Music Review: Bon Jovi Takes a Victory Lap, Assessing a 40-Year Career on New Album ‘Forever’ 

This cover image released by Island Records shows "Forever" by Bon Jovi. (Island Records via AP)
This cover image released by Island Records shows "Forever" by Bon Jovi. (Island Records via AP)
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Music Review: Bon Jovi Takes a Victory Lap, Assessing a 40-Year Career on New Album ‘Forever’ 

This cover image released by Island Records shows "Forever" by Bon Jovi. (Island Records via AP)
This cover image released by Island Records shows "Forever" by Bon Jovi. (Island Records via AP)

Forty years after they ran away with our hearts and into rock history, Bon Jovi is back with a reflective new album taking stock of all the boys from New Jersey have accomplished.

Perhaps the biggest news is that there’s a new Bon Jovi album at all. After years of experiencing vocal issues, singer Jon Bon Jovi underwent surgery on his vocal cords in 2022 and wasn’t at all sure of what the results would be.

They turned out fine. His voice has a slight affectation to it, mostly on protracted vowel sounds, but the charisma and the mischievousness is still there, as are a few successfully hit high notes that are an encouraging sign.

“Living Proof” is the best Bon Jovi song in nearly 20 years. It brings back the talk box device that was such an integral part of “Livin’ On A Prayer” and “It’s My Life,” and the song has the kind of catchy chorus that burrows deeply into your brain after hearing it just once.

Opener “Legendary” is one of many songs here that look back contentedly and approvingly at the band’s career (“Right where I am is where I wanna be,” Bon Jovi sings.) It’s followed by “We Made It Look Easy,” with similar sentiments.

Bon Jovi struck crossover country gold on 2007’s “Lost Highway,” and they score again here with the country-tinged “Waves.”

At least one song on this album will truly be played forever at wedding receptions: “Kiss The Bride,” Jon’s ode to his soon-to-be married daughter, who he first introduced to us as a 5-year-old in 2000’s “I Got the Girl.” Fathers of daughters: I dare you to listen to this song and not cry.

The album comes amid much speculation over whether original guitarist Richie Sambora will ever return to the fold. The solos here by current guitarist Phil X are unexceptional, and certainly don’t make a case against an eventual Sambora reunion.

“Forever” is a well-deserved victory lap.



‘Beetlejuice Beetlejuice’ Is No. 1 Again; Conservative Doc ‘Am I Racist’ Cracks Box Office Top 5

US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)
US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)
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‘Beetlejuice Beetlejuice’ Is No. 1 Again; Conservative Doc ‘Am I Racist’ Cracks Box Office Top 5

US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)
US director Tim Burton poses on the red carpet upon arrival to attend the UK premiere of the film "Beetlejuice Beetlejuice", in central London, on August 29, 2024. (AFP)

Moviegoers said yes to more “Beetlejuice Beetlejuice” this weekend.

After its monster opening, the Tim Burton sequel easily topped the domestic box office charts again with $51.6 million in ticket sales, according to studio estimates Sunday. Down only 54% from a week earlier, the North American gross for the Warner Bros. release is already at $188 million. Internationally, it added $28.7 million, bringing its worldwide total to a staggering $264.3 million.

“To drop just 54% is really impressive and indicative of a pretty solid word of mouth,” said Paul Dergarabedian, the senior media analyst for Comscore. “Audiences are enjoying the film.”

While its hold was strong, “Beetlejuice Beetlejuice” didn’t have much in the way of major new competition. Fresh offerings included the James McAvoy horror “Speak No Evil,” a satirical documentary following right wing podcaster Matt Walsh; and a new Dave Bautista action pic, “The Killer's Game.”

Second place in weekend ticket sales went to “Speak No Evil,” a remake of a 2022 Danish horror film about an unsuspecting family who decides to spend a weekend with new friends in the country. McAvoy stars in it, along with Mackenzie Davis and Scoot McNairy. With positive reviews and a shrewd release date of Friday the 13th, the Blumhouse production released by Universal Pictures made an estimated $11.5 million from 3,375 locations.

“Deadpool & Wolverine ” landed in third place in its eighth weekend with another $5.2 million. The Disney and Marvel blockbuster is now up to $621.5 million in North America and $1.3 billion globally.

The Daily Wire movie “Am I Racist?” placed fourth at the box office, with an estimated $4.7 million from only 1,517 theaters. Described as a mockumentary in the style of “Borat,” the movie has conservative columnist Walsh going undercover as a “DEI trainee.” Walsh had a similar gimmick, pretending to be a gender studies professor, in the 2022 movie “What is a Woman?” Both were directed by Justin Folk.

“Am I Racist?” cost a reported $3 million to make. To release it, the Daily Wire — the Ben Shapiro co-founded company — partnered with SDG Releasing, a distribution company founded by writers Cary Solomon and Chuck Konzelman, who promise the “lowest fees in the business.” Among the trailers playing before “Am I Racist?" is another film targeting conservative audiences: The upcoming Dinesh D'Souza movie “Vindicating Trump.”

Rounding out the top five was “Reagan,” the Showbiz Direct release starring Dennis Quaid as the former president, which added another $3 million in its third weekend, bringing its total domestic total to $23.3 million.

“The Killer's Game," meanwhile, debuted in sixth place with $2.6 million. Bautista stars as a hit man with a terminal illness in the action comedy, which got dismal reviews.

Next weekend, theaters will get the Optimus Prime origin pic “Transformers One,” but it may be a quiet few weeks at the box office until “Joker: Folie à Deux” dances its way onto the big screen on Oct. 4.