‘Furiosa,’ ‘Garfield’ Lead Slowest Memorial Day Box Office in Decades

 Cast member Anya Taylor-Joy attends the UK premiere of "Furiosa: A Mad Max Saga" in London, Britain, May 17, 2024. (Reuters)
Cast member Anya Taylor-Joy attends the UK premiere of "Furiosa: A Mad Max Saga" in London, Britain, May 17, 2024. (Reuters)
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‘Furiosa,’ ‘Garfield’ Lead Slowest Memorial Day Box Office in Decades

 Cast member Anya Taylor-Joy attends the UK premiere of "Furiosa: A Mad Max Saga" in London, Britain, May 17, 2024. (Reuters)
Cast member Anya Taylor-Joy attends the UK premiere of "Furiosa: A Mad Max Saga" in London, Britain, May 17, 2024. (Reuters)

Movie theaters are looking more and more like a wasteland this summer. Neither “Furiosa: A Mad Max Saga” nor “The Garfield Movie” could save Memorial Day weekend, which is cruising towards a two-decade low.

“Furiosa,” the Mad Max prequel starring Anya Taylor-Joy and Chris Hemsworth, claimed the first place spot for the Friday-Saturday-Sunday weekend with $25.6 million, according to studio estimates on Sunday. Warner Bros. is waiting until Monday to release its four-day estimates.

“The Garfield Movie,” animated and family-friendly, was the other big new offering this weekend from Sony’s Columbia Pictures and Alcon Entertainment. It is claiming No. 1 for the four-day holiday weekend with an estimated $31.9 million in ticket sales through Memorial Day. Sony estimates its three-day earnings to be $24.8 million.

Aside from Memorial Day in 2020 when theaters were closed due to COVID-19, these are the lowest earning No. 1 movies in 29 years, since “Casper” earned $22.5 million (not adjusted for inflation) in its first four days in 1995. Big earners are more typical for the holiday weekend, which has had ten movies crack $100 million, led by “Top Gun: Maverick’s” record-setting $160 million launch in 2022.

Last year, the live-action “The Little Mermaid” joined the group with a $118 million debut. Audiences even turned out in greater numbers over the pandemic-addled weekend in 2021 for “A Quiet Place Part II,” which made over $57 million.

“Furiosa” was never expected to join the $100 million opener club, which Warner Bros. released on 3,804 screens in the US and Canada. But it was supposed to have a slightly stronger showing in the $40 million range over its first four days. That would have been more in line with its predecessor, “Mad Max: Fury Road,” which opened to $45.4 million in May 2015. “Fury Road,” starring Charlize Theron and Tom Hardy, went on to gross nearly $380 million worldwide.

This new origin story in which Taylor-Joy plays a younger version of Theron’s character had a lot of things going for it, too, including strong reviews out of the just-wrapped Cannes Film Festival (it has an 89% on Rotten Tomatoes) and a splashy international press tour with many buzzy premiere looks from Taylor-Joy. With a reported $168 million production budget, not accounting for marketing and promotion, “Furiosa” has a long road to profitability.

“The Garfield Movie,” meanwhile, was more modestly budgeted, at a reported $60 million. Chris Pratt voices the lasagna-loving, Monday-hating orange cat in the movie that got scathing reviews from critics (it has a 37% on Rotten Tomatoes). Audiences meanwhile gave both “Furiosa” and “The Garfield Movie” a B+ CinemaScore and 4.5 stars out of 5 on PostTrak.

In its second weekend, John Krasinski’s “IF” fell 53%, adding $16 million through Sunday and $20.7 million through Monday, bringing its domestic total to $63.3 million. Worldwide, it has surpassed $100 million. “Kingdom of the Planet of the Apes,” now in its third weekend, added $13.4 million through Sunday, bringing its global total to $294.8 million, making it the fourth-highest grossing film of the year.

Earlier this week, the industry trade The Hollywood Reporter asked “what happened to the $100 million opener?” Notably, 2023 has had none yet. The biggest of the year was “Dune: Part Two,” which opened to $82.5 million and went on to earn over $711 million worldwide.

The lack of a recent runaway hit just puts more pressure on the upcoming films to make up the slack. Still on the way are a slew of potential blockbusters like Paramount’s “A Quiet Place: Day One” (June 27), Universal’s “Despicable Me 4” (July 3) and “Twisters” (July 19) and two heavy-hitters from Disney: “Inside Out 2” (June 14) and “Deadpool & Wolverine” (July 26).



Spielberg, De Niro, Freeman Praise Francis Ford Coppola as He Accepts the AFI Life Achievement Award

Filmmaker Francis Ford Coppola, right, accepts the 50th AFI Life Achievement Award from presenters George Lucas, left, and Steven Spielberg on Saturday, April 26, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
Filmmaker Francis Ford Coppola, right, accepts the 50th AFI Life Achievement Award from presenters George Lucas, left, and Steven Spielberg on Saturday, April 26, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
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Spielberg, De Niro, Freeman Praise Francis Ford Coppola as He Accepts the AFI Life Achievement Award

Filmmaker Francis Ford Coppola, right, accepts the 50th AFI Life Achievement Award from presenters George Lucas, left, and Steven Spielberg on Saturday, April 26, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)
Filmmaker Francis Ford Coppola, right, accepts the 50th AFI Life Achievement Award from presenters George Lucas, left, and Steven Spielberg on Saturday, April 26, 2025, at the Dolby Theatre in Los Angeles. (AP Photo/Chris Pizzello)

Steven Spielberg proclaimed “The Godfather” the “greatest American film ever made,” Robert De Niro teasingly bemoaned being cast in the sequel and not the original and Harrison Ford fought back tears reflecting on his role in the 1974 film, “The Conversation.”
At the center of it all was Francis Ford Coppola, who on Saturday received the AFI Life Achievement Award at a ceremony at Dolby Theatre that brought together legendary stars from a seemingly bygone era of cinema,
A founding AFI trustee, Coppola’s recognition from the organization was a kind of full circle moment for the “Apocalypse Now” director.
“When I was a kid there was the Oscars and that was it. Now they’re going to have an award show for the best award show,” the 86-year-old said on the red carpet ahead of the show. “But this is a little different because it’s a personal recognition of the people that you’ve known all your life and your colleagues over many years, so it’s like a homecoming in a way.”
“You, sir, are peerless. You have taken what came before and redefined the canon of American film,” Spielberg said.
Coppola sat between Spielberg and George Lucas, as actors and fellow filmmakers like Spike Lee, Dustin Hoffman, Al Pacino and Morgan Freeman took turns gushing over the Oscar winner.
“Dreamer of dreams on a dime, teller of tales that cost and lost millions. But tonight, (expletive) the bankers and the bank,” Freeman said to laughs and cheers.
Lucas, Coppola’s longtime friend and colleague, presented him with the award. The pair have known each other for decades and cofounded their own production company, American Zoetrope, in 1969.
“You rounded up a bunch of young film students, gathered us together. We moved to San Francisco, hoping to beat the system. And we did. Like the filmmakers from the dawn of the art form, we had no rules. We wrote them, and you were holding the pen,” Lucas said.
Coppola was mostly stoic throughout the ceremony as Hollywood sang his praises — until he accepted the award at the end of the night. He beamed as he approached the stage and thanked the room, which was filled with some of his family members as well as multigenerational A-listers.
“Now I understand here, this place that created me, my home, isn’t really a place at all, but you — friends, colleagues, teachers, playmates, family, neighbors, all the beautiful faces are welcoming me back,” he said. “I am and will always be nothing more than one of you.”
Coppola was the 50th recipient of the award first handed out to John Ford in 1973.
Guests were served wine from the Francis Ford Coppola Winery and after dinner — true to his Italian heritage — a trio of cannolis. Actors who have worked with Coppola painted a unified picture of him as a director, reminiscing on how they were invited to participate and educated about film in a way that empowered them.
“He’s very professorial. He talks about history and things and even older movies in the scene he’s inspired by,” said “The Godfather III” star Andy Garcia. “You go into working with him in a movie, and you go in seeking an associate’s degree and you would walk out with a master’s.”
Coppola last year released his long-in development “Megalopolis,” a Roman epic set in a modern New York. The film drew mixed reviews from critics and flopped with audiences. Coppola, though, has maintained he was compelled to make “Megalopolis” as an artist, not as a businessman. He self-financed the film.
“For a year in our culture when the importance of the arts is minimized, and our industry is seemingly out in the open that the only metric to judge a film’s success is by how much money it makes, I hang on to individuals like Francis for inspiration, who live through their convictions,” said Adam Driver, who starred in the film.
Last year’s AFI honoree was Nicole Kidman. Other recent recipients include John Williams, Mel Brooks, Denzel Washington and Julie Andrews.