Global Music Streams are Up in 2024

FILE - Bad Bunny performs during “The Most Wanted Tour” at State Farm Arena in Atlanta on May 15, 2024. (Photo by Paul R. Giunta/Invision/AP, File)
FILE - Bad Bunny performs during “The Most Wanted Tour” at State Farm Arena in Atlanta on May 15, 2024. (Photo by Paul R. Giunta/Invision/AP, File)
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Global Music Streams are Up in 2024

FILE - Bad Bunny performs during “The Most Wanted Tour” at State Farm Arena in Atlanta on May 15, 2024. (Photo by Paul R. Giunta/Invision/AP, File)
FILE - Bad Bunny performs during “The Most Wanted Tour” at State Farm Arena in Atlanta on May 15, 2024. (Photo by Paul R. Giunta/Invision/AP, File)

Halfway through the year, a few music trends have become apparent: Global music streams are up, Latin music has become the fastest growing streaming genre in the United States, and physical album variants — multiple releases of the same — are on the rise.

Going Global The global music industry surpassed 1 trillion streams at the fastest pace, ever, in a calendar year, Luminate’s 2024 Midyear Report has found. The number was reached 10 days faster than in 2023, according to The AP.

Global streams also increased 15.1% with 2.29 trillion on-demand audio streams, up from 1.99 trillion at this point last year.

The continued Latin music boom People everywhere are streaming more music, and in the US, Latin music has become the fastest growing streaming genre, up 15.1% from this time last year. Latin music streaming also leans the most current — 35% of all Latin streams in the US are for albums released in the last 18 months. Compare that to rock music, where 70.5% of streams in the US are from deep catalogs — releases that are 5 years old, or older.

There are no Latin artists featured in the top 10 albums or songs of the year to date, but Bad Bunny, Peso Pluma, Fuera Regida, Karol G, Rauw Alejandro, Aventura, Carín León are among the top 200 most streamed artists in the US for the first half of 2024.

Last year, Latin music was among the top three fastest growing genres in the US, says Jaime Marconette, Luminate’s vice president of music insights and industry relations. The 2024 figures illustrate a continuation in that trend.

“A huge part of that growth was driven by the continued rise of regional Mexican music, which is the largest Latin music subgenre so far this year with more than 13 billion US on-demand audio streams,” Marconette told The AP.

And while the Puerto Rican artist Bad Bunny remains “the biggest-streaming Latin music artist in the US,” he says the three other Latin artists who crossed over 100 million US. on-demand audio streams throughout the first half of 2024 are regional Mexican acts: Pluma, Fuerza Regida and Junior H.

Physical albums aren't going anywhere It's not just the streaming economy on the rise.

Physical variants of albums — multiple releases of the same album, sometimes containing different bonus tracks or featuring a different design — have steadily grown in popularity since 2020.

In 2024, physical album sales increased 3.8% in the US over this time last year, climbing to 24.7 million from 23.8 million, the data and analytics company found in its report.

But it’s not just any artist creating more physical variants of their releases. The artists who’ve had the top 10 bestselling albums so far this year have also had the highest average number of variants. That includes Taylor Swift, Billie Eilish and Beyoncé, as well as K-pop acts like Tomorrow x Together, Ateez and TWICE.

In 2024, the average number of variants for a top 10 bestselling album is 22: seven different vinyl releases, 13 CDs and two cassettes.

For albums in the top 101 - 500 rankings, there's only about five variants per release, and for 501 - 1,000, there's an average of four physical variants.

“We have seen a consistent trend in recent years where albums at the top of the charts employed more and more physical variants in their album release campaigns," says Marconette.

However, “there has also been criticism within the artist and fan communities regarding the environmental impacts of producing so many physical products,” he says, suggesting there is "a clear demand for recycled materials and other sustainability initiatives in this space.”



'Den of Thieves 2' Opens at No. 1 as 'Better Man' Flops

This image released by Lionsgate shows Gerard Butler, left, and O'Shea Jackson Jr. in a scene from "Den of Thieves 2: Pantera." (Rico Torres/Lionsgate via AP)
This image released by Lionsgate shows Gerard Butler, left, and O'Shea Jackson Jr. in a scene from "Den of Thieves 2: Pantera." (Rico Torres/Lionsgate via AP)
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'Den of Thieves 2' Opens at No. 1 as 'Better Man' Flops

This image released by Lionsgate shows Gerard Butler, left, and O'Shea Jackson Jr. in a scene from "Den of Thieves 2: Pantera." (Rico Torres/Lionsgate via AP)
This image released by Lionsgate shows Gerard Butler, left, and O'Shea Jackson Jr. in a scene from "Den of Thieves 2: Pantera." (Rico Torres/Lionsgate via AP)

On a quiet weekend in movie theaters, while much of Hollywood’s attention was on the wildfires that continue to rage in Los Angeles, Lionsgate’s “Den of Thieves 2: Pantera” debuted atop the box office with $15.5 million, according to studio estimates Sunday.
Mid-January is often a slow moviegoing period, and that was slightly exacerbated by the closures of about 10 theaters in Los Angeles, the country’s top box-office market, The Associated Press reported.
A sequel to the Gerard Butler 2018 heist thriller, “Den of Thieves 2” performed similarly to the original. The first installment, released by STX, opened with $15.2 million seven years ago. O’Shea Jackson Jr. co-stars in the sequel, which debuted in 3,008 North American theaters.
Butler's films are becoming something of a regular feature in January. He also starred in “Plane,” which managed $32.1 million after launching on Jan. 13 in 2023.
“Den of Thieves 2,” made for about $40 million, was a bit more costly to make. Audiences liked it well enough, giving it a “B+” CinemaScore. Reviews (58% fresh on Rotten Tomatoes) weren’t particularly good. But it counted as Lionsgate’s first No.1 opening since “The Hunger Games: The Ballad of Songbirds and Snakes” in November 2023.
Also entering wide release over the weekend was the Robbie Williams movie “Better Man,” one of the more audacious spins on the music biopic in recent years. Rather than going the more tradition routes of Elton John (“Rocketman”) or Elvis Presley (“Elvis”), the British popstar is portrayed by a CGI chimpanzee in Michael Gracey’s film.
The Paramount Pictures release, produced for $110 million and acquired by Paramount for $25 million, didn’t catch on much better than Williams’ previous forays into the United States. It tanked, with $1.1 million in ticket sales from 1,291 locations. Gracey’s previous feature, 2017’s “The Greatest Showman” ($459 million worldwide), fared far better in theaters. Reviews, however, have been very good for “Better Man.”
It was bested by “The Last Showgirl,” the Las Vegas drama starring Pamela Anderson. The Roadside Attractions release expanded to 870 theaters and collected $1.5 million.
Also outdoing “Better Man” was Brady Corbet’s “The Brutalist.” Coming off winning best drama at the Golden Globes, the A24 postwar epic grossed a hefty $1.4 million from just 68 locations. It expands wider in the coming weeks.
The weekend's lion share of business went to holiday holdovers, including “Mufasa: The Lion King,” “Sonic the Hedgehog 3,” “Nosferatu” and “Moana 2.”
In its fourth week of release, Barry Jenkins “Mufasa” continued to do well, adding $13.2 million to bring its total to $539.7 million worldwide. Also on its fourth weekend, “Sonic the Hedgehog 3” padded its $384.8 million global total with $11 million. Robert Eggers’ “Nosferatu,” the surprise hit of the Christmas period, collected $6.8 million in ticket sales, bringing the vampire tale to $81.1 million domestically.
The Walt Disney Co.’s “Moana 2,” in its seventh week of release, added $6.5 million to bring its global tally to $989.8 million. In the coming days, it will become the third Disney film released in 2024 to notch $1 billion, joining “Inside Out 2” and “Deadpool and Wolverine.”