R.E.M. Delivers Surprise Performance at Songwriting Gala 

Rock band R.E.M Peter Buck, Mike Mills, Michael Stipe and Bill Berry attend the 2024 Songwriters Hall of Fame Inductions and gala in New York City, US, June 13, 2024. (Reuters)
Rock band R.E.M Peter Buck, Mike Mills, Michael Stipe and Bill Berry attend the 2024 Songwriters Hall of Fame Inductions and gala in New York City, US, June 13, 2024. (Reuters)
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R.E.M. Delivers Surprise Performance at Songwriting Gala 

Rock band R.E.M Peter Buck, Mike Mills, Michael Stipe and Bill Berry attend the 2024 Songwriters Hall of Fame Inductions and gala in New York City, US, June 13, 2024. (Reuters)
Rock band R.E.M Peter Buck, Mike Mills, Michael Stipe and Bill Berry attend the 2024 Songwriters Hall of Fame Inductions and gala in New York City, US, June 13, 2024. (Reuters)

R.E.M. performed onstage together for the first time in well over a decade Thursday, reuniting to play their classic "Losing My Religion" as they were inducted into the Songwriters Hall of Fame.

Michael Stipe, Peter Buck and Mike Mills broke up in 2011, and the last time all four members played onstage together -- Bill Berry left in 1997 -- was in 2007.

But entrance into the who's who of music that is the prestigious songwriting pantheon got the band back together.

"Songwriting is the very foundation of why we came together in the first place," lead vocalist Michael Stipe told AFP. "We're really proud."

The band was inducted by Jason Isbell, who performed a cover of R.E.M's "It's The End of The World As We Know It (And I Feel Fine)" at the event.

"R.E.M. was greater than the sum of its parts. R.E.M. moved like a single instrument," Isbell said.

The Songwriters Hall of Fame celebrates its inductees with a festive dinner and intimate concert instead of a televised event.

Kevin Bacon and his brother Michael -- the duo known as The Bacon Brothers -- opened the show with a foot-stomping rendition of "Footloose," the Oscar-nominated title track of the hit 1984 film of the same name.

Bacon starred in the movie -- but Dean Pitchford wrote it and much of its music, and was among the elite group inducted Thursday.

The writer of many hit films and musical tracks, Pitchford thanked the adoring audience "for hearing all these years, and above all, thank you for listening to me."

Trey Anastasio of Phish inducted Steely Dan, while chairman of the Songwriters Hall of Fame Nile Rodgers -- the beloved co-founder of Chic -- bestowed SZA with a special award for songwriters "at an apex in their careers."

It's "just beyond all of my wildest dreams," SZA said, before performing an acoustic rendition of "Snooze."

Rodgers took his moment onstage to emphasize that "there would be no music industry if there were no songs," specifically calling out streaming platform Spotify to "acknowledge and make a point of songwriters being your priority."

- Hip hop, country, and Oscar royalty -

None other than Missy Elliott had the crowd on its feet as she inducted Timbaland into the coveted class.

"In hip hop, there was certain ways that hip hop music sounds -- Timbaland... literally changed the cadence," she said, adding that the producer, rapper and singer whose hits include "Give It To Me" was a master at marrying sensibilities of rap and R&B.

"Thank you for giving me a seat at the table," Timbaland said in a lengthy acceptance speech, before conducting a house band through a medley of his hits and those he produced for the likes of Elliott, Justin Timberlake and Beyonce.

Carrie Underwood and Keith Urban performed in honor of Hillary Lindsey, a Nashville songwriting star who's written for artists including Lady Gaga, Bon Jovi, Taylor Swift, Tim McGraw, Faith Hill and Shakira.

And Diane Warren -- the songwriter who's earned 15 Oscar nominations, including for "Because You Loved Me" performed by Celine Dion and Aerosmith's "I Don't Want to Miss a Thing" -- received the night's highest honor, the Johnny Mercer award.

She, like all of the inductees, said being honored by her peers was particularly special.

"It's songwriters -- what's cooler than that?" she said.



Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
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Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)

Renowned American director Francis Ford Coppola believes his harshly criticized science fiction film “Megalopolis” offers audiences a unique narrative vastly different from what they are accustomed to seeing.

"We're so used to seeing movies that are like other movies because they're financed that way,” Coppola told Reuters during a Zoom interview while he was at the Toronto International Film Festival, where the film was also screened.

"It's [movies like other movies] always something that's already proven that it will make money. It's like a potato chip that you know is habit forming and 'Megalopolis' is new,” he added.

After debuting this year at the Cannes Film Festival, Coppola's $120 million self-funded project is going to be shared with broader audiences when it arrives to US movie theaters on Friday.

While the film will be distributed by Lionsgate, Coppola maintains ownership of the movie.

Adam Driver stars as Cesar Catilina, an architect-scientist who wants to better a fictional version of New York City called New Rome, pitting him against Mayor Franklyn Cicero, played by Giancarlo Esposito, who prizes authority and institutions over change.

Catilina falls in love with the mayor's daughter, Julia, played by "Game of Thrones"' Nathalie Emmanuel, as she helps him work towards his vision and re-ignites his power to stop time.

When asked if “Megalopolis” is an allegory for his film-making journey, the 85-year-old director said, “All of my films are.”

“When I was young and made 'The Godfather,'” I had to be like Michael [Michael Corleone] because I had no power and I had to be very Machiavellian. When I made 'Apocalypse Now,' I was in an absurd situation with helicopters and millions of dollars every week that I was paying for, so I had to become a megalomaniac like Kurtz [Colonel Kurtz]. You know, I have always become the characters in my movies just to survive,” he added.

While the press response to the movie has been poor with a low score of 51% on the review aggregator Rotten Tomatoes, Driver believes “Megalopolis” is a film that needs more than one viewing to be truly absorbed.

"I think it does have legs and I think it is something that you want to return to and can return to and mine something else out of it," Driver said. "And it, you know, has a place in people's minds as being one of a kind, which I don't think a lot of films can say that, you know."