Gena Rowlands Has Alzheimer’s, Her Son Nick Cassavetes Says

Gena Rowlands. (AFP/Getty Images)
Gena Rowlands. (AFP/Getty Images)
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Gena Rowlands Has Alzheimer’s, Her Son Nick Cassavetes Says

Gena Rowlands. (AFP/Getty Images)
Gena Rowlands. (AFP/Getty Images)

The celebrated actor and honorary Academy Award recipient Gena Rowlands is suffering from Alzheimer's disease, her son, the filmmaker Nick Cassavetes, has revealed.

Cassavetes, in an interview with Entertainment Weekly published Tuesday, said Rowlands has had Alzheimer's for five years. In the 2004 film "The Notebook," Cassavetes directed his mother, who played the older version of the character played by Rachel McAdams, as a woman with dementia.

"We spent a lot of time talking about Alzheimer’s and wanting to be authentic with it, and now, for the last five years, she’s had Alzheimer’s," Cassavetes said. "She’s in full dementia. And it’s so crazy — we lived it, she acted it, and now it’s on us."

A representative for Rowlands confirmed that Cassavetes "speaks for the family."

Rowlands, who received an honorary Oscar in 2015, made 10 films with her husband, John Cassavetes, including 1974's "A Woman Under the Influence" and 1980's "Gloria." She was Oscar nominated for both performances. She also won four Emmy awards. Her last credited performance was the 2014 comedy "Six Dance Lessons in Six Weeks."

Rowlands's mother, actor Lady Rowlands, also had Alzheimer's. During the making of "The Notebook," Gena Rowlands said she channeled her mother.

"I went through that with my mother, and if Nick hadn’t directed the film, I don’t think I would have gone for it — it’s just too hard," Rowlands told O magazine in 2004. "It was a tough but wonderful movie."



Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
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Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)

Renowned American director Francis Ford Coppola believes his harshly criticized science fiction film “Megalopolis” offers audiences a unique narrative vastly different from what they are accustomed to seeing.

"We're so used to seeing movies that are like other movies because they're financed that way,” Coppola told Reuters during a Zoom interview while he was at the Toronto International Film Festival, where the film was also screened.

"It's [movies like other movies] always something that's already proven that it will make money. It's like a potato chip that you know is habit forming and 'Megalopolis' is new,” he added.

After debuting this year at the Cannes Film Festival, Coppola's $120 million self-funded project is going to be shared with broader audiences when it arrives to US movie theaters on Friday.

While the film will be distributed by Lionsgate, Coppola maintains ownership of the movie.

Adam Driver stars as Cesar Catilina, an architect-scientist who wants to better a fictional version of New York City called New Rome, pitting him against Mayor Franklyn Cicero, played by Giancarlo Esposito, who prizes authority and institutions over change.

Catilina falls in love with the mayor's daughter, Julia, played by "Game of Thrones"' Nathalie Emmanuel, as she helps him work towards his vision and re-ignites his power to stop time.

When asked if “Megalopolis” is an allegory for his film-making journey, the 85-year-old director said, “All of my films are.”

“When I was young and made 'The Godfather,'” I had to be like Michael [Michael Corleone] because I had no power and I had to be very Machiavellian. When I made 'Apocalypse Now,' I was in an absurd situation with helicopters and millions of dollars every week that I was paying for, so I had to become a megalomaniac like Kurtz [Colonel Kurtz]. You know, I have always become the characters in my movies just to survive,” he added.

While the press response to the movie has been poor with a low score of 51% on the review aggregator Rotten Tomatoes, Driver believes “Megalopolis” is a film that needs more than one viewing to be truly absorbed.

"I think it does have legs and I think it is something that you want to return to and can return to and mine something else out of it," Driver said. "And it, you know, has a place in people's minds as being one of a kind, which I don't think a lot of films can say that, you know."