The Real Stars of Cannes May Be the Dogs 

Eddie Peng poses with his dog Xin during an interview for the film "Black Dog" at the 77th international film festival, Cannes, southern France, Tuesday, May 21, 2024. (AP)
Eddie Peng poses with his dog Xin during an interview for the film "Black Dog" at the 77th international film festival, Cannes, southern France, Tuesday, May 21, 2024. (AP)
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The Real Stars of Cannes May Be the Dogs 

Eddie Peng poses with his dog Xin during an interview for the film "Black Dog" at the 77th international film festival, Cannes, southern France, Tuesday, May 21, 2024. (AP)
Eddie Peng poses with his dog Xin during an interview for the film "Black Dog" at the 77th international film festival, Cannes, southern France, Tuesday, May 21, 2024. (AP)

It’s been a dog’s life at this year’s Cannes Film Festival — or should that be the Canine Film Festival?

Since the 77th edition’s opening day, human actors have shared the limelight with their canine co-stars on and off the red carpet, kept secure by the perky sniffer dogs that dart around the press ladder and tripods ahead of every premiere.

It all started with Messi, from last year’s Palme d’Or winner “Anatomy of a Fall” and the reigning Palm Dog champion. He was first out when the festival opened last Tuesday, flouting the carpet’s strict black-tie protocols.

Sans the obligatory bow tie or clothes of any sort, the in-demand border collie performed tricks up the famous steps of the Palais des Festivals. In town this year as a correspondent for French television, he’s been spotted up and down Cannes’ famed Croisette, taking selfies with fans.

Riding on Messi’s purely proverbial coattails was Felicity, a Samoyed ambassador for the London-based charity NoToDogMeat, which rescued her from China’s meat trade. Felicity wore a custom-made gold gown for her red-carpet moment, posing for the cameras like a pro — it was, after all, her second year in a row at the festival.

Meanwhile, Demi Moore jetted into town with her tiny chihuahua Pilaf to promote the body-horror film “The Substance.” The teeny pooch was front and center of the photocall. Even after Moore spent six to eight hours in the makeup chair with only her eyes visible, Pilaf always recognized her during filming: “That’s all that counted. My touchstone of reality,” the actor said at the movie’s press conference.

And while Pilaf only made it to Cannes as a plus-one, there were two leading dogs in town to promote their movies.

Swiss comedy “Dog on Trial” premiered in the Un Certain Regard section, directed by and starring Laetitia Dosch. Based on a real case, the French-language film tells the story of a defense lawyer who takes on Cosmos, an aggressive dog facing legal action, as a client.

The titular dog is played by Kodi, a griffon, who Dosch says is really the star of the movie. It was important to her that Kodi had his name on the credits and the film poster and would be by her side in Cannes. A comedy-drama with a feminist outlook, “Dog on Trial” is about exploitation, Dosch says — and she has an offbeat theory as to what women and dogs have in common.

Also competing in Un Certain Regard — which curates a lineup of original and daring films — is another dog-centered drama, “Gou Zhen” (“Black Dog”) from the Chinese director Guan Hu. In it, Taiwanese superstar Eddie Peng plays Lang, who’s charged with removing stray dogs from his hometown on government orders ahead of the Olympic Games. One particular dog has a profound impact on Lang — and, as it turns out, on the actor himself.

Peng built up such a bond with his canine co-star Xin, a Jack Russell-greyhound cross, that he adopted her after filming ended and credits her for changing his outlook on life.

“They act truthfully,” Peng says of dogs, on a stroll around the Cannes harborfront with Xin, who accompanied him to France. “They don’t, you know, they don’t put on the mask. They don’t care about who you are or whether you’re famous or not, how much money you make.”

When he comes home, she jumps up like it’s the happiest moment of her entire life: “I think that’s something that we all need to learn from.”

She’s also changed the way he approaches acting, abandoning much backstory and preparation.

“Animals are just so present, you know. It will be so obvious somehow, if you are overacting,” he says.

Both Kodi and Xin are surely contenders for this year’s Palm Dog, an unofficial award created by journalists recognizing the best chien in show biz. Contest creator Toby Rose is giving nothing away ahead of Friday’s ceremony, but said this year started auspiciously with Palm Dog 2023 winner Messi and “is without doubt set to be a vintage Palm Dog year.”

In Peng’s view, Xin is already a winner. He might be a household name in Asia, but it’s Xin who is getting the lion’s share of the adoration in Cannes. Since the film screened earlier this week, Peng says she’s been recognized on the streets.

“Maybe in the future I don’t need to work anymore,” he says. “I’ll just be the agent with my dog.”



Netflix to Give Greta Gerwig’s ‘Narnia’ Wide Theatrical Release, Marking a First

Cast member Greta Gerwig poses on the red carpet for the screening of the movie "Jay Kelly" in competition, at the 82nd Venice Film Festival, in Venice, Italy, August 28, 2025. (Reuters)
Cast member Greta Gerwig poses on the red carpet for the screening of the movie "Jay Kelly" in competition, at the 82nd Venice Film Festival, in Venice, Italy, August 28, 2025. (Reuters)
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Netflix to Give Greta Gerwig’s ‘Narnia’ Wide Theatrical Release, Marking a First

Cast member Greta Gerwig poses on the red carpet for the screening of the movie "Jay Kelly" in competition, at the 82nd Venice Film Festival, in Venice, Italy, August 28, 2025. (Reuters)
Cast member Greta Gerwig poses on the red carpet for the screening of the movie "Jay Kelly" in competition, at the 82nd Venice Film Festival, in Venice, Italy, August 28, 2025. (Reuters)

Netflix on Friday said it would put filmmaker Greta Gerwig’s "Narnia: The Magician’s Nephew" movie in wide theatrical release next year, where it will play exclusively for more than 45 days - a first for the streaming service.

Written and directed by Gerwig, the film is the first adaptation of C.S. Lewis’ 1955 book, which explores the origins of Narnia. It will be released in theaters on February 12 and made available on the streaming service on April 2.

This marks a ‌departure for ‌Netflix, which typically releases movies exclusively on its ‌streaming ⁠service. There have ⁠been some exceptions, including for movies with the potential to win an Academy Award. Movies must debut in theaters to be eligible for consideration for an Oscar.

Netflix said it opted for a wide theatrical release for "Narnia" because of the series' broad appeal across generations and geographies.

Theater owners applauded Netflix's decision. “This is welcome ⁠news," Cinema United President Michael O'Leary said in ‌a statement, adding, "Greta Gerwig's 'Narnia: The Magician’s ‌Nephew' is a movie audiences will want to see on the big ‌screen. Now they’ll have that opportunity.”

Netflix has shown an ‌increasing willingness to embrace the theatrical experience, last year releasing a sing-along version of its popular animated film, "KPop Demon Hunters" in movie theaters.

During the pursuit of Warner Bros. Discovery, Netflix CEO Ted Sarandos also ‌said the company would continue to release Warner Bros movies in theaters and honor the traditional 45-day ⁠window of ⁠exclusivity.

"Narnia" was originally scheduled to be released for two weeks in IMAX theaters, starting on Thanksgiving. Gerwig lauded Netflix for opting to offer the film more widely.

"I cannot wait for people to see the film in theaters on February 12 and on Netflix on April 2,” Gerwig said.

Adam Aron, chairman and CEO of AMC Entertainment, said the nation's largest theater chain would "throw everything we have" to support Netflix.

"We are in their corner fully," Aron wrote on the social media platform X. "We are and will be all in."


Fugees Rapper Pras Reports to Prison to Begin 14-Year Sentence

Prakazrel "Pras" Michel, of the Fugees, performs during "The Miseducation of Lauryn Hill" 25th anniversary tour, Nov. 5, 2023, at the Kia Forum in Inglewood, Calif. (SP)
Prakazrel "Pras" Michel, of the Fugees, performs during "The Miseducation of Lauryn Hill" 25th anniversary tour, Nov. 5, 2023, at the Kia Forum in Inglewood, Calif. (SP)
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Fugees Rapper Pras Reports to Prison to Begin 14-Year Sentence

Prakazrel "Pras" Michel, of the Fugees, performs during "The Miseducation of Lauryn Hill" 25th anniversary tour, Nov. 5, 2023, at the Kia Forum in Inglewood, Calif. (SP)
Prakazrel "Pras" Michel, of the Fugees, performs during "The Miseducation of Lauryn Hill" 25th anniversary tour, Nov. 5, 2023, at the Kia Forum in Inglewood, Calif. (SP)

Grammy-winning rapper Prakazrel “Pras” Michel of the Fugees has reported to federal prison to begin a 14-year sentence following a conviction over illegally funneling millions of dollars in foreign contributions to former President Barack Obama’s 2012 reelection campaign.

Michel reported to prison Thursday, a spokesperson said, with federal records listing him as an inmate at a low-security correctional institution in Arizona.

“Today is a painful day for Pras, for his family, and for everyone who believes in a fair system of justice. Pras honors the legal process as he reports to begin his sentence,” said Erica Dumas, a spokesperson for Michel, adding that his legal team is still contesting his charges.

“This chapter is difficult, but it is not his final one,” Dumas said.

Michel, 53, was convicted in 2023 on 10 counts, including conspiracy and acting as an unregistered agent of a foreign government. He was sentenced late last year.

Prosecutors said he obtained over $120 million from Malaysian billionaire Low Taek Jho — also known as Jho Low — and steered some of that money through straw donors to Obama’s campaign. Michel also tried to end a US Justice Department investigation of Low, tampered with two witnesses and perjured himself at trial, prosecutors said. Low has maintained his innocence.

Michel was a founding member of the Fugees along with childhood friends Lauryn Hill and Wyclef Jean, with the group going on to win two Grammy Awards and selling tens of millions of albums.


Oscars Organization Expands International Film Eligibility, Addresses AI in New Rules

07 March 2024: An Oscars statue seen at The Academy Museum in Los Angeles. (dpa)
07 March 2024: An Oscars statue seen at The Academy Museum in Los Angeles. (dpa)
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Oscars Organization Expands International Film Eligibility, Addresses AI in New Rules

07 March 2024: An Oscars statue seen at The Academy Museum in Los Angeles. (dpa)
07 March 2024: An Oscars statue seen at The Academy Museum in Los Angeles. (dpa)

The organization behind the Oscars is for the first time addressing the use of artificial intelligence in performances and scripts for the 2027 Academy Awards. The Academy of Motion Picture Arts and Sciences on Friday released updates across many categories, stressing the importance of human authorship while not banning AI.

The new rules also include significant changes to the much-criticized international film category, expanding eligibility to include films that won top qualifying awards from prestigious film festivals like Cannes, Venice and Toronto.

“As we do every year, we made a lot of, we think, really smart and progressive changes,” film academy CEO Bill Kramer told The Associated Press. “Obviously, as the academy becomes more global, we need to think about how we are inviting international films into the Oscars conversation.”

AI and the Oscars

As part of its annual review of Oscar eligibility rules, the academy is tackling one of the global filmmaking community's biggest concerns: generative artificial intelligence.

The new rules state that “the tools neither help nor harm the chances of achieving a nomination” and that the academy and each branch “will judge the achievement, taking into account the degree to which a human was at the heart of the creative authorship when choosing which movie to award.” They’re also reserving the right to request more information from the filmmaking team about the nature of the use of AI and “human authorship.”

“Humans have to be at the center of the creative process,” said academy president Lynette Howell Taylor. “As AI continues to evolve, our conversations around AI will do so along with that. But for the academy, we are always going to put human authorship at the center of our awards eligibility process.”

When it comes to the eligibility of performances, only roles “demonstrably performed by humans with their consent” will be considered. The organization declined to comment on whether the upcoming AI-rendered Val Kilmer performance would be eligible as the filmmakers have not yet submitted it for consideration.

A likeness is not an actor, for one, but it might also depend on how Kilmer is credited in the film: As Val Kilmer or something else? One could also take Andy Serkis as Gollum as an example of a human collaborating with technology for the final performance.

“We will review that on a case-by-case basis,” Kramer said. “We, like everybody in our industry and world, we will be assessing this every year.”

There is less ambiguity in the screenplay categories, where the rules state that “screenplays must be human-authored to be eligible.”

The film academy has often had to review its standards to meet the technological advances of the moment, whether it be sound, color or computer generated imagery (CGI).

Sweeping changes to international film eligibility

As its membership has grown much more international, there have been increasing calls for an overhaul to the international film category, which had been continually criticized as unjust, outdated and subject to political interference. That's led to independent and dissident filmmakers often pointedly not being submitted to represent the country they’re from.

Last year’s Palme d’Or-winner at Cannes, for instance, was “It Was Just an Accident,” from Iranian filmmaker Jafar Panahi, was not submitted as Iran’s official entry for the 98th Academy Awards, but France’s.

Under the new rules, “It Was Just an Accident” could be considered eligible because it won the top Cannes prize and not because a country chose to submit it. In addition to the Palme d’Or at Cannes, the Golden Lion at Venice and the Platform award at Toronto, other festivals with eligible qualifying awards will also include the Berlin International Film Festival’s Golden Bear, the Busan International Film Festival’s best film award and the Sundance Film Festival’s World Cinema Grand Jury Prize.

All the international films will also be credited as the nominee, not the country or region, and the award will be accepted by the filmmaker. The director’s name will also be listed on the Oscar plaque, “after the film title and country if applicable.”

“That really reflects our desire to honor the film’s creative team. That is how we approach other categories,” Kramer said. “And as we become more global, as the filmmaking community becomes more global. I think it’s really about a focus on the filmmakers and less a focus of the country.”

Actors can now be nominated for more than one award in a category

The acting branch is catching up with the rest of the academy in allowing an actor to be nominated for more than one performance in a single category. If, say, this year’s best actor winner Michael B. Jordan has two extraordinary leading performances in two different films in 2026, he could possibly get two best actor nominations.

This is standard practice in the other categories. In 2001, at the 73rd Oscars, Steven Soderbergh was nominated for best director for both “Traffic” and “Erin Brockovich,” winning the prize for the former.

The organization also clarified the eligibility of original songs used during a film’s end credits. For songs in which the first music cue plays over the end credits, that song must overlap with at least the film’s last 15 seconds before the credits roll in order to be considered eligible. This year’s original song winner, “Golden” was a key part of “KPop Demon Hunters” and used several times throughout the film.

“We never stop looking at ways to improve our eligibility process,” Taylor said.