Alec Baldwin Set for Legal Showdown over 'Rust' Shooting

FILE PHOTO: Actor Alec Baldwin departs his home in New York, US, January 31, 2023. REUTERS/David 'Dee' Delgado//File Photo
FILE PHOTO: Actor Alec Baldwin departs his home in New York, US, January 31, 2023. REUTERS/David 'Dee' Delgado//File Photo
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Alec Baldwin Set for Legal Showdown over 'Rust' Shooting

FILE PHOTO: Actor Alec Baldwin departs his home in New York, US, January 31, 2023. REUTERS/David 'Dee' Delgado//File Photo
FILE PHOTO: Actor Alec Baldwin departs his home in New York, US, January 31, 2023. REUTERS/David 'Dee' Delgado//File Photo

A long-awaited showdown will take place this week in a historic Wild West frontier town, with both sides seeking justice for a fatal bullet fired from a six-shooter.
But if Alec Baldwin's trial for manslaughter sounds like the plot of a Hollywood movie, the victims, the stakes and the tragic consequences are all too real, said AFP.
In October 2021, on the New Mexico set of his low-budget Western "Rust," a gun pointed by Baldwin discharged a live round, killing the film's cinematographer and wounding its director.
Such is Baldwin's A-list fame and the rarity of on-set deaths in the tightly controlled US film industry, the story quickly became a global sensation.
It also polarized opinion, with sympathetic observers viewing Baldwin -- an actor who did not know the prop gun contained a real bullet -- as a victim, and others seeing the death as a result of his allegedly reckless behavior.
Almost three years later, after multiple failed attempts by Baldwin's formidable New York legal team to have the case thrown out, those same arguments will be settled by a jury at a court case in Santa Fe starting on Tuesday.
If found guilty, Baldwin faces a maximum 18 months in prison -- the same term already being served by the film's armorer, who was convicted in the same courthouse earlier this year.
'Basic gun safety'
The death of Halyna Hutchins occurred during a rehearsal in a small chapel on the Bonanza Creek Ranch, 20 miles (30 kilometers) outside Santa Fe, on a sunny afternoon mid-way through the filming of "Rust."
Baldwin was practicing a scene in which his character, an aging outlaw who has been cornered in the church by two marshals, draws his Colt gun.
The actor says he did not pull the revolver's trigger and had been told that the gun was safe.
Live bullets are in any case banned from movie sets, and Baldwin has argued that it was not his responsibility as an actor to check.
Yet the gun did go off. And the trial of Hannah Gutierrez, the armorer who loaded the weapon, revealed many of the arguments that the prosecution will level against Baldwin, who was also a producer on the movie.
At the time, Gutierrez's defense lawyers said Baldwin "violated some of the most basic gun safety rules you can ever learn," including never pointing a gun at a person unless you intend to fire it.
"Alec Baldwin's conduct and his lack of gun safety inside that church on that day is something that he's going to have to answer for," said special prosecutor Kari Morrissey, in a rare moment of agreement between the two sides.
"Not with you and not today. That'll be with another jury, on another day," Morrissey said.
'No control'
That day has now arrived, with jury selection on Tuesday and opening arguments expected Wednesday.
That the matter is being heard in court at all is already a victory of sorts for prosecutors, who have fended off multiple attempts by Baldwin to have the case dismissed.
Among these, Baldwin's lawyers said damage to the gun caused by an FBI testing lab meant the actor could not get a fair trial.
That is significant because the FBI found the gun could not have fired without its trigger being pulled -- a conclusion that the defense says they were robbed of a chance to disprove.
Judge Mary Marlowe Sommer was not convinced and ordered the trial to proceed.
Baldwin's team have also suggested that his status as a celebrity and liberal darling has provided incentives for prosecutors to pursue him with unusual tenacity.
The prosecution's response to recent pre-trial proceedings offered further insight into how they are likely to attack Baldwin in court.
Court filings allege that Baldwin's unpredictable behavior contributed to the tragedy and that he kept changing his story in its aftermath.
"Mr Baldwin was frequently screaming and cursing at himself, at crew members or at no one and not for any particular reason," Morrissey wrote.
"To watch Mr Baldwin's conduct on the set of 'Rust' is to witness a man who has absolutely no control of his own emotions and absolutely no concern for how his conduct affects those around him."
The trial is expected to take around 10 days.



'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
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'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)

Animated films tackling parent separation and divorce are few and far between.

While live-action kids' classics like "The Parent Trap" and "Mrs. Doubtfire" have used the concept as a launchpad for humorous antics, animation has tended to steer entirely clear of the issue.

"Isn't that funny... you can kill off a parent in a movie like 'Lion King,' or 'Bambi,'" said Vicky Jenson, best known for co-directing "Shrek."

"Disney moms are often dead -- the only time anyone remarries is because the other spouse is dead. This topic of separation, of parents not being able to live together... it's taboo."

But in Jenson's new film, "Spellbound," a princess's parents have been transformed by a dastardly spell into literal monsters.

It is an allegorical device that forces young Ellian to try to "fix" her mother and father, and their broken family.

"We encountered some resistance when we were looking for someone to help bring the movie to the world, a partner to distribute the movie," Jenson told AFP.

"They all reacted the same way, like: 'What a beautiful movie, what a great message.' And then they ghosted us!"

The movie went through a number of different studios, including Paramount and Apple TV+, before ultimately landing at Netflix, which will release the film Friday.

"I credit Netflix for stepping up bravely and partnering with us on this," said Jenson.

"In this environment, it does feel like stories that push the boundaries are more accessible on streaming.

"Theaters are kind of filled with superheroes right now... the big safe bets."

- 'Monsters' -

As the film starts, tenacious teen princess Ellian (voiced by Rachel Zegler) is desperately seeking a cure for the mysterious spell that has transformed her parents, Queen Ellsmere (Nicole Kidman) and King Solon (Javier Bardem).

To make matters worse, she must hide the whole mess from the oblivious citizens of Lumbria.

When the secret gets out, and panic spreads throughout the kingdom, Ellian is forced on a dangerous quest to undo the curse.

But even if she succeeds, she soon learns that her family may never go back to the way it once was.

To make Ellian's reaction to her -- literally -- monstrous parents believable and accurate, filmmakers employed the consulting services of a family psychologist and therapist who specialized in divorce.

"Kids feel like it's their responsibility to fix this. They don't understand that something happened to their parents -- they're acting like monsters," explained Jenson.

The director, and cast and crew, also drew on their own experiences, "because we all know our parents are monsters at one point -- and as parents, we're all monsters at one point," she joked.

- An inverse 'Shrek'? -

The end result is a thoroughly contemporary parable, set in a magical fairytale kingdom.

That has clear echoes of Jenson's smash-hit directing debut "Shrek," but with cause and effect reversed.

"'Shrek' was the modern take on fairy tales. This was a fairy tale take on a modern story," she said.

For Jenson and the filmmakers -- including legendary composer Alan Menken, of "The Little Mermaid,Beauty and the Beast" and countless more -- it was important to bring this "truth about family life" to the screen.

It "is there for so many of us, but hadn't been approached as a myth or as a new fairy tale before," said Jenson.

"Now, a new fairy tale is out there for that experience that so many kids, so many parents, so many families need help through."