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Dua Lipa, Public Figures Urge UK to End Israel Arms Sales

Dua Lipa. (Getty Images/AFP)
Dua Lipa. (Getty Images/AFP)
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Dua Lipa, Public Figures Urge UK to End Israel Arms Sales

Dua Lipa. (Getty Images/AFP)
Dua Lipa. (Getty Images/AFP)

Pop star Dua Lipa joined some 300 UK celebrities in signing an open letter Thursday urging Britain to halt arms sales to Israel, after similar pleas from lawyers and writers.

Actors, musicians, activists and other public figures wrote the letter calling on Prime Minister Keir Starmer to "end the UK's complicity in the horrors in Gaza".

British-Albanian pop sensation Dua Lipa has been vocal about the war in Gaza and last year criticized Israel's offensive as a "genocide".

Israel has repeatedly denied allegations of genocide and says its campaign intends to crush Hamas following the deadly October 2023 attack by the Palestinian fighters.

Other signatories include actors Benedict Cumberbatch, Tilda Swinton and Riz Ahmed, and musicians Paloma Faith, Annie Lennox and Massive Attack.

"You can't call it 'intolerable' and keep sending arms," read the letter to Labour leader Starmer organized by Choose Love, a UK-based humanitarian aid and refugee advocacy charity.

Sports broadcaster Gary Lineker, who stepped down from his role at the BBC after a social media post that contained anti-Semitic imagery, also signed the letter.

Signatories urged the UK to ensure "full humanitarian access across Gaza", broker an "immediate and permanent ceasefire", and "immediately suspend" all arms sales to Israel.

"The children of Gaza cannot wait another minute. Prime Minister, what will you choose? Complicity in war crimes, or the courage to act?", the letter continued.

Earlier this month, Starmer slammed Israel's "egregious" renewed military offensive in Gaza and promised to take "further concrete actions" if it did not stop -- without detailing what the actions could be.

Last September the UK government suspended 30 out of 350 arms export licenses to Israel, saying there was a "clear risk" they could be used to breach humanitarian law.

Global outrage has grown after Israel ended a ceasefire in March and stepped up military operations this month, killing thousands of people in a span of two months according to figures by the Hamas-run health ministry.

The humanitarian situation has also sparked alarm and fears of starvation after a two-month blockade on aid entering the devastated territory.

Over 800 UK lawyers including Supreme Court justices, and some 380 British and Irish writers warned of Israel committing a "genocide" in Gaza in open letters this week.

Hamas killed 1,218 people, mostly civilians, in their October 2023 attack on Israel, according to an AFP tally based on official figures.

Fighters also took 251 hostages, 57 of whom remain in Gaza, including 34 who the Israeli military says are dead.

Israel's military offensive launched in response has killed 54,084, mostly civilians, in Gaza according to its health ministry, displaced nearly the entire population and ravaged swathes of the besieged strip.

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Entertainment

‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)

Neither Pixar nor zombies were enough to topple “How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of “Elio” and “28 Years Later” , according to studio estimates Sunday. “How To Train Your Dragon” has rapidly amassed $358.2 million worldwide, The Associated Press reported.

Six years after its last entry, the Dean DeBlois-directed “How To Train Your Dragon” has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon.

Pixar's “Elio” had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including “Cars,” “WALL-E” and “Toy Story 4.” But “Elio,” a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar.

“This is a weak opening for a new Pixar movie,” said David A. Gross, who runs the movie consulting firm FranchiseRe. “These would be solid numbers for another original animation film, but this is Pixar, and by Pixar’s remarkable standard, the opening is well below average.”

“Elio,” originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of “Coco” — was replaced mid-production by Domee Shi (“Turning Red”) and Madeline Sharafian. Back at Disney’s D23 conference in 2022, America Ferrera appeared to announce her role as Elio’s mother, but the character doesn’t even exist in the revamped film.

Disney and Pixar spent at least $150 million making “Elio,” which didn’t fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023’s “Elemental” ($496.4 million worldwide) and 2024’s “Inside Out 2” ($1.7 billion), which was the company's biggest box office hit.

“Elemental” was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, “Toy Story,” opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether “Elio's” decent reviews and “A” from CinemaScore audiences can lead it to repeat “Elemental's” trajectory.

With most schools on summer break, the competition for family audiences was stiff. Disney’s own “Lilo & Stitch,” another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million.

“28 Years Later” signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after “28 Days Later” and 18 years after its sequel, “28 Weeks Later.”

The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of “Slumdog Millionaire” and “Trainspotting,” the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family’s protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star.

Reviews have been good (90% fresh on Rotten Tomatoes) for “28 Years Later,” though audience reaction (a “B” CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of “28 Years Later: The Bone Temple” next year from director Nia DaCosta.

“28 Years Later” added another $30 million in 59 overseas markets.

After its strong start last weekend with $12 million, A24’s “Materialists” held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far.

Next weekend should also be a competitive one in movie theaters, with both “F1,” from Apple and Warner Bros., and Universal’s “Megan 2.0” launching in cinemas.