Sean Baker’s ‘Anora’ Wins Palme D’Or, the Cannes Film Festival’s Top Honor

 Director Sean Baker, Palme d'Or award winner for the film "Anora", poses during a photocall after the closing ceremony of the 77th Cannes Film Festival in Cannes, France, May 25, 2024. (Reuters)
Director Sean Baker, Palme d'Or award winner for the film "Anora", poses during a photocall after the closing ceremony of the 77th Cannes Film Festival in Cannes, France, May 25, 2024. (Reuters)
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Sean Baker’s ‘Anora’ Wins Palme D’Or, the Cannes Film Festival’s Top Honor

 Director Sean Baker, Palme d'Or award winner for the film "Anora", poses during a photocall after the closing ceremony of the 77th Cannes Film Festival in Cannes, France, May 25, 2024. (Reuters)
Director Sean Baker, Palme d'Or award winner for the film "Anora", poses during a photocall after the closing ceremony of the 77th Cannes Film Festival in Cannes, France, May 25, 2024. (Reuters)

Sean Baker's "Anora," a comic but devastating Brooklyn odyssey about a sex worker who marries the son of a wealthy Russian oligarch, won the Cannes Film Festival's top award, the Palme d'Or.

The win Saturday for "Anora" marked a coronation for Baker, the 53-year-old indie filmmaker of "The Florida Project" who used iPhones to make his 2015 film "Tangerine." It’s also, remarkably, the fifth straight Palme d’Or won by specialty distributor Neon, following "Parasite," "Titane," "Triangle of Sadness" and last year’s winner, "Anatomy of a Fall." Baker accepted the prize with his movie’s star, Mikey Madison, watching in the audience at the Cannes closing ceremony.

"This, literally, has been my singular goal as a filmmaker for the past 30 years, so I'm not really sure what I'm going to do with the rest of my life," said Baker, laughing.

But Baker, the first American filmmaker to win the Palme since Terrence Mallick in 2011 with "The Tree of Life," quickly answered that his ambition would remain to "fight to keep cinema alive." The director said the world needed reminding that "watching a film at home while scrolling through your phone, answering emails and half paying attention is just not the way — although some tech companies would like us to think so."

The awards were chosen by the nine-member jury led by Greta Gerwig, who told reporters she was "forever changed as a filmmaker because of this experience." Gerwig praised "Anora" as having the feeling of classical cinema, saying it felt like an Ernst Lubitsch or Howard Hawks film that lead in unexpected directions.

While "Anora" was arguably the most acclaimed film of the festival, its win was a slight surprise. Many expected either the gentle Indian drama "All We Imagine As Light" or the Iranian film "The Seed of the Sacred Fig" to win. Both of those films also took home prizes.

It wasn't the only jolt of the closing ceremony, though. Before George Lucas was given an honorary Palme d'Or, his old friend and sometimes collaborator Francis Ford Coppola appeared to present it to him, reuniting two of the most pivotal figures of the last half-century of American moviemaking. Coppola, who earlier in the festival premiered his self-financed sci-fi epic "Megalopolis," called him his "kid brother." Lucas called Coppola "a big friend and a brother and a mentor."

"I'm just a kid who grew up in a vineyard in Modesto, California, who makes movies in San Francisco, with my friend Francis," said Lucas. "It's definitely a different world. I've actually never made a film in Hollywood as a director."

"All We Imagine As Light," about sisterhood in modern Mumbai, won the Grand Prix, Cannes' second-highest honor. Payal Kapadia's second feature was the first Indian in competition in Cannes in 30 years.

Afterward, Kapadia urged a wide understanding of Indian cinema, saying "there's amazing work going on in our country."

"Not just Bollywood," said Kapadia.

The jury awarded a special prize to Mohammad Rasoulof’s "The Seed of the Sacred Fig," a drama made secretly in Iran. Days ahead of the film's premiere, Rasoulof, facing an eight-year prison sentence, fled Iran on foot. His film, which includes real footage from the 2022-2023 demonstrations in Iran, channels Iranian oppression into a family drama. The Cannes crowd met an emotional Rasoulof with a lengthy standing ovation.

Coralie Fargeat's body horror film "The Substance," starring Demi Moore as a Hollywood actress who goes to gory extremes to remain youthful, won for best screenplay.

"I really believe that movies can change the world, so I hope this movie will be a little stone to build new foundations," said Fargeat. "I really think we need a revolution and I don't think it has really started yet."

Some thought Moore, who attended the awards ceremony, might take best actress. But that honor instead went to an ensemble of actors: Karla Sofía Gascón, Zoe Saldaña, Selena Gomez and Adriana Paz for Jacques Audiard's "Emilia Perez," a Spanish-language musical about a Mexican drug lord.

Explaining the jury's unusual choice of giving best actress to an ensemble, Gerwig said each performer was a standout, "but together they're transcendent." "Emilia Perez" also won Cannes' jury prize, giving it a rare two awards at a festival where prizes are usually spread around.

Best actor went to Jesse Plemons for Yorgos Lanthimos' "Kinds of Kindness." In the film, three stories are told with largely the same company of actors. Plemons, a standout in several chapters, didn't attend the closing ceremony.

Portuguese director Miguel Gomes won best director for his "Grand Tour," an Asian odyssey in which a man flees his fiancée from Rangoon in 1917.

"Sometimes I get lucky," shrugged Gomes.

The Camera d'Or, the prize for best first feature across all of Cannes official selections, went to Halfdan Ullmann Tøndel for "Armand," starring "The Worst Person in the World" star Renate Reinsve. Tøndel is the grandson of Swedish filmmaker Ingmar Bergman and Norwegian actor Liv Ullman.

Last year’s top winners in Cannes went on to considerable arthouse success and awards-season runs through the Oscars. That included the Palme winner "Anatomy of a Fall" and the Grand Prix winner "The Zone of Interest."

Whether this year’s Cannes lived up to that lineup was a regular conversation topic during the festival. But it was a notably eventful Cannes not just for the some of the films — including "Furiosa: A Mad Max Saga" and Kevin Costner’s "Horizon: An America Saga" — that screened but for other surrounding dramas.

After stalling for years in France, the #MeToo movement gained momentum ahead of the festival following allegations by Judith Godrèche against two prominent French filmmakers. She brought her short "Moi Aussi" to the festival.

The wars in Gaza and Ukraine were sometimes referenced in press conferences and in subtly symbolic ways on the red carpet. Festival workers, seeking better protections, protested during the opening night ceremony. The Olympic flame, ahead of its arrival in Paris for the summer games, stopped by. Honorary Palmes were also given to Meryl Streep and the Japanese anime factory Studio Ghibli.



Daniel Radcliffe, Jeremy Strong Win Tony Awards

Daniel Radcliffe accepts the award for best performance by an actor in a featured role in a musical for "Merrily We Roll Along" during the 77th Tony Awards on Sunday, June 16, 2024, in New York. (AP)
Daniel Radcliffe accepts the award for best performance by an actor in a featured role in a musical for "Merrily We Roll Along" during the 77th Tony Awards on Sunday, June 16, 2024, in New York. (AP)
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Daniel Radcliffe, Jeremy Strong Win Tony Awards

Daniel Radcliffe accepts the award for best performance by an actor in a featured role in a musical for "Merrily We Roll Along" during the 77th Tony Awards on Sunday, June 16, 2024, in New York. (AP)
Daniel Radcliffe accepts the award for best performance by an actor in a featured role in a musical for "Merrily We Roll Along" during the 77th Tony Awards on Sunday, June 16, 2024, in New York. (AP)

The Tony Awards for excellence in Broadway theater Sunday highlighted history with awards for a musical on the suffragette movement, a gritty remake of a book set in the 1960s and a tale of a 1970s rock band.

The ceremony took place for the first time at New York City's Lincoln Center with Tony-nominated and Oscar-winning actress Ariana DeBose hosting the awards ceremony for the third year in a row, after presiding over last year's writerless event with an elaborately choreographed dance number.

Shaina Taub won best score and best book of a musical for "Suffs," the story of the suffragette movement, featuring an all-woman cast.

"Stereophonic" took the Tony Awards for best play and best direction for Daniel Aukin. David Adjmi's play about a 70s-era rock band making an album, featuring original songs by Will Butler, formerly of Arcade Fire, broke the record for the most nominations for a play in Tonys history.

"Succession" star Jeremy Strong won best lead actor in a play for his role in the Henrik Ibsen play "Enemy of the People," and Daniel Radcliffe, best known for his starring role in the Harry Potter movie franchise, won best featured actor for "Merrily We Roll Along."

Will Brill beat out two other actors in his production, "Stereophonic," for best featured actor in a play. Kara Young, who is the first Black actor, male or female, to be nominated for a Tony three years in a row, won the award for best featured actress in a play for her role in "Purlie Victorious."

Justin Peck won the best choreography Tony for the dance musical "Illinoise," which brought Sufjan Steven’s 2005 concept album “Illinois” to the stage.

Danya Taymor won for direction of a musical an adaptation of S.E. Hinton's coming-of-age novel “The Outsiders,” upsetting favored “Merrily We Roll Along” actor Maria Friedman.

Dancers including DeBose, reviving her Oscar-winning role as Anita in Steven Spielberg’s film version of “West Side Story,” paid tribute to Broadway legend Chita Rivera, who died this in January at the age of 91.

During a pre-show event hosted by actors Julianne Hough and Utkarsh Ambudkar and streamed on the free platform Pluto TV, Tonys were awarded mostly in technical categories.