Mick Jagger, Strutting at 80, Teases New Album and More Touring

FILE PHOTO: Mick Jagger of the rock band The Rolling Stones performs, as the band kick off their 2024 Hackney Diamonds tour at the NRG Stadium in Houston, Texas, US April 28, 2024. REUTERS/Callaghan O'Hare/File Photo
FILE PHOTO: Mick Jagger of the rock band The Rolling Stones performs, as the band kick off their 2024 Hackney Diamonds tour at the NRG Stadium in Houston, Texas, US April 28, 2024. REUTERS/Callaghan O'Hare/File Photo
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Mick Jagger, Strutting at 80, Teases New Album and More Touring

FILE PHOTO: Mick Jagger of the rock band The Rolling Stones performs, as the band kick off their 2024 Hackney Diamonds tour at the NRG Stadium in Houston, Texas, US April 28, 2024. REUTERS/Callaghan O'Hare/File Photo
FILE PHOTO: Mick Jagger of the rock band The Rolling Stones performs, as the band kick off their 2024 Hackney Diamonds tour at the NRG Stadium in Houston, Texas, US April 28, 2024. REUTERS/Callaghan O'Hare/File Photo

How does it feel for Mick Jagger to be back on tour singing, dancing and strutting across stadium concert stages at 80 years old?
"Like being on stage at 78," the Rolling Stones frontman, who has thrilled audiences for more than six decades, said a day after playing a packed show outside Boston.
"It took a couple of shows to get into the groove, but now we're into it," Jagger said. "I'm feeling good."
He sang "What a drag it is getting old," back in the 1960s. But Jagger, who turns 81 on July 26, is still having a blast and has no plans to stop rocking anytime soon, Reuters said.
Now swinging through the US on the "Hackney Diamonds" tour, the group will look at opportunities to play in other countries next year, Jagger said in an interview.
"We'll consider those offers, where we're going to go and where it will be fun, you know?" he said. "It could be Europe, could be South America, could be anywhere."
Jagger also said the Stones are likely to release more new music soon.
The current tour is named for the critically praised album the Stones debuted last October, the first new material from the British rockers in 18 years.
At each stop, Jagger commands the stage for two hours with bandmates Keith Richards, 80, and Ronnie Wood, 77. Fans say Jagger still delivers a vigorous performance full of gyrating, stomping, sprinting and his world-famous swagger.
In a review titled "The Rolling Stones Really Might Never Stop," the New York Times said Jagger, at a show at a football stadium in New Jersey, seemed to get more energetic as the night went on.
Where does he find such energy?
"I just enjoy it," Jagger said. "Really, that's the answer. I just love doing it.
"You get this back and forth with the audience. You can see they're having a good time, you're having a good time, and it gives you a lot more energy."
MUSIC LEGENDS MAY JOIN JAGGER
Jagger said he stays fit by doing two dance rehearsals and a few gym workouts each week. His father was a physical education teacher and Jagger has often credited his good health to genetics.
On the tour, the Stones play about four songs from "Hackney Diamonds" in between rock classics such as "Start Me Up," "(I Can't Get No) Satisfaction" and "Sympathy for the Devil." The set list is tweaked for each stop.
Fans appear to have embraced the new music, Jagger said. He sees people in the crowd singing along to the words.
Coming up, Jagger said he hopes to be joined on stage by some of the music legends who made guest appearances on "Hackney Diamonds" - Paul McCartney, Lady Gaga, Stevie Wonder and Elton John - but said he does not yet have commitments. "It's hard pinning them down," he said.
The Stones recorded many songs that did not make it onto "Hackney Diamonds," which may lead to another album, Jagger said.
"We've got a lot more, so I think we may be set up to make another album quite soon," he said.
Outside of music, Jagger is producing a film about the love story between jazz musician Miles Davis and French actress and singer Juliette Greco, as well as a movie adaptation of "The Real Thing," a play by British playwright Tom Stoppard.
Jagger has appeared on screen in about a dozen films and TV shows and said he would like to do more acting. "I don't really get that many interesting offers, to be honest," he said. "I enjoy doing it when I do it."
INTEREST IN US ELECTIONS
On the tour, the band asks ticket holders at each stop to vote on one song to be included in that night's show. Boston fans chose 1980 track "Emotional Rescue" in the online poll, which had a turnout of roughly 80%.
Jagger used the moment to urge the audience to vote in the US presidential election in November.
He did not say which candidate he preferred, but the band has threatened to sue likely Republican nominee Donald Trump if his campaign keeps playing the Stones hit "You Can’t Always Get What You Want" at events.
Jagger has made brief political jabs on stage and occasionally receives flack as a Brit commenting on American politics.
"First of all, I think everyone has a right to have an opinion," Jagger said. "It's a free country."
"I feel like it's such an important election," he added.
"I've got seven children who are US citizens. I care about what happens to their future. And I pay a lot of American taxes. So why shouldn't I be able to say what I feel?"



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”