What to Stream This Weekend: ‘Bridgerton,’ Billie Eilish and Zayn Malik Albums, ‘American Fiction’

Photo released by Lionsgate - The AP
Photo released by Lionsgate - The AP
TT

What to Stream This Weekend: ‘Bridgerton,’ Billie Eilish and Zayn Malik Albums, ‘American Fiction’

Photo released by Lionsgate - The AP
Photo released by Lionsgate - The AP

Billie Eilish’s third studio album, “Hit Me Hard and Soft” and the return of “Bridgerton” are some of the new television, movies, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Zayn Malik releases a new album, the video game Homeworld returns after more than 20 years and Cord Jefferson’s Oscar-winning “American Fiction” lands on Prime Video .

NEW SHOWS TO STREAM — Seasons one and two of “Bridgerton” followed the first two novels in the series by Julia Quinn. Taking place in Regency-era London, each book is about the love story of one Bridgerton family member. Season three, however, skips to book No. 4 with the friends to lovers’ courtship of Colin Bridgerton (Luke Newton) and Penelope Featherington (Nicola Coughlan.) Netflix has broken the season into two parts with the first batch of new episodes premiering Thursday.

— Sophie Rundle of “Peaky Blinders” stars in “After the Flood,” as a police officer in a UK town that is devastated by a flood. The six-episode series is both a thriller and a red flag about the consequences of climate change. The series premiered Monday on BritBox.

— Josh Brolin leads “Outer Range” on Prime Video, a Western about neighboring ranchers battling for land that quickly turns trippy with time-travel. Lili Taylor, Tom Pelphrey, Imogen Poots and Shaun Sipos also star. All seven episodes of season two dropped on Thursday.

— André Holland (“Moonlight”) plays Black Panther founder Huey P. Newton in the new series “The Big Cigar” for Apple TV+. It dives into the true story of how in 1974, Holland was being pursued by the FBI for murder and assault charges. He got help from a movie producer named Bert Schneider to escape to Cuba. The six-episode series debuts Friday.

— The popular food competition series “Ciao House” returns for its second season on Sunday, May 19 on Food Network. On the show, 12 chefs live together in a villa in Puglia, Italy, and compete in various culinary challenges. The contestants form alliances and rivalries. In the end, the winner gets to train under master Italian chefs. “Iron Chef” champion Alex Guarnaschelli and Gabe Bertaccini return as hosts.

— Alicia Rancilio

NEW MOVIES TO STREAM – Cord Jefferson’s Oscar-winning “American Fiction,” one of the most celebrated directorial debuts in recent years, is now on Prime Video . Jeffrey Wright stars at Thelonious “Monk” Ellison, a frustrated novelist who, in a drunken fit of rage, pens a satirical book parodying what’s popular, only it becomes a sensation. Sterling K. Brown, John Ortiz, Erika Alexander, Issa Rae and Leslie Uggams round out a terrific ensemble. In her review, AP Film Writer Lindsey Bahr wrote that “American Fiction” “is immensely watchable, staged without flash or pretention, that relies on its sharp script and talented and charismatic actors to carry the audience through.”

– A trio of new films coming to Netflix covers a wide gamut. The animated “Thelma the Unicorn” (streaming Friday) is about a small pony painted to pose as a unicorn, voiced by the Grammy-winning singer-guitarist Brittany Howard. Yance Ford’s “Power” (streaming Friday) examines the roots of American policing and its evolution over time. And “Madame Web,” the much-maligned Marvel entry in Sony’s Spider-Man universe of films, landed Tuesday on Netflix. Dakota Johnson stars in what Bahr wrote in her review “feels like the stitched-together product of a bunch of people who weren’t actually collaborating.”

– The odds are more in the favor of “The Hunger Games: The Ballad of Songbirds & Snakes,” which began streaming on Starz after a successful theatrical run last November. It’s a prequel to the Hunger Games, themselves. The games are in their 10th year and ratings are flagging, but a few twists and turns will catapult them to Panem’s center stage. The origin story is also for the man who will become President Coriolanus Snow, played by Donald Sutherland in the first four films. Here, the young, ambitious Snow is played by Tom Blythe, whose performance lifts the movie. In my review, I wrote: “Just as in the ‘Hunger Games’ films led by Jennifer Lawrence’s Katniss Everdeen, the new one proves how much you can sacrifice in story when you’ve got a thrilling young performer commanding the screen.”

— AP Film Writer Jake Coyle

NEW MUSIC TO STREAM — What can listeners expect from Billie Eilish ’s third studio album, “Hit Me Hard and Soft”? It’s a mystery, and the pop star is keeping it that way for a reason. Last month, Eilish announced the album by sharing the artwork on Instagram. It depicts Eilish floating in a body of water after being ejected from a door. In the caption, she wrote that she will not drop singles in advance of the release. “I wanna give it to you all at once,” she captioned the image. “I truly could not be more proud of this album.” Here's what we do know: Eilish once again worked with her brother and longtime collaborator Finneas on “Hit Me Hard and Soft.” ( Read AP's review here.)

— Once known as a heartthrob with the best pipes in the British boy band One Direction, Zayn Malik was the first to courageously individuate and leave the group that kickstarted his career and launch an R&B pop career. That was a lifetime ago — now, on Friday, he will release his fourth solo studio album, “Room Under the Stairs,” dreamt up and written at his home in rural Pennsylvania. This time around he worked with the legendary country producer Dave Cobb (known for his work with Chris Stapleton, Jason Isbell, and Brandi Carlile, among others) for Malik's folkiest release to date. It’s part-R&B, part-soul, part-acoustic Americana — a new, matured Malik for a new era.

— For several years, SQÜRL, the musical moniker of duo filmmaker Jim Jarmusch and Carter Logan, have performed sonic compositions to partner the cinematic works of Dadaist Man Ray. On Friday, all of that work reaches its natural apex when they will release a new album, “Music for Man Ray,” on the 100th anniversary of Man Ray’s filmic pursuits. (For the film fans reading this, you may have sense this was coming when the recently restored Man Ray film “Return to Reason” premiered at the Cannes Film Festival. ) Surrealist music for the senses.

— Alternative rock fans, there’s a new docu-reality series for you. “ Billy Corgan’s Adventures in Carnyland” is an eight-part unscripted series from The CW that follows the Smashing Pumpkins’ frontman as he navigates fatherhood, being in a band, and his other idiosyncratic pursuits as a wrestling promoter and owner of the National Wrestling Alliance. Stream it on the CW App and cwtv.com.

— AP Music Writer Maria Sherman

NEW VIDEO GAMES TO PLAY — Twenty-one years isn’t that much time on a cosmic scale, but for fans of the science fiction epic Homeworld — who have waited since 2003 since the last full-blown installment — it has been an eternity. As Gearbox Publishing’s Homeworld 3 begins, the galaxy has enjoyed an age of prosperity thanks to the discovery of a network of hyperspace gates. The good times may be running out, though, as some of the gates are mysteriously collapsing. Developer Blackbird Interactive, which includes some veterans of the original game, promises plenty of the 3D outer space combat that made it a hit, whether you want to fly solo or engage in free-for-alls against your friends. Liftoff on the PC.

— If you prefer your mysteries a little more earthbound, Annapurna Interactive’s Lorelei and the Laser Eyes has you covered. You have been invited to explore an old hotel somewhere in Europe, where you’ll soon find yourself “embroiled in a game of illusions.” The aesthetic is classic film noir, with eerie black-and-white settings accented with splashes of red. Swedish studio Simogo, known for mind-benders like Year Walk and Device 6, promises “an immense amount of handcrafted puzzles,” so if you’ve been craving a really big escape room, check in on Nintendo Switch and PC.

 

 

 

 

 

 



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
TT

Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
TT

First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
TT

Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”