Alec Baldwin Set for Legal Showdown over 'Rust' Shooting

FILE PHOTO: Actor Alec Baldwin departs his home in New York, US, January 31, 2023. REUTERS/David 'Dee' Delgado//File Photo
FILE PHOTO: Actor Alec Baldwin departs his home in New York, US, January 31, 2023. REUTERS/David 'Dee' Delgado//File Photo
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Alec Baldwin Set for Legal Showdown over 'Rust' Shooting

FILE PHOTO: Actor Alec Baldwin departs his home in New York, US, January 31, 2023. REUTERS/David 'Dee' Delgado//File Photo
FILE PHOTO: Actor Alec Baldwin departs his home in New York, US, January 31, 2023. REUTERS/David 'Dee' Delgado//File Photo

A long-awaited showdown will take place this week in a historic Wild West frontier town, with both sides seeking justice for a fatal bullet fired from a six-shooter.
But if Alec Baldwin's trial for manslaughter sounds like the plot of a Hollywood movie, the victims, the stakes and the tragic consequences are all too real, said AFP.
In October 2021, on the New Mexico set of his low-budget Western "Rust," a gun pointed by Baldwin discharged a live round, killing the film's cinematographer and wounding its director.
Such is Baldwin's A-list fame and the rarity of on-set deaths in the tightly controlled US film industry, the story quickly became a global sensation.
It also polarized opinion, with sympathetic observers viewing Baldwin -- an actor who did not know the prop gun contained a real bullet -- as a victim, and others seeing the death as a result of his allegedly reckless behavior.
Almost three years later, after multiple failed attempts by Baldwin's formidable New York legal team to have the case thrown out, those same arguments will be settled by a jury at a court case in Santa Fe starting on Tuesday.
If found guilty, Baldwin faces a maximum 18 months in prison -- the same term already being served by the film's armorer, who was convicted in the same courthouse earlier this year.
'Basic gun safety'
The death of Halyna Hutchins occurred during a rehearsal in a small chapel on the Bonanza Creek Ranch, 20 miles (30 kilometers) outside Santa Fe, on a sunny afternoon mid-way through the filming of "Rust."
Baldwin was practicing a scene in which his character, an aging outlaw who has been cornered in the church by two marshals, draws his Colt gun.
The actor says he did not pull the revolver's trigger and had been told that the gun was safe.
Live bullets are in any case banned from movie sets, and Baldwin has argued that it was not his responsibility as an actor to check.
Yet the gun did go off. And the trial of Hannah Gutierrez, the armorer who loaded the weapon, revealed many of the arguments that the prosecution will level against Baldwin, who was also a producer on the movie.
At the time, Gutierrez's defense lawyers said Baldwin "violated some of the most basic gun safety rules you can ever learn," including never pointing a gun at a person unless you intend to fire it.
"Alec Baldwin's conduct and his lack of gun safety inside that church on that day is something that he's going to have to answer for," said special prosecutor Kari Morrissey, in a rare moment of agreement between the two sides.
"Not with you and not today. That'll be with another jury, on another day," Morrissey said.
'No control'
That day has now arrived, with jury selection on Tuesday and opening arguments expected Wednesday.
That the matter is being heard in court at all is already a victory of sorts for prosecutors, who have fended off multiple attempts by Baldwin to have the case dismissed.
Among these, Baldwin's lawyers said damage to the gun caused by an FBI testing lab meant the actor could not get a fair trial.
That is significant because the FBI found the gun could not have fired without its trigger being pulled -- a conclusion that the defense says they were robbed of a chance to disprove.
Judge Mary Marlowe Sommer was not convinced and ordered the trial to proceed.
Baldwin's team have also suggested that his status as a celebrity and liberal darling has provided incentives for prosecutors to pursue him with unusual tenacity.
The prosecution's response to recent pre-trial proceedings offered further insight into how they are likely to attack Baldwin in court.
Court filings allege that Baldwin's unpredictable behavior contributed to the tragedy and that he kept changing his story in its aftermath.
"Mr Baldwin was frequently screaming and cursing at himself, at crew members or at no one and not for any particular reason," Morrissey wrote.
"To watch Mr Baldwin's conduct on the set of 'Rust' is to witness a man who has absolutely no control of his own emotions and absolutely no concern for how his conduct affects those around him."
The trial is expected to take around 10 days.



Mariah Carey Wasn't Always Sure About Making a Christmas Album

FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)
FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)
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Mariah Carey Wasn't Always Sure About Making a Christmas Album

FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)
FILE - Mariah Carey performs at the New Year's Eve celebration in Times Square, Dec. 31, 2017, in New York. (Photo by Brent N. Clarke/Invision/AP, File)

Mariah Carey relishes the fact that she has become culturally synonymous with Christmas — thanks in part to the longevity of her iconic song “All I Want for Christmas Is You,” and its ubiquity every year when the holidays roll around.
But the Grammy winner admits she initially wasn’t sure about doing a Christmas record when her label pitched it. “I was a little bit apprehensive,” she recalls, reflecting on her album, “Merry Christmas,” turning 30 this month.
Ahead of her appearance at Sunday’s American Music Awards and an upcoming Christmas tour that kicks off in November, Carey spoke with The Associated Press about the advice she would give to young artists navigating fame and the use of her song, “Always Be My Baby,” in Ari Aster’s 2023 horror comedy, “Beau Is Afraid.”
The interview has been edited for clarity and brevity.
AP: What has it been like to celebrate nearly 20 years of “The Emancipation of Mimi” and reflect on this album’s legacy? CAREY: I think “The Emancipation of Mimi” is one of my albums where there were different boundaries that got pushed aside and I was really happy about that because I needed to come back, apparently. And so, it was a comeback. But it’s one of my favorite albums. And celebrating it this year and this celebration of “Mimi” was really fun because I never get to do those songs. I never do them. And this this time I did.
AP: Because of that kind of underdog feeling, you felt some artistic liberty and empowerment that maybe you hadn’t before? CAREY: Yeah, I feel like people were ready to re-embrace me. And, you know, how did I feel about that? I mean, I feel like the album “Charmbracelet” was a very good album too, but not everybody knew that album. So, you know, when “We Belong Together” came out after “It’s Like That,” which didn’t do as well but still did pretty well. Whatever.
AP: “It’s Like That” is a great song. CAREY: It’s a good song. And I love performing it. You know, I go through stages with these albums. It’s interesting.
AP: Your first Christmas album, “Merry Christmas,” is turning 30 this month. That was obviously a formative record for you and your career. Do you remember anything about its inception? CAREY: So that was the record company saying, “You should do a Christmas album.” And I was like, “I don’t know that I should at this juncture.” Because, you know, I was very young and was just starting out and I felt like people do Christmas albums later in their lives. But now people have started to do them whenever, like right at the top of their career. So, I mean, what was I feeling like? I was a little bit apprehensive and then I was like, “I love this.” And I decorated the studio and just had the best time.
AP: Chappell Roan has made headlines for speaking out about how she is grappling with sudden fame. As someone who has been in the public eye for so long, do you have advice for young artists who are dealing with this? CAREY: Well, I have been through my share of dramas and it’s not fun because you grow up thinking, “I want to be famous.” I mean, really with me, it was always, “I want to be a singer. I want to write songs.” But “I want to be famous” was right there with it. I feel like it was probably because I didn’t feel like I was good enough on my own because of the things I went through growing up. And that’s not a good way to feel, you know?
But my advice would be try your hardest to go into this industry with a love of your talent or what’s really real for you. You know, if it’s like, “I want to be famous. I want to run around with those people, whoever they are, the famous people,” then it’s probably not the best idea.
AP: Have you seen Ari Aster’s “Beau Is Afraid” with Joaquin Phoenix? CAREY: Yes. I had to approve that. I thought it was interesting the way they used my song, “Always Be My Baby.” That was interesting. I mean, it didn’t really match with the movie, but, you know, I was just being edgy by saying, “You know, okay, fine.” It was very different. I mean, I wasn’t reluctant, but I thought, “This is something way different than I’ve done ever.”