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Sony Says Focus is on Creativity, with Games, Movies, Music, Sensors, IP, and not Gadgets

Sony Group CEO Kenichiro Yoshida and President Hiroki Totoki attend the company's annual strategy briefing in Tokyo, Japan, May 23, 2024. REUTERS/Kim Kyung-Hoon
Sony Group CEO Kenichiro Yoshida and President Hiroki Totoki attend the company's annual strategy briefing in Tokyo, Japan, May 23, 2024. REUTERS/Kim Kyung-Hoon
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Sony Says Focus is on Creativity, with Games, Movies, Music, Sensors, IP, and not Gadgets

Sony Group CEO Kenichiro Yoshida and President Hiroki Totoki attend the company's annual strategy briefing in Tokyo, Japan, May 23, 2024. REUTERS/Kim Kyung-Hoon
Sony Group CEO Kenichiro Yoshida and President Hiroki Totoki attend the company's annual strategy briefing in Tokyo, Japan, May 23, 2024. REUTERS/Kim Kyung-Hoon

Japanese electronics and entertainment company Sony says it’s focusing on creativity in movies, animation and video games, rather than old-fashioned gadgetry, The Associated Press reproted.
Its chief executive, Kenichiro Yoshida, outlined the company’s strategy Thursday, saying Sony was helping creative professionals deliver what he called “kando,” or a moving experience.
Yoshida did not speak about reports Tokyo-based Sony and Apollo Global Management are interested in buying Paramount Global.
Yoshida said the company is now emphasizing the creative process itself instead of prized products of the past like the Walkman portable music player and Trinitron color TVs. He said “synergies” are no longer between entertainment and electronics, but determined by intellectual property spanning animation, music, games and films.
“We will continue to support people’s creativity through our technology,” he said in an online briefing.
Sony is adapting to tougher times, with rivals making cheaper but competitive electronics. Critics say venturing into movies, music and other entertainment can be unprofitable.
Starting with its acquisition of EMI Music Publishing in 2018, Sony has invested approximately 1.5 trillion yen ($10 billion) in the last six years to strengthen its content creation.
In 2021 it acquired Crunchyroll, which has more than 13 million paid subscribers and delivers Japanese animation globally. Another was Yoasobi, a Japanese music duo that includes Vocaloid technology, or singing voice synthesizer software, and is attracting global fans.
Sony’s real-time computing technology that records “this moment,” as Yoshida put it, is being used in cameras at sports events because it can capture quickly moving subjects without distortion.
It's also used for news coverage and editing and in 3D video and computer graphics, including hit movies like “Godzilla Minus One,” and games based on human athletes’ movements, according to Yoshida.
Sony recently reported its quarterly profit rose to 189 billion yen ($1.2 billion) from 141 billion yen the year before. Quarterly sales for the maker of the PlayStation game machines rose 14% to 3.48 trillion yen ($22 billion).
But for the fiscal year through March, Sony recorded a 3% decline in profit at 970 billion yen ($6.2 billion) due to a weak performance in its financial services segment, which will be partially spun off next year.

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Meghann Fahy and Eve Hewson's 'Overnight Success' is More than a Decade in the Making

Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
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Meghann Fahy and Eve Hewson's 'Overnight Success' is More than a Decade in the Making

Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)

Meghann Fahy and Eve Hewson, two of the stars of Netflix's whodunit “The Perfect Couple,” have news for you if you want to call them breakouts: They've been working in this business for more than a decade.
Fahy made her TV debut in 2009 in an episode of “Gossip Girl.” Hewson's first big film role was in 2011's “This Must Be the Place.” They do concede, however, that it's recent TV roles — “The White Lotus” for Fahy and “Bad Sisters” for Hewson — that have led to new frontiers of opportunity, The Associated Press said.
Susanne Bier, who directed “The Perfect Couple,” says both Fahy and Hewson are “going to be big stars.”
“They certainly have proper, profound star quality, Both of them in very different ways,” Bier says. “Both are incredibly creative, incredibly smart, and also have a impressive insight as to who they are. You can be a great actor or actress and not necessarily really know who you are yourself. And they do.”
Hewson, 33, whose dad is U2 front man Bono, may have grown up in a famous family but she's now in demand in her own right. She will next be seen in a second season of “Bad Sisters, ” out in November. She's in Noah Baumbach's next film, alongside Adam Sandler, George Clooney and Riley Keough. She's also been cast in Steven Spielberg's next production and is set to star opposite Murray Bartlett in a racing series for Hulu.
Fahy, 34, is in production on a limited series with Julianne Moore and Milly Alcock called “Sirens,” written by Molly Smith Metzler (“Maid”) for Netflix. She also has two films in the can with Josh O'Connor (“The Crown,” “Challengers”) and Brandon Sklenar (“It Ends With Us”).
The two actors spoke candidly with The Associated Press about this phase of their careers. This interview has been condensed for clarity and brevity.
AP: You've both had popular, zeitgeisty TV shows in recent years. TV fans are particularly passionate. Have you experienced any interesting interactions with fans? HEWSON: It’s actually really fun to experience because even when we were in Cape Cod shooting “The Perfect Couple,” I would go to the local shop to get my groceries and little old ladies would follow me down the aisle and be like, “Excuse me. Are you that girl from that ‘Sisters’ show?” Who knew that they were watching it? It doesn’t change my life, so it doesn’t bother me, but when someone comes up to me and says that they love the show, especially when it’s someone unexpected, I’m like, “Oh, cool.”
FAHY: It’s not happening so much to me that it feels like a huge imposition or anything. I feel like I’ve been really lucky. A lot of the people that I’ve met who have been a fan of “The White Lotus,” or whatever, they’re really sweet people. And, I think, part of why we do this is because we want to tell stories that people can connect to and play out scenarios for themselves. So I think it’s always really nice.
AP: What's it like to now be a part of conversations about whom to watch? FAHY: Part of it feels really nice because you work really, really, really hard for a really long time — maybe that’s not how it happens for a lot of people — but I feel like we’ve both been doing this for a minute. So, of course, it feels really good. but I try not to like dwell on any of it. I try to acknowledge it and be like, “Oh, that’s so nice.” And then just kind of keep going.
HEWSON: You hear so many stories of people who were like, “I walked into my first audition and I just became a star.” Or, there’s this element of being an actor where people don’t want to tell you how hard they work. They want it to look like it’s really easy. But we've been doing this for a long time. People just don’t really tell those stories. It's usually about the one that was found on the street.
FAHY: Yeah. You took 15 years to become an overnight success.
AP: Do you notice you're now treated differently by people in the industry? FAHY: Yeah, but I always think that nobody ever knows who I am. It’s always very embarrassing. I embarrass myself in those moments. I don’t always feel like I fit in those rooms.
HEWSON: What’s nice is, I’ve spent so long going into a room and people just being like, “OK,” and act like they’re just not getting it. I know at least like I have work that people understand, what I’m doing a little bit more so they get me as an actor.
FAHY: It’s like a different level of respect.