The Real Stars of Cannes May Be the Dogs 

Eddie Peng poses with his dog Xin during an interview for the film "Black Dog" at the 77th international film festival, Cannes, southern France, Tuesday, May 21, 2024. (AP)
Eddie Peng poses with his dog Xin during an interview for the film "Black Dog" at the 77th international film festival, Cannes, southern France, Tuesday, May 21, 2024. (AP)
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The Real Stars of Cannes May Be the Dogs 

Eddie Peng poses with his dog Xin during an interview for the film "Black Dog" at the 77th international film festival, Cannes, southern France, Tuesday, May 21, 2024. (AP)
Eddie Peng poses with his dog Xin during an interview for the film "Black Dog" at the 77th international film festival, Cannes, southern France, Tuesday, May 21, 2024. (AP)

It’s been a dog’s life at this year’s Cannes Film Festival — or should that be the Canine Film Festival?

Since the 77th edition’s opening day, human actors have shared the limelight with their canine co-stars on and off the red carpet, kept secure by the perky sniffer dogs that dart around the press ladder and tripods ahead of every premiere.

It all started with Messi, from last year’s Palme d’Or winner “Anatomy of a Fall” and the reigning Palm Dog champion. He was first out when the festival opened last Tuesday, flouting the carpet’s strict black-tie protocols.

Sans the obligatory bow tie or clothes of any sort, the in-demand border collie performed tricks up the famous steps of the Palais des Festivals. In town this year as a correspondent for French television, he’s been spotted up and down Cannes’ famed Croisette, taking selfies with fans.

Riding on Messi’s purely proverbial coattails was Felicity, a Samoyed ambassador for the London-based charity NoToDogMeat, which rescued her from China’s meat trade. Felicity wore a custom-made gold gown for her red-carpet moment, posing for the cameras like a pro — it was, after all, her second year in a row at the festival.

Meanwhile, Demi Moore jetted into town with her tiny chihuahua Pilaf to promote the body-horror film “The Substance.” The teeny pooch was front and center of the photocall. Even after Moore spent six to eight hours in the makeup chair with only her eyes visible, Pilaf always recognized her during filming: “That’s all that counted. My touchstone of reality,” the actor said at the movie’s press conference.

And while Pilaf only made it to Cannes as a plus-one, there were two leading dogs in town to promote their movies.

Swiss comedy “Dog on Trial” premiered in the Un Certain Regard section, directed by and starring Laetitia Dosch. Based on a real case, the French-language film tells the story of a defense lawyer who takes on Cosmos, an aggressive dog facing legal action, as a client.

The titular dog is played by Kodi, a griffon, who Dosch says is really the star of the movie. It was important to her that Kodi had his name on the credits and the film poster and would be by her side in Cannes. A comedy-drama with a feminist outlook, “Dog on Trial” is about exploitation, Dosch says — and she has an offbeat theory as to what women and dogs have in common.

Also competing in Un Certain Regard — which curates a lineup of original and daring films — is another dog-centered drama, “Gou Zhen” (“Black Dog”) from the Chinese director Guan Hu. In it, Taiwanese superstar Eddie Peng plays Lang, who’s charged with removing stray dogs from his hometown on government orders ahead of the Olympic Games. One particular dog has a profound impact on Lang — and, as it turns out, on the actor himself.

Peng built up such a bond with his canine co-star Xin, a Jack Russell-greyhound cross, that he adopted her after filming ended and credits her for changing his outlook on life.

“They act truthfully,” Peng says of dogs, on a stroll around the Cannes harborfront with Xin, who accompanied him to France. “They don’t, you know, they don’t put on the mask. They don’t care about who you are or whether you’re famous or not, how much money you make.”

When he comes home, she jumps up like it’s the happiest moment of her entire life: “I think that’s something that we all need to learn from.”

She’s also changed the way he approaches acting, abandoning much backstory and preparation.

“Animals are just so present, you know. It will be so obvious somehow, if you are overacting,” he says.

Both Kodi and Xin are surely contenders for this year’s Palm Dog, an unofficial award created by journalists recognizing the best chien in show biz. Contest creator Toby Rose is giving nothing away ahead of Friday’s ceremony, but said this year started auspiciously with Palm Dog 2023 winner Messi and “is without doubt set to be a vintage Palm Dog year.”

In Peng’s view, Xin is already a winner. He might be a household name in Asia, but it’s Xin who is getting the lion’s share of the adoration in Cannes. Since the film screened earlier this week, Peng says she’s been recognized on the streets.

“Maybe in the future I don’t need to work anymore,” he says. “I’ll just be the agent with my dog.”



Video Game Performers Will Go on Strike Over Artificial Intelligence Concerns 

SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
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Video Game Performers Will Go on Strike Over Artificial Intelligence Concerns 

SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)
SAG-AFTRA signage is seen on the side of the headquarters in Los Angeles on Friday, Nov. 10, 2023. (AP)

Hollywood's video game performers announced they would go on strike Thursday, throwing part of the entertainment industry into another work stoppage after talks for a new contract with major game studios broke down over artificial intelligence protections.

The strike — the second for video game voice actors and motion capture performers under the Screen Actors Guild-American Federation of Television and Radio Artists — will begin at 12:01 a.m. Friday. The move comes after nearly two years of negotiations with gaming giants, including divisions of Activision, Warner Bros. and Walt Disney Co., over a new interactive media agreement.

SAG-AFTRA negotiators say gains have been made over wages and job safety in the video game contract, but that the two sides remained split over the regulation of generative AI. A spokesperson for the video game producers, Audrey Cooling, said the studios offered AI protections, but SAG-AFTRA’s negotiating committee said that the studios’ definition of who constitutes a "performer" is key to understanding the issue of who would be protected.

"The industry has told us point blank that they do not necessarily consider everyone who is rendering movement performance to be a performer that is covered by the collective bargaining agreement," SAG-AFTRA Chief Contracts Officer Ray Rodriguez said at a news conference Thursday afternoon. He said some physical performances are being treated as "data."

Without guardrails, game companies could train AI to replicate an actor’s voice, or create a digital replica of their likeness without consent or fair compensation, the union said.

"We strike as a matter of last resort. We have given this process absolutely as much time as we responsibly can," Rodriguez told reporters. "We have exhausted the other possibilities, and that is why we’re doing it now."

Cooling said the companies' offer "extends meaningful AI protections."

"We are disappointed the union has chosen to walk away when we are so close to a deal, and we remain prepared to resume negotiations," she said.

Andi Norris, an actor and member of the union's negotiating committee, said that those who do stunt work or creature performances would still be at risk under the game companies' offer.

"The performers who bring their body of work to these games create a whole variety of characters, and all of that work must be covered. Their proposal would carve out anything that doesn’t look and sound identical to me as I sit here, when, in truth, on any given week I am a zombie, I am a soldier, I am a zombie soldier," Norris said. "We cannot and will not accept that a stunt or movement performer giving a full performance on stage next to a voice actor isn’t a performer."

The global video game industry generates well over $100 billion dollars in profit annually, according to game market forecaster Newzoo. The people who design and bring those games to life are the driving force behind that success, SAG-AFTRA said.

Members voted overwhelmingly last year to give leadership the authority to strike. Concerns about how movie studios will use AI helped fuel last year’s film and television strikes by the union, which lasted four months.

The last interactive contract, which expired in November 2022, did not provide protections around AI but secured a bonus compensation structure for voice actors and performance capture artists after an 11-month strike that began in October 2016. That work stoppage marked the first major labor action from SAG-AFTRA following the merger of Hollywood’s two largest actors unions in 2012.

The video game agreement covers more than 2,500 "off-camera (voiceover) performers, on-camera (motion capture, stunt) performers, stunt coordinators, singers, dancers, puppeteers, and background performers," according to the union.

Amid the tense interactive negotiations, SAG-AFTRA created a separate contract in February that covered independent and lower-budget video game projects. The tiered-budget independent interactive media agreement contains some of the protections on AI that video game industry titans have rejected. Games signed to an interim interactive media agreement, tiered-budget independent interactive agreement or interim interactive localization agreement are not part of the strike, the union said.