Robert Downey Jr. Returns to ‘Avengers’ Films as Villain in 1 of Marvel's Comic-Con Twists

Robert Downey Jr. attends a panel for Marvel Studios during Comic-Con International on Saturday, July 27, 2024, in San Diego. (Photo by Richard Shotwell/Invision/AP)
Robert Downey Jr. attends a panel for Marvel Studios during Comic-Con International on Saturday, July 27, 2024, in San Diego. (Photo by Richard Shotwell/Invision/AP)
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Robert Downey Jr. Returns to ‘Avengers’ Films as Villain in 1 of Marvel's Comic-Con Twists

Robert Downey Jr. attends a panel for Marvel Studios during Comic-Con International on Saturday, July 27, 2024, in San Diego. (Photo by Richard Shotwell/Invision/AP)
Robert Downey Jr. attends a panel for Marvel Studios during Comic-Con International on Saturday, July 27, 2024, in San Diego. (Photo by Richard Shotwell/Invision/AP)

Marvel Studios returned to San Diego Comic-Con with dancing Deadpool variants and a choir for a panel that included news about the next two “Avengers” films and surprise guests, including Harrison Ford and Robert Downey Jr.
Downey is returning to Marvel's films, but not as Iron Man. He'll play the villain Victor Von Doom, or Doctor Doom, in at least one of the upcoming “Avengers” movies. Downey kicked off Marvel's movie successes in “Iron Man” and played the popular character in nine films, but on Saturday appeared wearing Dr. Doom's mask and a green cloak.
“New mask, same task," Downey said to frenzied cheers, according to The Associated Press.
The Russo brothers, who will be directing the movie featuring Downey, said his appearance in the film is “proof of the unimaginable possibilities in the Marvel multi-universe.”
The reveal capped a jubilant return by Marvel to Comic-Con's Hall H.
Marvel Studios President Kevin Feige kicked off the panel by saying that due to this weekend's success of “Deadpool & Wolverine,” the sprawling Marvel Cinematic Universe had now topped $30 billion in box-office earnings. In a nod to a scene in the movie, a choir sang Madonna's “Like a Prayer” before Feige spoke.
“Deadpool & Wolverine,” released Thursday, has already broken one record and could shatter more in its opening weekend. Feige used Saturday's panel to chart the course ahead for the MCU, revealing Ford's character in the next “Captain America” film and revealing “Avengers: Secret Wars and “Avengers: Doomsday” as the titles of the next two films in the epic superhero team-up series. “Doomsday” will hit theaters in 2026.
Feige said all the actors introduced Saturday would appear in the upcoming “Avengers” movies, which will be directed by Joe and Anthony Russo. The brothers guided the “Avengers” franchise through its sprawling storyline capped by “Avengers: Endgame” in 2019 that included the death of Downey's Tony Stark/Iron Man character.
“When we directed ”Avengers: Endgame," Joe and I truly believed that it was the end of the road for us in the Marvel Cinematic Universe because we had put all of our passion, our love, our imagination into “The Winter Soldier,” into “Civil War,” into “Infinity War,” climaxing all of it with “Avengers: Endgame,” Anthony Russo said. “That four movie run was incredible and it left us creatively spent with all of our emotions on the film. In the time since, through a very special story, Joe and I have come to potentially see a road forward with you.”
They called “Secret Wars” the “biggest story that Marvel Comics ever told,” and Joe said it was the first comic book run he read as a child that made him “fall in love with comics.”
Saturday's session comes after Marvel skipped the convention last year due to the Hollywood strikes, which prevented writers and actors from speaking on panels.
The cast of “Captain America: Brave New World” — Giancarlo Esposito, Tim Blake Nelson, Danny Ramirez and Anthony Mackie — joined the stage first and teased details about the upcoming film. Esposito revealed that he will be playing the villain, Seth Voelker, also known as Sidewinder.
When asked about what it was like to join a Marvel project, Esposito said it was a “dream come true.
“When your dreams come true and you get the call, you walk through the door,” he continued. “I have a great deal of gratitude for all the fans who really had this dream come true, because it was fan casting that linked us together.”
The cast then stepped aside to share a scene from the movie on the big screen, which revealed that President Thaddeus “Thunderbolt” Ross, played by Ford, is hoping to rebuild the Avengers with Mackie’s Sam Wilson. It also showed Ford’s character transform into the Red Hulk.
Ford joined the panel after fans were treated to clips from the movie and flexed his muscles to the roaring crowd. He also expressed excitement over his latest role, saying, “I am delighted, and proud to become a member of the Marvel Universe.”
The cast and director of “Thunderbolts(asterisk)” also surprised fans with a short clip from the movie. Julia Louis-Dreyfus, Florence Pugh, Sebastian Stan and David Harbour (in full costume and speaking in character as the Red Guardian at first) stormed the stage and shared some more details about their characters.
The film is slated to be released in May 2025.
The final film teased at the panel was “The Fantastic Four,” starring Pedro Pascal, Vanessa Kirby, Joseph Quinn and Ebon Moss-Bachrach. The movie will begin filming on Tuesday in London, Feige said.
He said the film will hit theaters in almost exactly one year in July 2025.
Following a video director Matt Shakman created specifically for Comic-Con that featured the cast in full ’60s glory, he and Feige revealed the official title of the film, “The Fantastic Four: First Steps.”
The session included no mention of Jonathan Majors, who played the villain Kang the Conqueror and was previously a major part of Marvel’s “Avengers” plans. The actor was fired by the studio after he was convicted in December of assaulting a former girlfriend. He was sentenced to a yearlong counseling program in April and avoided jail time.
Marvel already took over Hall H on Thursday with an electric panel celebrating “Deadpool & Wolverine,” in which the audience was treated to a full screening and surprise guests joining stars Ryan Reynolds and Hugh Jackman on stage.
The mounting enthusiasm for the film at Comic-Con was reflected across the country as the fans rushed to see it in theaters, securing the film as the new record holder for the Thursday preview for an R-rated movie. The comic book film sold an estimated $38.5 million worth of movie tickets from preview screenings Thursday.
The “Deadpool & Wolverine” success woke up a sleepy year for Marvel and assuaged worries about its box-office underperformance in late 2023. The superhero factory hit a record low in November with the launch of “The Marvels,” which opened with just $47 million.



How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
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How the World’s Press Rated Paris’s Olympics Opening Ceremony

Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)
Former French football player Zinedine Zidane holds the Olympic torch during the opening ceremony of the Paris 2024 Olympic Games in Paris on July 26, 2024. (AFP)

Paris broke with tradition on Friday by turning the Olympic Opening Ceremony into a parade down the River Seine rather than a stadium-based show.

TV viewers around the world were treated to a spectacle performed on bridges, the riverbank and rooftops, culminating with French athletes Marie-Jose Perec and Teddy Riner lighting the Olympic cauldron and a performance from Canada's Celine Dion.

However, the 6,000-odd athletes, 3,000 performers, 300,000 spectators and dozens of world leaders had to endure heavy rain for much of the event.

Here's how the world's media judged Paris's ambitious ceremony:

FRANCE

Newspaper Le Monde wrote in a rave review that director Thomas Jolly "succeeded in his challenge of presenting an immersive show in a capital transformed into a gigantic stage".

Right-leaning Le Figaro said the show was "great but some of it was just too much". It said viewers "could have been spared" images including an apparent recreation of the painting of The Last Supper of Jesus and his apostles in front of a fashion show.

UNITED STATES

"Opening Ceremony Misses the Boat" headlined the New York Times's television review.

It wrote that the river parade "turned the ceremony into something bigger, more various and more intermittently entertaining. But it also turned it into something more ordinary — just another bloated made-for-TV spectacle".

The Washington Post was more glowing, noting that the organizer's "bold thinking" brought a shine back to an event that has seen its popularity wane in recent years.

CHINA

China's Xinhua state news agency said the ceremony succeeded in showcasing France.

"There were Can-Can girls, a homage to the reconstruction of Notre Dame and of course the French Revolution, with fireworks, heavy metal and singers who appeared to have lost a battle with the guillotine.

"If there was a downside to the ceremony, it is that any event performed over such a long distance has to struggle with continuity, and the big difference between this ceremony and others is that the parade of athletes was mixed in with the performances."

SOUTH KOREA

South Korean media noted the "impressive" imagination of using the whole city as the backdrop but the event was overshadowed by the country's team being misintroduced as North Korea.

South Korea's CBS radio said while the incident was no doubt an honest mistake, it was disappointing the Paris organizers failed at what should have been a very basic part of the event.

GERMANY

"As beautiful as it was mad," wrote Germany's Frankfurter Allgemeine. "France revolutionized the opening ceremony ... by the end even the rain had been defeated."

Tabloid Bild was bowled over by Celine Dion's return to the stage after four years, defying illness to "sing just as in the best of times. She deserves a gold medal for this performance."

BRITAIN

British tabloid The Sun joked "Wet The Games Begin!" on its front page alongside an image of the Eiffel Tower surrounded by laser beams, and described the ceremony as spectacular.

The Daily Mail's headline read "La Farce!", mainly in reference to the train disruption earlier in the day, but the paper also judged Paris's gamble on the weather had "backfired spectacularly".

A writer for the Guardian newspaper described the parade of boats on the Seine as "like watching an endless series of weirdly nationalistic office parties" but concluded Celine Dion had rescued the event with a "jaw dropping" performance.

ITALY

La Gazzetta dello Sport said the ceremony was "something unprecedented, even extraordinary. A great show or a long, tedious work, depending on your point of view and sensibility."

The mainstream Italian newspaper Il Corriere della Sera likened the show to a contemporary art performance, noting that "some (spectators) were bored, others were amused, many found the spectacle disappointing".

The left-leaning Italian daily La Repubblica said the ceremony overshadowed the athletes.

"A lot of France, a lot of Paris, very little Olympics.... a mirror that the immortal Paris turned on herself and discovered that she was so much, too much and soaking wet".