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‘The Garfield Movie’ Gave Chris Pratt a Reminder of His Lazy Side

US actor Chris Pratt arrives for the premiere of "The Garfield" movie at the TLC Chinese Theater in Hollywood on May 19, 2024. (AFP)
US actor Chris Pratt arrives for the premiere of "The Garfield" movie at the TLC Chinese Theater in Hollywood on May 19, 2024. (AFP)
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‘The Garfield Movie’ Gave Chris Pratt a Reminder of His Lazy Side

US actor Chris Pratt arrives for the premiere of "The Garfield" movie at the TLC Chinese Theater in Hollywood on May 19, 2024. (AFP)
US actor Chris Pratt arrives for the premiere of "The Garfield" movie at the TLC Chinese Theater in Hollywood on May 19, 2024. (AFP)

Voicing the iconic lazy, orange cat in "The Garfield Movie" reminded Chris Pratt of himself when he was in his late 20s and early 30s.

"I ate so much all the time, and I was very lazy," he told Reuters.

"I never exercised and I ate a whole bunch, and it was great," the "Guardians of the Galaxy" actor added. "So, now I don't have that any longer, but I do have the sense that I'm constantly pampered. So, depending on the season of my life we're talking about, there are similarities in the characters, but I've yet to be all of them all at once."

Pratt humorously noted that his connection to his character became stronger in several ways leading up to his interview.

"I've become Garfield. Look. I've got orange all around me. I was pampered and pet all morning before this interview and now I'm going to eat a big bowl of lasagna," he said.

The famed 1976 comic strip from cartoonist Jim Davis is going from page to animation. Distributed by Sony Pictures, it arrives in US movie theaters on Friday.

The film follows Garfield, a lethargic and greedy orange cat, as he’s snatched away from his pampered lifestyle and forced to carry out a heist for the sake of his alley cat father Vic, voiced by Samuel L. Jackson.

Pratt is no stranger to voicing animated characters following his experience portraying the Italian plumber Mario in the box office success "The Super Mario Bros. Movie" and voicing the elf Barley Lightfoot in Pixar's "Onward."

For the 44-year-old actor, it was easy to take on the role because Dindal, a well-known animation pioneer known for leading hits like "The Emperor's New Groove," already imagined his voice being used for Garfield, making it an effortless fit.

"Mark Dindal (the director) said 'I've been working on this for a couple of years, and I just hear your voice coming out of his mouth. To me, this is Chris Pratt as a cat,’" Pratt said.

Getting approval from Davis, whose comic strip has been published in over 2,000 newspapers and journals around the world, meant a lot to Pratt.

"Yeah, he's the character's creator, and I just heard recently that he gave a sweet quote and rated me a 10 out of 10 as the voice of Garfield," Pratt said.

"I don't think I'd quite realized how much pressure I'd been feeling to get the sign-off from him, and, so, the fact that he felt that way means a lot to me," he added

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Entertainment

An Emotional Win for Theaters, Hollywood: ‘Inside Out 2’ Scores Massive $155 Million Opening

This image released by Disney/Pixar shows, from left, Sadness, voiced by Phyllis Smith, Joy, voiced by Amy Poehler, Disgust, voiced by Liza Lapira, Fear, voiced by Tony Hale and Anger, voiced by Lewis Black, in a scene from "Inside Out 2." (Disney/Pixar via AP)
This image released by Disney/Pixar shows, from left, Sadness, voiced by Phyllis Smith, Joy, voiced by Amy Poehler, Disgust, voiced by Liza Lapira, Fear, voiced by Tony Hale and Anger, voiced by Lewis Black, in a scene from "Inside Out 2." (Disney/Pixar via AP)
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An Emotional Win for Theaters, Hollywood: ‘Inside Out 2’ Scores Massive $155 Million Opening

This image released by Disney/Pixar shows, from left, Sadness, voiced by Phyllis Smith, Joy, voiced by Amy Poehler, Disgust, voiced by Liza Lapira, Fear, voiced by Tony Hale and Anger, voiced by Lewis Black, in a scene from "Inside Out 2." (Disney/Pixar via AP)
This image released by Disney/Pixar shows, from left, Sadness, voiced by Phyllis Smith, Joy, voiced by Amy Poehler, Disgust, voiced by Liza Lapira, Fear, voiced by Tony Hale and Anger, voiced by Lewis Black, in a scene from "Inside Out 2." (Disney/Pixar via AP)

Hollywood’s summer movie anxieties gave way to joy this weekend with the massive debut of Disney and Pixar’s “Inside Out 2.” The animated sequel earned $155 million in ticket sales from 4,440 theaters in the US and Canada, according to studio estimates Sunday.

Not only is it the second-highest opening weekend in Pixar’s nearly 29 years of making films and the second-biggest animated opening ever (behind only the $182.7 million launch of “Incredibles 2” in 2018). It’s also the biggest of 2024, which had not had any films debut over $100 million. With an estimated $140 million from international showings, “Inside Out 2” had a staggering, and record-breaking, $295 million global debut.

The success is significant for Pixar, marking a much-needed return to form for a studio that has had a string of underwhelming launches including “Elemental,” which did eventually become a success, and “Lightyear,” which didn’t. It’s also vitally important for the greater Hollywood ecosystem and the health of theatrical exhibition, which had been running at a 26% deficit before this weekend. “Inside Out 2” marks the biggest opening since “Barbie” launched to $162 million last July.

"This is a monumental weekend for movie theaters," said Paul Dergarabedian, the senior media analyst for Comscore.

Kelsey Mann directed “Inside Out 2,” which picks up with Riley as she turns 13. That means the arrival of new emotions like Anxiety (Maya Hawke), Ennui (Adèle Exarchopoulos), Envy (Ayo Edebiri) and Embarrassment (Paul Walter Hauser) to the mix. Amy Poehler once again lent her voice to Joy in a cast that also includes Tony Hale, Lewis Black and Phyllis Smith as Sadness.

It got glowing reviews from critics (92% on Rotten Tomatoes) and polled audiences who gave it an A CinemaScore, suggesting that this won’t be a first-weekend wonder either. With kids out of school and an open market until “Despicable Me 4” enters the ring over the Fourth of July, “Inside Out 2” is just getting started.

“Inside Out 2” is estimated to have cost around $200 million to produce, which does not account for the millions spent on marketing. Going into the weekend, it was tracking for a debut in the $90 million range, which would have been in line with “Inside Out’s” first weekend in June 2019. Even that would have been considered a terrific achievement, and enough to claim the biggest opening of the year — finally unseating March releases like “Dune: Part Two” and “Godzilla x Kong.”

It got off to a huge start with $13 million from Thursday preview showings, which started at 3 p.m. As the only major release of the weekend, its theatrical footprint was equally impressive playing on 400 IMAX screens, over 900 “premium large format” screens and over 2,500 3D screens.

“The family audience still loves going to the movies,” Dergarabedian said. “As an outside of the home experience, it’s still a relative bargain.”

This recommitment to theatrical comes after Disney sent several Pixar films straight to its streaming service, Disney+, over the pandemic including “Soul,” “Luca” and “Turning Red.” Last month, the New York Times reported that Pixar had decided to return its focus to feature films (and not producing shows for Disney+) and that it had laid off 14% of its workforce (about 175 employees).

“As important as this weekend is for the industry at large, for Pixar this is huge. They’ve been trying to get their groove back since the pandemic,” Dergarabedian said. “Pixar had for decades one of the most impressive box office track records ever. They’ve really come back big.”

Second place went to Sony's “Bad Boys: Ride or Die,” now in its second weekend with $33 million, down only 42% from its opening. In just 12 days, it's already earned over $112 million domestically and $214 million globally. As of Friday, the four-film franchise had crossed the $1 billion mark.

“Bad Boys'” success last weekend was the start of a higher-earning turnaround for the lagging summer movie season. For Hollywood, the summer season, which runs from the first weekend in May through Labor Day, usually represents about 40% of the yearly box office. The deficit is still significant, with ticket sales down 28% for the summer and 24% for the year (and this is still before “Barbenheimer”) but it's progress in a more promising direction nonetheless.

“We're not going to get there overnight,” Dergarabedian said. “But it’s good news for theaters. And we have some big movies on the way.”