he was 50.

By then he had charmed audiences with his quiet seduction in "An Officer and a Gentleman" (1982) and, of course, "Pretty Woman" opposite Julia Roberts.

He and supermodel Cindy Crawford were also the ultimate It-couple.

But progressively he gave up glamour for meditation.

Gere had been a Buddhist since he was 25, and increasingly used his fame to speak out, in particular against China's control of Tibet.

He developed a close friendship with the Dalai Lama and gave a fiery speech against China at the 1993 Oscars that got him barred from future ceremonies.

It also cost him movie roles in the 2000s as Hollywood sought to tap the vast Chinese market.

For his Cannes comeback, the 74-year-old has reunited with Paul Schrader -- who directed him in dark cult favorite "American Gigolo" (1980) -- for "Oh, Canada", playing a Vietnam War draft-evader haunted by his past.



'Michael' Moonwalks to $97 Million Opening, Shattering Record for Music Biopics

Michael Jackson's black sequined jacket with the markings "002 MJJ 87" and "Proto 2" (1987), is displayed before the auction of a collection dedicated to Michael Jackson at the Aguttes auction house in Neuilly-sur-Seine, near Paris, France, April 23, 2026. REUTERS/Sarah Meyssonnier
Michael Jackson's black sequined jacket with the markings "002 MJJ 87" and "Proto 2" (1987), is displayed before the auction of a collection dedicated to Michael Jackson at the Aguttes auction house in Neuilly-sur-Seine, near Paris, France, April 23, 2026. REUTERS/Sarah Meyssonnier
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'Michael' Moonwalks to $97 Million Opening, Shattering Record for Music Biopics

Michael Jackson's black sequined jacket with the markings "002 MJJ 87" and "Proto 2" (1987), is displayed before the auction of a collection dedicated to Michael Jackson at the Aguttes auction house in Neuilly-sur-Seine, near Paris, France, April 23, 2026. REUTERS/Sarah Meyssonnier
Michael Jackson's black sequined jacket with the markings "002 MJJ 87" and "Proto 2" (1987), is displayed before the auction of a collection dedicated to Michael Jackson at the Aguttes auction house in Neuilly-sur-Seine, near Paris, France, April 23, 2026. REUTERS/Sarah Meyssonnier

"Michael," the big-budget Michael Jackson spectacle, shrugged off bad reviews and a troubled production to launch with $97 million in US and Canada theaters, according to studio estimates Sunday, shattering a record debut for music biopics.

A highly authorized portrayal of the King of Pop, co-produced by the Jackson estate, Lionsgate’s “Michael” far surpassed previous biopic top performers like “Straight Outta Compton” (a $60.2 million debut in 2015) and “Bohemian Rhapsody” ($51 million in 2018).

International sales were also strong, The Associated Press reported. “Michael” collected $120.4 million overseas, to give it a $217.4 million global opening — a new high for a music biopic. Universal picked up distribution in most international markets.

Even in the lucrative market of music biopics, “Michael” was an audacious bet by Lionsgate on an extraordinarily popular but controversial figure. The reputation of Jackson, who died in 2009 at the age of 50, has been repeatedly tarnished by allegations of sexual abuse of children. Jackson and his estate have maintained his innocence, though the pop star acknowledged sharing a bedroom with other people’s children. He was acquitted in his sole criminal trial in 2005.

Some Jackson family members opposed the film. Janet Jackson was uninvolved and doesn’t appear in it. Jackson’s daughter, Paris, called it “fantasy land.” But three years after “Leaving Neverland,” the 2009 documentary about Jackson’s alleged sexual abuse of children, “Bohemian Rhapsody” producer Graham King announced plans for the biopic. Jackson’s nephew, Jaafar Jackson, was cast to star.

“Michael” had an unusually rocky production. After shooting was completed, producers realized they had made a costly mistake. The third act focused on the accusations of Jordan Chandler, then 13 years old, whom Jackson paid $23 million to in a 1994 settlement. The terms of that settlement barred the Jackson estate from ever mentioning Chandler in a movie.

A huge chunk of the film had to be cut. Reshoots for as much as $50 million were done at the estate’s expense. Director Antoine Fuqua and screenwriter John Logan reworked the movie to conclude in 1988, before any accusations were made.

Yet as bad as things once looked for “Michael,” the movie turned into a hit. The film’s total production cost came close to $200 million. To defray costs, Lionsgate sold international distribution rights to Universal. A sequel, while not yet announced, is expected.

Critics slammed the film for glossing over some of the less convenient aspects of Jackson’s life. It scored a paltry 38% on Rotten Tomatoes. But audiences were far more enthusiastic.

“Michael” earned an “A-” CinemaScore.

The opening for “Michael” added to a strong spring for Hollywood boosted by box-office hits like Amazon MGM’s “Project Hail Mary” and Universal’s “The Super Mario Galaxy Movie.” After three weeks atop the box office, the “Mario” sequel slid to second place, with $21.2 million. It four weeks, it’s collected $386.5 million domestically.


Screenwriters Overwhelmingly Approve a 4-Year Contract with Hollywood Studios

Flags flutter in front of the Hollywood Sign after US President Donald Trump ordered a 100% tariff on foreign-made films in Los Angeles, California, US, September 29, 2025. (Reuters)
Flags flutter in front of the Hollywood Sign after US President Donald Trump ordered a 100% tariff on foreign-made films in Los Angeles, California, US, September 29, 2025. (Reuters)
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Screenwriters Overwhelmingly Approve a 4-Year Contract with Hollywood Studios

Flags flutter in front of the Hollywood Sign after US President Donald Trump ordered a 100% tariff on foreign-made films in Los Angeles, California, US, September 29, 2025. (Reuters)
Flags flutter in front of the Hollywood Sign after US President Donald Trump ordered a 100% tariff on foreign-made films in Los Angeles, California, US, September 29, 2025. (Reuters)

Members of the screenwriters union overwhelmingly ratified a four-year agreement with Hollywood studios and streamers on Friday, bringing an end to a surprisingly smooth and quick process that brought a prolonged strike the last time around.

Union leaders said 90% voted to approve the deal struck between the Writers Guild of America West, Writers Guild of America East and Alliance of Motion Picture and Television Producers. Studios will now shift to negotiations with actors and directors.

Leaders of the unions emphasized gains in health coverage.

“In the face of industry contraction and runaway health care cost inflation, writers were able to secure a contract that returns our Health Fund to a sustainable path and builds on gains from the 2023 strike,” WGA West President Michele Mulroney said in a statement.

Guild leaders said the deal also includes minimum pay hikes, especially for comedy and variety writers, with more money in residuals for the re-airing of their work.

The AMPTP congratulated the union on the ratification.

“This deal reflects a collaborative approach that supports both writers and the industry’s long-term stability,” it said in its own statement.

An April 4 tentative agreement came about three weeks after negotiations began — a stark contrast to the contentious contract negotiation that along with an actors strike brought the industry to a standstill in 2023.

The Writers Guild has had its own labor struggles with its staff, whose strike brought the cancellation of their annual awards ceremony in March.

Actors, through their union SAG-AFTRA, are still negotiating their new contract. The groups have negotiated for about a month and are set to resume Monday after a break.

SAG-AFTRA President Sean Astin said in a February interview with The Associated Press that he has seen signs that the studios want “to work as partners again."

The Directors Guild begins its contract talks on May 11.


Concert Pays Tribute to Swiss Fire Disaster Victims

Italian and French singer and songwriter Riccardo Cocciante (C), also known as Richard Cocciante performs during a tribute concert entitled “Au cœur de Crans” for the victims of the New Year’s Eve bar fire in Crans-Montana, at the Salle Métropole in Lausanne on April 22, 2026.  (Photo by Fabrice COFFRINI / AFP)
Italian and French singer and songwriter Riccardo Cocciante (C), also known as Richard Cocciante performs during a tribute concert entitled “Au cœur de Crans” for the victims of the New Year’s Eve bar fire in Crans-Montana, at the Salle Métropole in Lausanne on April 22, 2026. (Photo by Fabrice COFFRINI / AFP)
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Concert Pays Tribute to Swiss Fire Disaster Victims

Italian and French singer and songwriter Riccardo Cocciante (C), also known as Richard Cocciante performs during a tribute concert entitled “Au cœur de Crans” for the victims of the New Year’s Eve bar fire in Crans-Montana, at the Salle Métropole in Lausanne on April 22, 2026.  (Photo by Fabrice COFFRINI / AFP)
Italian and French singer and songwriter Riccardo Cocciante (C), also known as Richard Cocciante performs during a tribute concert entitled “Au cœur de Crans” for the victims of the New Year’s Eve bar fire in Crans-Montana, at the Salle Métropole in Lausanne on April 22, 2026. (Photo by Fabrice COFFRINI / AFP)

A benefit concert was held Wednesday in tribute to the victims of a New Year's fire that killed 41 people at an upscale Swiss ski resort, nearly four months on from the tragedy.

The concert brought together the families of victims and some of those who survived the fire, which erupted at a bar in the Alpine town of Crans-Montana in the early hours of January 1.

Most of those killed in disaster at Le Constellation bar were teenagers, while 115 people were injured.

At the concert, staged at the Salle Metropole theatre in Lausanne, the performing artists came onto the stage to a song written about the tragedy called "Etoile de nos coeurs" ("Star of our Hearts"), and lined up holding white roses.

Beforehand, the families of the victims gathered in the foyer. There were hugs, smiles and some tears.

"It's about solidarity. To all the victims, up there or here on Earth, it means one thing: we haven't forgotten you," Laetitia Brodard-Sitre, whose 16-year-old son Arthur was among those killed, told AFP.

"We're in survival mode. Half of our hearts have been ripped away," she added.

"It keeps alive the memory of all those who were hurt, both physically and emotionally."

Tickets cost from 90 Swiss francs ($115), with the proceeds going towards Swisshearts -- an association founded by parents affected by the disaster.

The participating artists -- performing for free -- included Gjon's Tears, who finished third for Switzerland at the 2021 Eurovision Song Contest.

"There were a lot of young people, and even today, four months later, they find it hard to talk about it," the singer told AFP.

"These were young people who just wanted to party and have fun.

"Being close in age to the majority of the victims... I think we can relate to it," the 27-year-old said.

Also on the bill was the veteran Italian singer Richard Cocciante.

"We need to think about the people who are no longer here," the 80-year-old told AFP, adding that music "certainly helps; I don't know if it can heal, but it helps".

A total of 13 people are under criminal investigation in connection with the disaster, including the bar's owners and several current and former local officials.

The fire hit the Lausanne region hard.

Several of those killed were from the suburb of Lutry. Its football team lost seven players in the fire, with more injured in the disaster.

For many survivors badly burned in the fire, the journey towards resuming a normal life, where possible, is far from over, with lengthy hospital treatment followed by spells in rehabilitation and readaptation clinics.

Switzerland's Federal Office for Civil Protection told AFP on Wednesday that 38 patients were still in hospitals and clinics, including 19 in neighboring countries.