Richard Gere Drew on Father's Death for Role in Cannes Entry 'Oh, Canada'

Cast member Richard Gere interacts with fans following the screening of the film "Oh Canada" in competition at the 77th Cannes Film Festival in Cannes, France, May 17, 2024. REUTERS/Sarah Meyssonnier
Cast member Richard Gere interacts with fans following the screening of the film "Oh Canada" in competition at the 77th Cannes Film Festival in Cannes, France, May 17, 2024. REUTERS/Sarah Meyssonnier
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Richard Gere Drew on Father's Death for Role in Cannes Entry 'Oh, Canada'

Cast member Richard Gere interacts with fans following the screening of the film "Oh Canada" in competition at the 77th Cannes Film Festival in Cannes, France, May 17, 2024. REUTERS/Sarah Meyssonnier
Cast member Richard Gere interacts with fans following the screening of the film "Oh Canada" in competition at the 77th Cannes Film Festival in Cannes, France, May 17, 2024. REUTERS/Sarah Meyssonnier

Richard Gere, once a Hollywood leading man, said he drew on his feelings following his father's death to bring emotional depth to his role in "Oh, Canada," for which he returned, after decades, to the Cannes Film Festival red carpet on Friday.
"It so resonated with my own emotional voyage with my dad, who was almost 101 when he passed away," Gere told Reuters.
"Paul (Schrader, the director,) wrote such a terrific script, moving script, filled with wonderful character stuff that it was very easy for me to say 'yes,'" he added.
Gere, 74, is almost unrecognizable as Leonard Fife, a man at the end of his life, intent on sharing the secrets of his youth with his wife of 30 years, played by Uma Thurman, on camera, using a technique he perfected as a celebrated documentary maker.
The film, which is competing for the film festival's top Palme d'Or prize, is told through flashbacks, with Jacob Elordi of "Euphoria" fame playing the younger version of Leonard.
Critics were lukewarm after the film's premiere, with The Guardian calling it "muddled, anticlimactic and often diffidently performed," while giving it two out of five stars.
"Oh, Canada" brings Gere back together with Schrader some four decades after the 1980 crime drama "American Gigolo."
"We're like old dogs now, you know? It's like, I was going to say old hookers, but I can't say that," Gere said.
"But there's a shorthand there. I mean, we didn't talk much during this, we just kind of figured out," he added.
The film is based on the novel "Foregone" by Russell Banks, a friend of Schrader's after he adapted "Affliction," with Nick Nolte, into the 1997 Oscar-nominated film of the same title.
The reason Schrader did "Oh, Canada"?
"Russell got sick. That simple," said Schrader, who recalled how hard-hit he was after Banks asked him not to visit because he was feeling bad due to cancer. Banks died last year.
"I knew he had written a book about dying when he was healthy, so I better read that book," said Schrader, 77. "And I read that book and I thought 'yep, that's what I should do'."
The director said he also had to confront his own mortality after a few hospital visits for long COVID and a broken bone.
"I was thinking, you know, maybe, maybe this is it," he said. "At that point, you start thinking about, well, if I've got one more film left, what should it be about?" he said.
"And, fortunately, my health has improved," Schrader said, adding that he still might have a few films in him yet.



Eminem Brings Taylor Swift's Historic Reign at No. 1 to an End, Stevie Wonder's Record Stays Intact

Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)
Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)
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Eminem Brings Taylor Swift's Historic Reign at No. 1 to an End, Stevie Wonder's Record Stays Intact

Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)
Eminem performs at the Bonnaroo Music and Arts Festival on June 9, 2018, left, and Taylor Swift performs at Wembley Stadium in London as part of her Eras Tour on June 21, 2024. (AP Photo)

Eminem's latest album, “The Death of Slim Shady (Coup de Grâce),” has debuted at No. 1 on the Billboard 200, unseating Taylor Swift's "The Tortured Poets Department" after 12 weeks.
In its first week, “The Tortured Poets Department” hit 891.34 million album streams stateside, according to Luminate, the biggest streaming week for an album in history, The Associated Press said.
Swift's album debuted at No. 1 in April and held the top spot for three months. She is the only woman to have done so; Swift beat the previous record held by Whitney Houston's 1987 album, “Whitney.” It spent its first 11 weeks at No. 1.
“The Tortured Poets Department” tied Morgan Wallen's 2023 album “One Thing at a Time,” which also debuted at No. 1 and stayed there for 12 consecutive weeks. (It would later remerge at the top spot, spending 19 weeks total at No. 1.)
The only album to outperform them is Stevie Wonder’s 1976 masterpiece, “Songs in the Key of Life.” It spent 13 weeks at No. 1 after debuting in the top spot; 14 weeks there in total.
“The Death of Slim Shady (Coup de Grâce)" is Eminem's 12th album and his 11th to hit No. 1. “The Tortured Poets Department” dropped to No. 4 as a result. In the second slot is K-pop boy band ENHYPHEN's “ROMANCE:UNTOLD” and irreverent country Zach Bryan's “The Great American Bar Scene” is at No. 3.