Hit Japanese Video Game Is Now a Streaming Series Aiming for Global Appeal 

Japanese actors Ryoma Takeuchi (R) and Kento Kaku (L) speak during an interview for Amazon Prime Video’s “Like a Dragon: Yakuza” on the sideline of Comic Con International in San Diego, California, July 27, 2024. (AFP)
Japanese actors Ryoma Takeuchi (R) and Kento Kaku (L) speak during an interview for Amazon Prime Video’s “Like a Dragon: Yakuza” on the sideline of Comic Con International in San Diego, California, July 27, 2024. (AFP)
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Hit Japanese Video Game Is Now a Streaming Series Aiming for Global Appeal 

Japanese actors Ryoma Takeuchi (R) and Kento Kaku (L) speak during an interview for Amazon Prime Video’s “Like a Dragon: Yakuza” on the sideline of Comic Con International in San Diego, California, July 27, 2024. (AFP)
Japanese actors Ryoma Takeuchi (R) and Kento Kaku (L) speak during an interview for Amazon Prime Video’s “Like a Dragon: Yakuza” on the sideline of Comic Con International in San Diego, California, July 27, 2024. (AFP)

Amazon Prime Video’s “Like a Dragon: Yakuza,” which premieres in October, has all the glorious fare of a classic mobster story — bloody fistfights, beautiful women, expensive cars, muscle and flashy suits.

Based on a popular Sega video game that debuted in 2005, the story centers around Kazuma Kiryu, a gangster with a heart of gold. But the latest version has evolved to appeal to global audiences today, according to its stars and production team.

“We weren’t going for another copy of the original but wanted to create it anew, while paying respect to it, but exploring it at a deeper human level,” said Ryoma Takeuchi, who plays Kiryu.

“We’re taking the concept that’s the foundation of the hit game and making a modern human drama people can more easily identify with,” he said.

The role turned out to be the most challenging and time-consuming of his career, including losing weight, preparing for the fight scenes and developing the character, as well as the arduous filming itself.

Masayoshi Yokoyama, executive producer at Sega studios and the game’s screenwriter, hopes longtime fans will be pleasantly surprised at the new twists and turns of the series, while newcomers may gain an interest in his game.

“To look back, the original is like an old samurai movie, while this dramatizes a new kind of sensibility,” he said.

“Like a Dragon,” is the universal coming-of-age saga, except set in a fairytale world of a fictitious Japan. The narration spans two decades, skipping back and forth between 1995 and 2005.

The characters, including Kiryu’s buddy from their orphanage days, Akira Nishikiyama, are filled with a steadfast belief in honor, justice and loyalty, as well as courage in the face of danger.

It’s not designed for the faint-hearted. Each of the six episodes goes from one superbly choreographed violent scene to another, with hardly a moment to take a gasp.

But the innocent love that the heroes, and the heroines, show to each other is the driving force of “Like a Dragon,” despite the yelling, kicks and gunshots.

“The story of ‘Like A Dragon’ contains eternal themes, like love, human relationships and betrayal that everyone can relate to. So rather than its being old or new, it’s really mainstream,” said Kento Kaku who plays Nishikiyama, known as Nishiki.

Retelling the story in an age where streaming entertainment connects audiences worldwide simply translates to perfect timing, said Kaku.

Erik Barmack, the executive producer, stressed the franchise offers something that’s made it enormously successful not only in Japan but elsewhere.

“Our belief is that it’s because the characters themselves have a lot of heart. It’s not some cold existential crime story,” he said.

“It’s about why relationships can go astray, even among people who love each other.”



‘Deadpool & Wolverine’ Smashes R-rated Record with $205 Million Debut

FILE PHOTO: Ryan Reynolds, Blake Lively, Gigi Hadid and Hugh Jackman attend the premiere of 'Deadpool and Wolverine' in New York City, New York, US, July 22, 2024. REUTERS/Caitlin Ochs/File Photo
FILE PHOTO: Ryan Reynolds, Blake Lively, Gigi Hadid and Hugh Jackman attend the premiere of 'Deadpool and Wolverine' in New York City, New York, US, July 22, 2024. REUTERS/Caitlin Ochs/File Photo
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‘Deadpool & Wolverine’ Smashes R-rated Record with $205 Million Debut

FILE PHOTO: Ryan Reynolds, Blake Lively, Gigi Hadid and Hugh Jackman attend the premiere of 'Deadpool and Wolverine' in New York City, New York, US, July 22, 2024. REUTERS/Caitlin Ochs/File Photo
FILE PHOTO: Ryan Reynolds, Blake Lively, Gigi Hadid and Hugh Jackman attend the premiere of 'Deadpool and Wolverine' in New York City, New York, US, July 22, 2024. REUTERS/Caitlin Ochs/File Photo

Marvel is back on top with “Deadpool & Wolverine.” The comic-book movie made a staggering $205 million in its first weekend in North American theaters, according to studio estimates Sunday. It shattered the opening record for R-rated films previously held by the first “Deadpool” ($132 million) and notched a spot in the top 10 openings of all time.
Including international showings, where it’s racked up an addition $233.3 million from 52 markets, “Deadpool & Wolverine” is looking at a global opening of over $438.3 million, The Associated Press reported.
Fittingly for both characters’ introduction to the Marvel Cinematic Universe, “Deadpool & Wolverine” played less like earlier X-Men or Deadpool movies and more like an Avengers pic. In the top domestic opening weekends ever, “Deadpool & Wolverine” is seated in 8th place between “The Avengers” ($207.4 million) and “Black Panther" ($202 million), bumping “Avengers: Age of Ultron” ($191.3 million) out of the top 10.
It’s by far biggest opening of the year, unseating Disney’s “ Inside Out 2 ” ($154.2 million) and the most tickets a movie has sold in its debut weekend since “Barbie” ($162 million) stormed theaters last July. Playing in 4,210 locations, “Deadpool & Wolverine” also surpassed 2019’s “The Lion King” ($191.8 million) to become the biggest July opening ever, and is the 34th consecutive MCU movie to debut in first place. And these are numbers previously thought impossible for an R-rated film.
The Walt Disney Studios release arrived at a pivotal time for an industry grappling with box office returns that continue to run at a double-digit deficit from last year. The success is also an important moment for Marvel Studios, which has had several high-profile disappointments lately; Most notably in “ The Marvels ” which opened to an MCU low of $47 million last November.
Superheroes have been struggling even more elsewhere: Sony, which reached a high point with “Spider-Man: No Way Home” ($1.9 billion worldwide) had a new low with “Madame Web,” which barely crossed $100 million. Warner Bros. Discovery, after a string of disappointments with “The Flash” and “Blue Beetle,” is currently working on restarting their DC universe under the supervision of James Gunn.
Marvel's savior came in the form of two characters who got their start outside of the MCU, and carried a Motion Picture Association rating that seemed to have an earnings cap.
Both Deadpool and Wolverine, played by Ryan Reynolds and Hugh Jackman, existed previously under the 21st Century Fox banner which for two decades had the rights to Marvel characters like the “X-Men” and “Fantastic Four.” That changed when Disney acquired the studio’s film and TV assets in early 2019 and plans started to take shape of how all these characters would fit into Kevin Feige’s MCU. In some cases, as with “Fantastic Four,” Marvel Studios is starting fresh. With “Deadpool & Wolverine,” the stars were as crucial as their characters.
Going into the weekend, $200 million domestic seemed like a pipe dream. Analysts were more conservative with predictions in the $160 million range. But from the start of the 3 p.m. Thursday preview screenings it was clear that “Deadpool & Wolverine” was more powerful. By the end of Friday, it had already made $96 million and received a coveted A CinemaScore from audiences. Critics, too, have been mostly positive. Premium screens, including IMAX and other large formats, accounted for 18% of the total box office.
The top domestic opening of all time still firmly belongs to “Avengers: Endgame” with $357.1 million. It’s followed by “Spider-Man: No Way Home” ($260.1 million), “Avengers: Infinity War” ($257.6 million), “Star Wars: The Force Awakens” ($247.9 million) and “Star Wars: The Last Jedi” ($220 million).
Second place went to Universal's “Twisters,” now in its second weekend with $35.3 million. The standalone sequel to “Twister” has now earned $154.9 million in North America. Universal also claimed third place with “Despicable Me 4,” which added $14.2 million in its fourth weekend, bringing its domestic total to nearly $291 million.
“Inside Out 2” landed in fourth place with $8.3 million. The Disney and Pixar release this week became the biggest animated release ever with $613.4 million domestically (surpassing “Incredibles 2”) and $1.5 billion globally. It also passed “Top Gun: Maverick” to become the 12th highest-earning global release of all time.
It all adds up to one of the top 10 domestic grossing weekends of all time, with around $280 million, according to Comscore. That puts it ahead of this weekend last year, when “Barbie” and “Oppenheimer” helped propel the box office to over $216.9 million in their second weekends.