Michael Madsen, ‘Reservoir Dogs’ and ‘Kill Bill’ Star, Dies at 67

Actor Michael Madsen appears at the premiere of "The Hateful Eight" in Los Angeles on Dec. 7, 2015. (AP)
Actor Michael Madsen appears at the premiere of "The Hateful Eight" in Los Angeles on Dec. 7, 2015. (AP)
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Michael Madsen, ‘Reservoir Dogs’ and ‘Kill Bill’ Star, Dies at 67

Actor Michael Madsen appears at the premiere of "The Hateful Eight" in Los Angeles on Dec. 7, 2015. (AP)
Actor Michael Madsen appears at the premiere of "The Hateful Eight" in Los Angeles on Dec. 7, 2015. (AP)

Michael Madsen, the actor best known for his coolly menacing, steely-eyed, often sadistic characters in the films of Quentin Tarantino including "Reservoir Dogs" and "Kill Bill: Vol. 2," has died.

Madsen was found unresponsive in his home in Malibu, California, on Thursday morning and pronounced dead, Los Angeles County Sheriff's Department Watch Commander Christopher Jauregui said. He is believed to have died of natural causes and authorities do not suspect any foul play was involved. Madsen's manager Ron Smith said cardiac arrest was the apparent cause. He was 67.

Madsen’s career spanned more than 300 credits stretching back to the early 1980s, many in low-budget and independent films. He often played low-level thugs, gangsters and shady cops in small roles. Tarantino would use that identity, but make him a main character.

His torture of a captured police officer in Tarantino's 1992 directorial debut "Reservoir Dogs," in which Madsen's black-suited bank robber Vic "Mr. Blonde" Vega severs the man's ear while dancing to Stealers Wheel’s "Stuck in the Middle with You" was an early career-defining moment for both director and actor.

He would become a Tarantino regular. He had a small role as the cowboy-hatted desert dweller Budd, a member of the Deadly Viper Assassination Squad, in 2003's "Kill Bill: Vol. 1," then a starring role the following year in the sequel, in which he battles with Uma Thurman's protagonist The Bride and buries her alive.

Madsen also appeared in Tarantino's "The Hateful Eight" and "Once Upon a Time... In Hollywood." He was an alternate choice to play the hit man role that revived John Travolta's career in 1994's "Pulp Fiction." The character, Vincent Vega, is the brother of Madsen's "Reservoir Dogs" robber in Tarantino's cinematic universe.

His sister, Oscar-nominated "Sideways" actor Virginia Madsen, was among those paying him tribute on Thursday.

"He was thunder and velvet. Mischief wrapped in tenderness. A poet disguised as an outlaw. A father, a son, a brother—etched in contradiction, tempered by love that left its mark," she said in a statement. "I’ll miss our inside jokes, the sudden laughter, the sound of him. I’ll miss the boy he was before the legend. I miss my big brother."

His "Hateful Eight" co-star and fellow Tarantino favorite Walton Goggins celebrated him on Instagram.

"Michael Madsen... this man... this artist... this poet... this rascal..." Goggins wrote. "Aura like no one else. Ain’t enough words so I’ll just say this.... I love you buddy. A H8TER forever."

James Woods, Madsen's co-star in two films, wrote on X, "I was always touched by his sweet nature and generosity, the absolute opposite of the ‘tough guys’ he portrayed so brilliantly."

Madsen was born in Chicago to a family of three children.

He performed on stage with the city's Steppenwolf Theatre Company alongside actors including John Malkovich.

During a handprint ceremony at the TCL Chinese Theatre in November 2020, Madsen reflected on his first visit to Hollywood in the early 1980s.

"I got out and I walked around and I looked and I wondered if there were someday some way that that was going to be a part of me. And I didn’t know because I didn’t know what I was going to do at that point with myself," he said. "I could have been a bricklayer. I could have been an architect. I could have been a garbage man. I could have been nothing. But I got lucky. I got lucky as an actor."

His first film role of any significance was in the 1983 hacker thriller "WarGames" with Matthew Broderick. The following year he played pro baseball player Bump Bailey alongside Robert Redford in "The Natural."

He spent much of the rest of the 1980s doing one-off guest roles on television dramas including "Miami Vice" and "Quantum Leap."

1991 would bring a career boost with roles in "The Doors," where he played a buddy of Val Kilmer's Jim Morrison, and "Thelma and Louise" where he played the boyfriend of Susan Sarandon's Louise.

Then would come "Reservoir Dogs."

In 1995, he played a black ops mercenary in the sci-fi thriller "Species" and in 1997 he was third billed after Al Pacino and Johnny Depp as a member of a crew of gangsters in "Donnie Brasco."

He occasionally played against type. In the 1993 family orca adventure "Free Willy" he was the foster father to the orphan protagonist.

Madsen would return to smaller roles but worked constantly in the final two decades of his career.

Madsen had six children. He had struggled in recent years after the 2022 death of one of his sons, Hudson.

"Losing a child is the hardest and most painful experience that can happen in this world," Madsen said in an Instagram post last year.

He said the loss put a strain on his marriage to third wife, DeAnna Madsen. He was arrested on suspicion of domestic battery last year, but was not charged. He filed for divorce, but asked that the filing be dismissed just weeks later.

He had previously been arrested twice on suspicion of DUI, most recently in 2019, when he pleaded no contest to a misdemeanor.

"In the last two years Michael Madsen has been doing some incredible work with independent film including upcoming feature films ‘Resurrection Road,’ ‘Concessions and ’Cookbook for Southern Housewives,' and was really looking forward to this next chapter in his life," his managers Smith and Susan Ferris and publicist Liz Rodriguez said in a statement. "Michael was also preparing to release a new book called ‘Tears For My Father: Outlaw Thoughts and Poems’ currently being edited."

They added that he "was one of Hollywood’s most iconic actors, who will be missed by many."



Pixar’s ‘Hoppers’ Bounds to No. 1

FILE PHOTO: Cast member Jon Hamm attends the premiere of Disney-Pixar's "Hoppers" at El Capitan Theater in Los Angeles, California, US, February 23, 2026. REUTERS/Aude Guerrucci/File Photo
FILE PHOTO: Cast member Jon Hamm attends the premiere of Disney-Pixar's "Hoppers" at El Capitan Theater in Los Angeles, California, US, February 23, 2026. REUTERS/Aude Guerrucci/File Photo
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Pixar’s ‘Hoppers’ Bounds to No. 1

FILE PHOTO: Cast member Jon Hamm attends the premiere of Disney-Pixar's "Hoppers" at El Capitan Theater in Los Angeles, California, US, February 23, 2026. REUTERS/Aude Guerrucci/File Photo
FILE PHOTO: Cast member Jon Hamm attends the premiere of Disney-Pixar's "Hoppers" at El Capitan Theater in Los Angeles, California, US, February 23, 2026. REUTERS/Aude Guerrucci/File Photo

Disney and Pixar’s environmental adventure “Hoppers” topped the North American box office this weekend with $46 million in domestic ticket sales in its opening weekend, according to studio estimates Sunday.

After adding another $42 million from international showings, the film celebrated an $88 million global launch in total, the biggest for an original animated film since “Coco” came out in 2017.

But it wasn’t all good news for big studio fare at the multiplex: Maggie Gyllenhaal’s R-rated reimagining of the Bride of Frankenstein story is flailing. A Warner Bros. release, “The Bride!” starring Jessie Buckley and Christian Bale, debuted to an estimated $7.3 million from 3,304 domestic locations. It cost around $80 million to produce, not including marketing and promotion expenses.

The two movies were hardly competing with one another for viewers — one being a PG-rated family pic, the other an audacious, R-rated, genre-blending ride. “Hoppers” arrived to a slew of good reviews, while critical responses to “The Bride!” were mixed to negative and its audience scores weren’t much better.

“Hoppers” win was much needed for Disney and Pixar following last year’s “Elio,” which was Pixar's worst opening ever. The studio’s only major successes lately have been sequels and franchises, while “Hoppers” is a win for original fare. It also opened higher than 2023’s “Elemental,” which eventually went on to become a sleeper hit (“Elio” did not).

“Hoppers” had a reported $150 million production budget and opened in 4,000 locations. Directed by Daniel Chong, the movie is about a 19-year-old environmentalist who infiltrates the animal world in the body of a beaver. It features the voices of Piper Curda, Bobby Moynihan, Jon Hamm and Kathy Najimy.

“Hoppers” got a 94% rating on Rotten Tomatoes, 75% “definitely recommend” from PostTrak polling and an A CinemaScore, suggesting it should have a long and profitable run in theaters.

“This is a fantastic original film from the incredible team at Pixar, and it’s wonderful to see audiences coming out with their friends and families to enjoy it together,” said Alan Bergman, co-chairman of Disney Entertainment, in a statement. He also congratulated the filmmaking team on “a tremendous launch.”

“The Bride!” had a bit of a bumpy path to theaters, with edits being made after reportedly poor test screenings. Its release date was pushed back from September, possibly to give it some space versus Guillermo del Toro’s “Frankenstein,” which played in theaters last fall before hitting Netflix.

Men made up a slight majority of the audience for “The Bride!” at 53%. The movie currently carries a “rotten” 59% on Rotten Tomatoes and a lackluster C+ CinemaScore. Only 43% of that audience said they would “definitely recommend.”

And it doesn’t seem like international audiences will be much help: It made only $6.3 million outside of the US and Canada, bringing its global debut to $13.6 million, The Associated Press reported.

“Unfortunately, we came in light,” said Jeffrey Goldstein, who oversees domestic distribution for Warner Bros., in a text message. “We have a tailored approach to our slate, investing strategically in talent, IP and original storytelling. It spans genres and budget levels and allows us to back bold, distinctive filmmakers ... and sometimes things just don’t work out.”

Warner Bros.' other recent release, “Wuthering Heights,” meanwhile, has surpassed $213 million globally. And next week, the studio, which is staring down new ownership under Paramount, is expected to sweep the Oscars between “One Battle After Another” and “Sinners.”

“We’re coming off an incredible run of nine No. 1 openings in a row, and in an increasingly ‘risk-averse’ business like ours, we believe the business is better served with studios taking bold swings on originals like this one,” Goldstein said. “Even the 1927 Yankees had 44 losses that season.”

Paramount’s “Scream 7” landed in second place in its second weekend with $17.3 million, down a whopping 73% and bringing its domestic total to $93.4 million and its global total to $149.5 million. Sony's “GOAT” came in fourth place with $6.6 million while “Wuthering Heights” rounded out the top five with $3.8 million.

“When there’s this many holdovers in the top 10, it says we haven’t had enough horsepower in the newcomers to really get things moving,” said Paul Dergarabedian, Comscore’s head of marketplace trends.

But he anticipates that will change when the Ryan Gosling-led sci-fi adventure “Project Hail Mary” hits theaters on March 20.


Spanish Soccer Team Desperately Seeking Madonna and Her 36-Year-Old Shirt

 Madonna arrives for the Dolce & Gabbana Fall/Winter 2026/2027 fashion show during Fashion Week in Milan, Italy, February 28, 2026. (Reuters)
Madonna arrives for the Dolce & Gabbana Fall/Winter 2026/2027 fashion show during Fashion Week in Milan, Italy, February 28, 2026. (Reuters)
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Spanish Soccer Team Desperately Seeking Madonna and Her 36-Year-Old Shirt

 Madonna arrives for the Dolce & Gabbana Fall/Winter 2026/2027 fashion show during Fashion Week in Milan, Italy, February 28, 2026. (Reuters)
Madonna arrives for the Dolce & Gabbana Fall/Winter 2026/2027 fashion show during Fashion Week in Milan, Italy, February 28, 2026. (Reuters)

Spanish soccer team Celta Vigo is desperately seeking Madonna as it goes in search of a 36-year-old soccer shirt the pop star wore during a 1990 concert at its Balaidos stadium.

Madonna appeared on stage wearing the club's true blue colors during her Blonde Ambition tour in July 1990.

She delighted locals who claimed the material girl as one of their own and brought unexpected attention to defender Jose Manuel Espinosa, whose No. 5 shirt she wore.

However, the whereabouts of the cherished garment are unknown and, after searching fruitlessly for decades, Celta is asking the 67-year-old Madonna to help find it for the club's archive.

“Although ours was not the only football shirt you ever wore on stage, this iconic image has grown to shine differently as years have passed,” Celta president Marián Mouriño Terrazo wrote in an open letter to the American icon.

“Over time we came to better understand what you stood for back then: questioning established norms and standing up to those who try to tell you what you can or cannot do. At our club we recognize ourselves in this line of thought. That is why we hold on to the hope of finding the garment you once wore.

“Do you have it? If you know where it may be, or if you would like to join us in the search to retrieve it, please contact us via private message.”

The appeal caused a commotion on social media after it was published on Wednesday and the club doubled down before Friday's 2-1 home league defeat by Real Madrid, playing Madonna’s songs before kickoff and putting her picture on the field and on social media.

Mouriño Terrazo told local media he was hopeful the repercussions would reach the pop star.

“I imagine that the letter reached Madonna and that she will reply,” he said.

Madonna burst on the scene in 1983 with the hit Holiday and followed that with a run of top-10 hits that included “Like a Virgin”,” Papa Don’t Preach” and “Ray of Light.”

She remains one of the most successful recording artists in history.


Britney Spears Arrested and Released, California Sheriff's Records Show

(FILES) US singer Britney Spears arrives for the premiere of Sony Pictures' "Once Upon a Time... in Hollywood" at the TCL Chinese Theater in Hollywood, California on July 22, 2019. (Photo by VALERIE MACON / AFP)
(FILES) US singer Britney Spears arrives for the premiere of Sony Pictures' "Once Upon a Time... in Hollywood" at the TCL Chinese Theater in Hollywood, California on July 22, 2019. (Photo by VALERIE MACON / AFP)
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Britney Spears Arrested and Released, California Sheriff's Records Show

(FILES) US singer Britney Spears arrives for the premiere of Sony Pictures' "Once Upon a Time... in Hollywood" at the TCL Chinese Theater in Hollywood, California on July 22, 2019. (Photo by VALERIE MACON / AFP)
(FILES) US singer Britney Spears arrives for the premiere of Sony Pictures' "Once Upon a Time... in Hollywood" at the TCL Chinese Theater in Hollywood, California on July 22, 2019. (Photo by VALERIE MACON / AFP)

Britney Spears was arrested Wednesday night in Southern California and booked early the following morning, though the charge was not clear, according to the Ventura County Sheriff’s office website.

Messages seeking comment were left with the sheriff's office; the California Highway Patrol, which was identified as the arresting agency; and Spears' representative.

Spears was arrested around 9:30 p.m. in Ventura County and released on Thursday, sheriff's office records show. She has a May 4 court date schedule, The Associated Press reported.

Spears, born in Mississippi and raised in Louisiana, was a teen pop phenomenon who became a defining superstar of the ’90s and 2000s. She rose to fame from Disney Channel’s “The Mickey Mouse Club” to MTV and beyond, with such era-defining hits like “... Baby One More Time,” “Oops! ... I Did It Again” and “Toxic.”

Most of her albums have been certified platinum, according to the Recording Industry Association of America, with two diamond titles: 1999’s “ ... Baby One More Time” and 2000’s “Oops! ... I Did It Again.” Her last full-length album, “Glory,” was released in 2016.

Spears became a focus of tabloids in the early 2000s, and a source of public scrutiny, as she battled mental illness and paparazzi documented the details of her private life.

Later, as cultural opinion evolved to recognize the misogynistic media coverage of the time, Spears’ fight to control her life became the focus of the #FreeBritney movement.

In 2008, Spears was placed under a court-ordered conservatorship, run primarily by her father and his lawyers, that would control her personal and financial decisions for well over a decade. It was dissolved in 2021. Two years later, she released a bestselling, tell-all memoir, “The Woman in Me.”