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Kevin Costner Jokes about Blocking Cannes Yachts to Finance ‘Horizon’ Films

US director Kevin Costner attends the press conference for "Horizon: An American Saga" during the 77th annual Cannes Film Festival, in Cannes, France, 20 May 2024. (Getty Images)
US director Kevin Costner attends the press conference for "Horizon: An American Saga" during the 77th annual Cannes Film Festival, in Cannes, France, 20 May 2024. (Getty Images)
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Kevin Costner Jokes about Blocking Cannes Yachts to Finance ‘Horizon’ Films

US director Kevin Costner attends the press conference for "Horizon: An American Saga" during the 77th annual Cannes Film Festival, in Cannes, France, 20 May 2024. (Getty Images)
US director Kevin Costner attends the press conference for "Horizon: An American Saga" during the 77th annual Cannes Film Festival, in Cannes, France, 20 May 2024. (Getty Images)

Kevin Costner joked at the Cannes Film Festival on Monday that he was ready to blockade rich people on their yachts unless they gave him money to finance his planned four-part Western series "Horizon: An American Saga."

The Hollywood star has already taken out a mortgage on 10 acres of his waterfront property in California to help fund the film project, which tells of the challenges faced by settlers expanding the American West in the late 1800s. Now, he needs more financial backing for the project.

"If we all went out together into this harbor and we stood in front of one boat. And didn't let those rich people off, and we can tell them, 'Look, you can dress up, you can walk on the red carpet,' you know..." Costner told a packed news conference.

"I have knocked on every boat in Cannes to help me. They say 'Ooh, come have a picture', I say 'No, come get your chequebook out. I want to see. Let's talk money," he added.

The first two parts are complete, with the 181-minute initial chapter premiering out of competition at the festival on Sunday. It will be released in North America and select European locations on June 28, followed by part two on Aug. 16.

Filming on the third chapter began before Costner set out for Cannes.

"This has been so hard. And it's not over yet," he told Reuters in an interview at the festival.

MIXED REVIEWS

Costner will star in, direct, produce and co-write the film series, which covers a 15-year period before and after the 1861-1865 Civil War when white settlers expanded westward in the United States, taking land from American Indians.

Costner's previous credits in Westerns include his Oscar-winning "Dances With Wolves" in 1990 and more recently as the star of the successful five-season TV series "Yellowstone."

"I can't fill every box every time I try to make a movie, but I'm absolutely conscious of what's at stake, and trying to represent people," Costner said at the news conference.

"Horizon," with Sienna Miller, Jena Malone, Abbey Lee and Dale Dickey among the cast, is also heavily oriented towards women, added Costner.

Reviews trended towards the negative, with Britain's The Guardian newspaper calling it "a big vain slog up familiar old west alleys," while another British newspaper, The Telegraph, said it would please those who pine for old-fashioned Westerns.

"Costner may have just invented granddad cinema," read The Telegraph headline.

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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)

Neither Pixar nor zombies were enough to topple “How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of “Elio” and “28 Years Later” , according to studio estimates Sunday. “How To Train Your Dragon” has rapidly amassed $358.2 million worldwide, The Associated Press reported.

Six years after its last entry, the Dean DeBlois-directed “How To Train Your Dragon” has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon.

Pixar's “Elio” had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including “Cars,” “WALL-E” and “Toy Story 4.” But “Elio,” a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar.

“This is a weak opening for a new Pixar movie,” said David A. Gross, who runs the movie consulting firm FranchiseRe. “These would be solid numbers for another original animation film, but this is Pixar, and by Pixar’s remarkable standard, the opening is well below average.”

“Elio,” originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of “Coco” — was replaced mid-production by Domee Shi (“Turning Red”) and Madeline Sharafian. Back at Disney’s D23 conference in 2022, America Ferrera appeared to announce her role as Elio’s mother, but the character doesn’t even exist in the revamped film.

Disney and Pixar spent at least $150 million making “Elio,” which didn’t fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023’s “Elemental” ($496.4 million worldwide) and 2024’s “Inside Out 2” ($1.7 billion), which was the company's biggest box office hit.

“Elemental” was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, “Toy Story,” opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether “Elio's” decent reviews and “A” from CinemaScore audiences can lead it to repeat “Elemental's” trajectory.

With most schools on summer break, the competition for family audiences was stiff. Disney’s own “Lilo & Stitch,” another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million.

“28 Years Later” signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after “28 Days Later” and 18 years after its sequel, “28 Weeks Later.”

The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of “Slumdog Millionaire” and “Trainspotting,” the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family’s protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star.

Reviews have been good (90% fresh on Rotten Tomatoes) for “28 Years Later,” though audience reaction (a “B” CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of “28 Years Later: The Bone Temple” next year from director Nia DaCosta.

“28 Years Later” added another $30 million in 59 overseas markets.

After its strong start last weekend with $12 million, A24’s “Materialists” held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far.

Next weekend should also be a competitive one in movie theaters, with both “F1,” from Apple and Warner Bros., and Universal’s “Megan 2.0” launching in cinemas.