Venice Film Festival Lineup includes ‘Joker 2,’ Films with Pitt, Clooney, Jolie, More

The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law - The AP
The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law - The AP
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Venice Film Festival Lineup includes ‘Joker 2,’ Films with Pitt, Clooney, Jolie, More

The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law - The AP
The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law - The AP

Five years after “Joker” won the top prize at the Venice Film Festival, filmmaker Todd Phillips is returning with the sequel. “Joker: Folie à Deux” will play in competition with 20 other titles, festival organizers said Tuesday.

The highly anticipated follow-up to the blockbuster comic book film stars Joaquin Phoenix as the mentally ill Arthur Fleck and Lady Gaga as Harley Quinn.

The lineup for the 81st edition of the festival, unveiled early Tuesday, also includes new films starring Brad Pitt, George Clooney, Angelina Jolie, Nicole Kidman, Daniel Craig and Jude Law, The AP reported.

Among the films playing alongside “Joker 2” in competition are Pablo Larraín's Maria Callas film “Maria,” starring Jolie; Walter Salles' “I'm Still Here"; the erotic thriller “Babygirl” starring Kidman and Harris Dickinson from filmmaker Halina Reijn; Luca Guadagnino’s William S. Burrough’s adaptation “Queer,” with Craig and Jason Schwartzman; and Pedro Almodóvar’s first English-language film, “The Room Next Door,” starring Julianne Moore and Tilda Swinton. Set in New England, the filmmaker has said it’s about an imperfect mother and a resentful daughter.

“The Order,” Justin Kurzel’s 80s-set crime thriller about the white supremacist group starring Law as an FBI agent, Nicholas Hoult and Jurnee Smollett, will also be in competition, as will Brady Corbet’s “The Brutalist,” with Adrien Brody, Guy Pearce, Felicity Jones and Joe Alwyn. Shot on 70mm, the 215-minute epic is about a Hungarian Auschwitz survivor who goes to the United States.

Pitt and Clooney will reunite in Jon Watts’ “Wolfs,” an adrenaline packed action-comedy about a few fixers that will screen out of competition.

Several interesting films playing in the horizons extra section include “September 5,” about the live television coverage of the Munich Olympics, starring Peter Sarsgaard; John Swab’s “King Ivory,” with Ben Foster and James Badge Dale; and Alex Ross Perry’s film about Stephen Malkmus’ California rock band Pavement.

Venice will also screen Peter Weir’s 2003 epic “Master and Commander: The Far Side of the World,” in conjunction with his lifetime achievement award.

Seven episodes of Alfonso Cuarón’s psychological thriller series “Disclaimer” will also premiere at the festival. The AppleTV+ show is based on a novel about a documentary journalist and a secret she’s been keeping. It stars Cate Blanchett and Kevin Kline and will debut on the streamer in October.

Among the nonfiction titles playing out of competition are Kevin Macdonald and Sam Rice-Edwards’ “One to One: John & Yoko,” which reconstructs the New York years of the Beatle and his wife; Errol Morris’ “Separated,” about the separation of immigrant children from their parents in the US; Anastasia Trofimova’s “Russians at War”; Göran Hugo Olsson's “Israel Palestine on Swedish TV 1958-1989”; “Riefenstahl,” about the German propagandist; And another Beatles-focused doc, “The Things We Said Today,” a time capsule of their arrival in New York and first concert at Shea Stadium.

Last year’s festival took place amid the actors’ strike. Although some attended under interim agreements, like Adam Driver and Penelope Cruz for “Ferrari” and “Priscilla” stars Cailee Spaeny and Jacob Elordi, the festival was lacking its usual, consistent supply of star power. But its awards season influence remained strong: Seven Venice world premieres went on to get 24 Oscar nominations and five wins: Four for “Poor Things” and one for Wes Anderson’s “The Wonderful Story of Henry Sugar.”

Venice is a significant launching ground for awards hopefuls and the first major stop of a busy fall film festival season, with Toronto, Telluride and the New York Film Festivals close behind.

The 81st edition kicks off on August 28, with the world premiere of Tim Burton’s “Beetlejuice, Beetlejuice.” All of the main cast, including Michael Keaton, are expected to grace the red carpet. The Venice Film Festival runs through Sept. 7.



Netflix Beats Subscriber Targets, Cautions on Ad Growth

FILE PHOTO: The Netflix logo is seen on their office in Hollywood, Los Angeles, California, US July 16, 2018. REUTERS/Lucy Nicholson/File Photo
FILE PHOTO: The Netflix logo is seen on their office in Hollywood, Los Angeles, California, US July 16, 2018. REUTERS/Lucy Nicholson/File Photo
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Netflix Beats Subscriber Targets, Cautions on Ad Growth

FILE PHOTO: The Netflix logo is seen on their office in Hollywood, Los Angeles, California, US July 16, 2018. REUTERS/Lucy Nicholson/File Photo
FILE PHOTO: The Netflix logo is seen on their office in Hollywood, Los Angeles, California, US July 16, 2018. REUTERS/Lucy Nicholson/File Photo

Netflix said on Thursday it added more than 8 million subscribers in its second quarter as the streaming service benefited from a password-sharing crackdown and the popularity of such titles as "Bridgerton," "Baby Reindeer" and "The Roast of Tom Brady."
While the subscriber gains topped analyst predictions of 5 million, Netflix issued cautious guidance for the third quarter and said its advertising business would not become a primary driver of revenue growth until at least 2026, said Reuters.
Netflix shares reversed initial losses after it reported results to trade up 1% in after-hours trading. The stock has surged nearly a third so far this year.
"Netflix is still the best and most profitable streaming company out there, but with technology stocks generally retreating over the last several days, some investors may sell on the generally good news and taking profits now while waiting for a possible better re-entry point for the stock," said Michael Ashley Schulman, chief investment officer at Running Point Capital.
The streaming video pioneer is facing saturation in the United States and plans to stop regularly reporting new subscriber additions next year. Investors have been zeroing in on the company's relatively new advertising business as a potential source of growth.
On Thursday, Netflix said third-quarter subscriber gains would be lower than the comparable period in 2023 when it had just started the password clamp-down.
The company also said its vice president of ad sales, Peter Naylor, was departing.
Third Bridge analyst Jamie Lumley said Netflix's advertising business "has yet to prove itself from a revenue standpoint."
"Our experts highlight that Amazon has made a much bigger splash in the ad market and Netflix needs to continue working on scale in this segment if it wants to be a major player," Lumley said.
For April through June, Netflix posted diluted per-share earnings of $4.88, compared with consensus forecasts of $4.74 a share, according to LSEG. Revenue for the quarter reached $9.56 billion, in line with estimates.
At the end of June, the new sign-ups brought the total number of global Netflix subscribers to more than 277 million.
Netflix said its ad tier membership grew 34% from the prior quarter, but it did not say how many subscribers chose that option.
"Our ad business is growing nicely and is becoming a more meaningful contributor to our business," Netflix said in a letter to investors. "But building a business from scratch takes time - and coupled with the large size of our subscription revenue - we don't expect advertising to be a primary driver of our revenue growth in 2024 or 2025."
On a post-earnings video, Netflix Chief Financial Officer Spencer Neumann said the company's advertising business is "growing nicely," but it is building off a small base.
"It's a meaningful contributor," Neumann said. "And then we get (to) '26 and beyond, it can be even more meaningful, and hopefully comes to the point where it's a primary contributor."
The company said it expects third-quarter revenue growth of 14% compared with a year ago.
Three years into its videogame initiative, Netflix said it planned to release a multiplayer game based on "Squid Game" later this year when it debuts Season Two of the dystopian Korean series. It also plans games tied to "Emily in Paris" and "Selling Sunset."