R.E.M. Delivers Surprise Performance at Songwriting Gala 

Rock band R.E.M Peter Buck, Mike Mills, Michael Stipe and Bill Berry attend the 2024 Songwriters Hall of Fame Inductions and gala in New York City, US, June 13, 2024. (Reuters)
Rock band R.E.M Peter Buck, Mike Mills, Michael Stipe and Bill Berry attend the 2024 Songwriters Hall of Fame Inductions and gala in New York City, US, June 13, 2024. (Reuters)
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R.E.M. Delivers Surprise Performance at Songwriting Gala 

Rock band R.E.M Peter Buck, Mike Mills, Michael Stipe and Bill Berry attend the 2024 Songwriters Hall of Fame Inductions and gala in New York City, US, June 13, 2024. (Reuters)
Rock band R.E.M Peter Buck, Mike Mills, Michael Stipe and Bill Berry attend the 2024 Songwriters Hall of Fame Inductions and gala in New York City, US, June 13, 2024. (Reuters)

R.E.M. performed onstage together for the first time in well over a decade Thursday, reuniting to play their classic "Losing My Religion" as they were inducted into the Songwriters Hall of Fame.

Michael Stipe, Peter Buck and Mike Mills broke up in 2011, and the last time all four members played onstage together -- Bill Berry left in 1997 -- was in 2007.

But entrance into the who's who of music that is the prestigious songwriting pantheon got the band back together.

"Songwriting is the very foundation of why we came together in the first place," lead vocalist Michael Stipe told AFP. "We're really proud."

The band was inducted by Jason Isbell, who performed a cover of R.E.M's "It's The End of The World As We Know It (And I Feel Fine)" at the event.

"R.E.M. was greater than the sum of its parts. R.E.M. moved like a single instrument," Isbell said.

The Songwriters Hall of Fame celebrates its inductees with a festive dinner and intimate concert instead of a televised event.

Kevin Bacon and his brother Michael -- the duo known as The Bacon Brothers -- opened the show with a foot-stomping rendition of "Footloose," the Oscar-nominated title track of the hit 1984 film of the same name.

Bacon starred in the movie -- but Dean Pitchford wrote it and much of its music, and was among the elite group inducted Thursday.

The writer of many hit films and musical tracks, Pitchford thanked the adoring audience "for hearing all these years, and above all, thank you for listening to me."

Trey Anastasio of Phish inducted Steely Dan, while chairman of the Songwriters Hall of Fame Nile Rodgers -- the beloved co-founder of Chic -- bestowed SZA with a special award for songwriters "at an apex in their careers."

It's "just beyond all of my wildest dreams," SZA said, before performing an acoustic rendition of "Snooze."

Rodgers took his moment onstage to emphasize that "there would be no music industry if there were no songs," specifically calling out streaming platform Spotify to "acknowledge and make a point of songwriters being your priority."

- Hip hop, country, and Oscar royalty -

None other than Missy Elliott had the crowd on its feet as she inducted Timbaland into the coveted class.

"In hip hop, there was certain ways that hip hop music sounds -- Timbaland... literally changed the cadence," she said, adding that the producer, rapper and singer whose hits include "Give It To Me" was a master at marrying sensibilities of rap and R&B.

"Thank you for giving me a seat at the table," Timbaland said in a lengthy acceptance speech, before conducting a house band through a medley of his hits and those he produced for the likes of Elliott, Justin Timberlake and Beyonce.

Carrie Underwood and Keith Urban performed in honor of Hillary Lindsey, a Nashville songwriting star who's written for artists including Lady Gaga, Bon Jovi, Taylor Swift, Tim McGraw, Faith Hill and Shakira.

And Diane Warren -- the songwriter who's earned 15 Oscar nominations, including for "Because You Loved Me" performed by Celine Dion and Aerosmith's "I Don't Want to Miss a Thing" -- received the night's highest honor, the Johnny Mercer award.

She, like all of the inductees, said being honored by her peers was particularly special.

"It's songwriters -- what's cooler than that?" she said.



Meghann Fahy and Eve Hewson's 'Overnight Success' is More than a Decade in the Making

Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
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Meghann Fahy and Eve Hewson's 'Overnight Success' is More than a Decade in the Making

Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)
Meghann Fahy, left, and Eve Hewson pose for a portrait to promote "The Perfect Couple" on Wednesday, Sept. 4, 2024, in Los Angeles. (AP Photo/Jae C. Hong)

Meghann Fahy and Eve Hewson, two of the stars of Netflix's whodunit “The Perfect Couple,” have news for you if you want to call them breakouts: They've been working in this business for more than a decade.
Fahy made her TV debut in 2009 in an episode of “Gossip Girl.” Hewson's first big film role was in 2011's “This Must Be the Place.” They do concede, however, that it's recent TV roles — “The White Lotus” for Fahy and “Bad Sisters” for Hewson — that have led to new frontiers of opportunity, The Associated Press said.
Susanne Bier, who directed “The Perfect Couple,” says both Fahy and Hewson are “going to be big stars.”
“They certainly have proper, profound star quality, Both of them in very different ways,” Bier says. “Both are incredibly creative, incredibly smart, and also have a impressive insight as to who they are. You can be a great actor or actress and not necessarily really know who you are yourself. And they do.”
Hewson, 33, whose dad is U2 front man Bono, may have grown up in a famous family but she's now in demand in her own right. She will next be seen in a second season of “Bad Sisters, ” out in November. She's in Noah Baumbach's next film, alongside Adam Sandler, George Clooney and Riley Keough. She's also been cast in Steven Spielberg's next production and is set to star opposite Murray Bartlett in a racing series for Hulu.
Fahy, 34, is in production on a limited series with Julianne Moore and Milly Alcock called “Sirens,” written by Molly Smith Metzler (“Maid”) for Netflix. She also has two films in the can with Josh O'Connor (“The Crown,” “Challengers”) and Brandon Sklenar (“It Ends With Us”).
The two actors spoke candidly with The Associated Press about this phase of their careers. This interview has been condensed for clarity and brevity.
AP: You've both had popular, zeitgeisty TV shows in recent years. TV fans are particularly passionate. Have you experienced any interesting interactions with fans? HEWSON: It’s actually really fun to experience because even when we were in Cape Cod shooting “The Perfect Couple,” I would go to the local shop to get my groceries and little old ladies would follow me down the aisle and be like, “Excuse me. Are you that girl from that ‘Sisters’ show?” Who knew that they were watching it? It doesn’t change my life, so it doesn’t bother me, but when someone comes up to me and says that they love the show, especially when it’s someone unexpected, I’m like, “Oh, cool.”
FAHY: It’s not happening so much to me that it feels like a huge imposition or anything. I feel like I’ve been really lucky. A lot of the people that I’ve met who have been a fan of “The White Lotus,” or whatever, they’re really sweet people. And, I think, part of why we do this is because we want to tell stories that people can connect to and play out scenarios for themselves. So I think it’s always really nice.
AP: What's it like to now be a part of conversations about whom to watch? FAHY: Part of it feels really nice because you work really, really, really hard for a really long time — maybe that’s not how it happens for a lot of people — but I feel like we’ve both been doing this for a minute. So, of course, it feels really good. but I try not to like dwell on any of it. I try to acknowledge it and be like, “Oh, that’s so nice.” And then just kind of keep going.
HEWSON: You hear so many stories of people who were like, “I walked into my first audition and I just became a star.” Or, there’s this element of being an actor where people don’t want to tell you how hard they work. They want it to look like it’s really easy. But we've been doing this for a long time. People just don’t really tell those stories. It's usually about the one that was found on the street.
FAHY: Yeah. You took 15 years to become an overnight success.
AP: Do you notice you're now treated differently by people in the industry? FAHY: Yeah, but I always think that nobody ever knows who I am. It’s always very embarrassing. I embarrass myself in those moments. I don’t always feel like I fit in those rooms.
HEWSON: What’s nice is, I’ve spent so long going into a room and people just being like, “OK,” and act like they’re just not getting it. I know at least like I have work that people understand, what I’m doing a little bit more so they get me as an actor.
FAHY: It’s like a different level of respect.