Martin Mull, Hip Comic and Actor from 'Fernwood Tonight' and 'Roseanne,' Dies at 80

Martin Mull participates in “The Cool Kids” panel during the Fox Television Critics Association Summer Press Tour at The Beverly Hilton hotel on Thursday, Aug. 2, 2018, in Beverly Hills, Calif. Photo by Willy Sanjuan/Invision/AP, File
Martin Mull participates in “The Cool Kids” panel during the Fox Television Critics Association Summer Press Tour at The Beverly Hilton hotel on Thursday, Aug. 2, 2018, in Beverly Hills, Calif. Photo by Willy Sanjuan/Invision/AP, File
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Martin Mull, Hip Comic and Actor from 'Fernwood Tonight' and 'Roseanne,' Dies at 80

Martin Mull participates in “The Cool Kids” panel during the Fox Television Critics Association Summer Press Tour at The Beverly Hilton hotel on Thursday, Aug. 2, 2018, in Beverly Hills, Calif. Photo by Willy Sanjuan/Invision/AP, File
Martin Mull participates in “The Cool Kids” panel during the Fox Television Critics Association Summer Press Tour at The Beverly Hilton hotel on Thursday, Aug. 2, 2018, in Beverly Hills, Calif. Photo by Willy Sanjuan/Invision/AP, File

Martin Mull, whose droll, esoteric comedy and acting made him a hip sensation in the 1970s and later a beloved guest star on sitcoms including “Roseanne” and “Arrested Development,” has died, his daughter said Friday.
Mull's daughter, TV writer and comic artist Maggie Mull, said her father died at home on Thursday after “a valiant fight against a long illness.”
Mull, who was also a guitarist and painter, came to national fame with a recurring role on the Norman Lear-created satirical soap opera “Mary Hartman, Mary Hartman,” and the starring role in its spinoff, “Fernwood Tonight."
“He was known for excelling at every creative discipline imaginable and also for doing Red Roof Inn commercials,” Maggie Mull said in an Instagram post. “He would find that joke funny. He was never not funny. My dad will be deeply missed by his wife and daughter, by his friends and coworkers, by fellow artists and comedians and musicians, and—the sign of a truly exceptional person—by many, many dogs.”
Known for his blonde hair and well-trimmed mustache, Mull was born in Chicago, raised in Ohio and Connecticut and studied art in Rhode Island and Rome.
His first foray into show business was as a songwriter, penning the 1970 semi-hit “A Girl Named Johnny Cash” for singer Jane Morgan.
He would combine music and comedy in an act that he brought to hip Hollywood clubs in the 1970s.
“In 1976 I was a guitar player and sit-down comic appearing at the Roxy on the Sunset Strip when Norman Lear walked in and heard me," Mull told The Associated Press in 1980. “He cast me as the wife beater on ‘Mary Hartman, Mary Hartman.’ Four months later I was spun off on my own show.”
His time on the Strip was memorialized in the 1973 country rock classic “Lonesome L.A. Cowboy" where the Riders of the Purple Sage give him a shoutout along with music luminaries Kris Kristofferson and Rita Coolidge.
“I know Kris and Rita and Marty Mull are hangin' at the Troubadour,” the song says.
On “Fernwood Tonight” (sometimes styled as “Fernwood 2 Night”), he played Barth Gimble, the host of a local talk show in a midwestern town and twin to his “Mary Hartman” character. Fred Willard, a frequent collaborator with very similar comic sensibilities, played his sidekick. It was later revamped as “America 2 Night” and set in Southern California.
He would get to be a real talk show host as a substitute for Johnny Carson on “The Tonight Show."
Mull often played slightly sleazy, somewhat slimy and often smarmy characters as he did as Teri Garr's boss and Michael Keaton's foe in 1983's “Mr. Mom.” He played Colonel Mustard in the 1985 movie adaptation of the board game “Clue,” which, like many things Mull appeared in, has become a cult classic.
The 1980s also brought what many thought was his best work, “A History of White People in America,” a mockumentary that first aired on Cinemax. Mull co-created the show and starred as a “60 Minutes” style investigative reporter investigating all things milquetoast and mundane. Willard was again a co-star.
He wrote and starred in 1988's “Rented Lips" alongside Robert Downey Jr., whose father, Robert Sr., directed.
His co-star Jennifer Tilly said in an X post Friday that Mull was “such a witty charismatic and kind person.”
In the 1990s he was best known for his recurring role on several seasons on “Roseanne,” in which he played a warmer, less sleazy boss to the title character, an openly gay man whose partner was played by Willard, who died in 2020.
Mull would later play private eye Gene Parmesan on “Arrested Development,” a cult-classic character on a cult-classic show, and would be nominated for an Emmy, his first, in 2016 for a guest run on “Veep.”
“What I did on ‘Veep’ I’m very proud of, but I’d like to think it’s probably more collective, at my age it’s more collective,” Mull told the AP after his nomination. “It might go all the way back to ‘Fernwood.’”
Other comedians and actors were often his biggest fans.
“Martin was the greatest,” “Bridesmaids” director Paul Feig said on X. “So funny, so talented, such a nice guy. Was lucky enough to act with him on The Jackie Thomas Show and treasured every moment being with a legend. Fernwood Tonight was so influential in my life.”
Mull is survived by his daughter and musician Wendy Haas, his wife since 1982.



Javier Bardem on Gaza: ‘We Cannot Remain Indifferent’ in Call for Hostage Release and Ceasefire

Javier Bardem appears at the 94th Academy Awards nominees luncheon in Los Angeles on March 7, 2022. (AP)
Javier Bardem appears at the 94th Academy Awards nominees luncheon in Los Angeles on March 7, 2022. (AP)
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Javier Bardem on Gaza: ‘We Cannot Remain Indifferent’ in Call for Hostage Release and Ceasefire

Javier Bardem appears at the 94th Academy Awards nominees luncheon in Los Angeles on March 7, 2022. (AP)
Javier Bardem appears at the 94th Academy Awards nominees luncheon in Los Angeles on March 7, 2022. (AP)

Javier Bardem was no longer comfortable being silent on Gaza.

The Spanish actor spoke out about the Israeli-Hamas conflict upon accepting an award at the San Sebastian Film Festival last week. In his nuanced remarks, Bardem condemned the Hamas attacks as well as the "massive punishment that the Palestinian population is enduring."

He called for immediate ceasefire, Hamas’ release of hostages and for Israeli Prime Minister Benjamin Netanyahu and the Hamas leaders — some of whom are now dead — who ordered the Oct. 7 attacks to be judged by the International Criminal Court.

In an interview with The Associated Press, Bardem explained why he chose to speak out.

"I believe that we can and must help bring peace. If we take a different approach, then we will get different results," Bardem told the AP, speaking prior to Iran’s attack on Israel Tuesday. "The security and prosperity of Israel and the health and future of a free Palestine will only be possible through a culture of peace, coexistence and respect."

Israel’s offensive has already killed over 40,000 Palestinians, according to Gaza health officials, displaced the vast majority of Gaza’s 2.3 million residents and destroyed much of the impoverished territory. Palestinian fighters are still holding some 110 hostages captured in the Oct. 7 attack that started the war, in which they killed around 1,200 people, mostly civilians. Around a third of the 110 are already dead, according to Israeli authorities.

The war has drawn sharp divisions in Hollywood over the past year, where public support of Israel or Palestine has provoked backlash and bullying, with accusations of antisemitism and Islamophobia, and cost people jobs. Even silence has had its consequences. The #blockout2024 movement pressured celebrities who hadn’t said anything — or enough — to take a stand.

"Why now?" Bardem said. "Because to continue to stall negotiations and return to the previous status quo, as they say, or as we are seeing now, embark on a race to further violations of international law would be to perpetuate the war and eventually lead us off a cliff."

Bardem stressed that while antisemitism and Islamophobia are real and serious problems in the US, Europe and beyond, that the terms are being used to divert attention away from the "legitimate right to criticize the actions of the Israeli government and of Hamas.

"We’re witnessing crimes against human rights, crimes under international law, such as, for example, the banning of food, water, medicines, electricity, using, as UNICEF says, war against children and the trauma that’s being created for generations," Bardem said. "We cannot remain indifferent to that."

The Oscar-winner, who was born in the Canary Islands, has spoken up on global issues before, signing an open letter calling for peace during a 2014 conflict between Israel and Hamas. He's also an environmental advocate, and spoke to the UN in 2019 about protecting the oceans.

"My mother educated me on the importance of treating all human beings equally, regardless of skin color, ethnicity, religion, nationality, socio and economic status, ability or sexuality," Bardem said. "Actions inform us and that alone interests me about people. That's why I have always been concerned about discrimination of any kind. That includes antisemitism and Islamophobia."

Bardem is married to Penélope Cruz, with whom he shares two children.

He said that beyond a fear that the framework of the Universal Declaration of Human Rights is in danger, he has seen the effects of the conflict up close and the promise of a different approach. Two of his close friends, one Israeli, one Palestinian, both lost daughters to violence years ago and have bonded together in their shared pain and desire to help create positive change.

Those fathers, Bassam Aramin and Rami Elhanan, are members of a nonprofit organization called The Parents Circle Families Forum that emphasizes reconciliation. They wrote a letter that Bardem shared: "What happened to us is like nuclear energy. You can use it for more destruction. Or you can use it to bring light. Losing your daughter is painful in both situations. But we love our life. We want to exist. So we use this pain to support change. To build bridges, not to dig graves."

Bardem added: "That’s what it should be about: Building bridges, not digging graves. That’s why it’s urgent and important."