Louvre Museum Shuts Down, Sounding the Alarm on Overtourism

Tourists wait outside the Louvre Museum, which failed to open on time on Monday, June 16, 2025 in Paris. (AP)
Tourists wait outside the Louvre Museum, which failed to open on time on Monday, June 16, 2025 in Paris. (AP)
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Louvre Museum Shuts Down, Sounding the Alarm on Overtourism

Tourists wait outside the Louvre Museum, which failed to open on time on Monday, June 16, 2025 in Paris. (AP)
Tourists wait outside the Louvre Museum, which failed to open on time on Monday, June 16, 2025 in Paris. (AP)

The Louvre, the world’s most-visited museum and a global symbol of art, beauty and endurance, remained shuttered most of Monday when staff went on strike in frustration over what they called unmanageable crowds at an institution crumbling from within. 

It was an almost unthinkable sight: the home to works by Leonardo da Vinci and millennia of civilization’s greatest treasures, paralyzed by the very people tasked with welcoming the world to its galleries. 

Thousands of stranded and confused visitors, tickets in hand, were corralled into unmoving lines beneath I.M. Pei's glass pyramid. 

"It’s the Mona Lisa moan out here," said Kevin Ward, 62, from Milwaukee. "Thousands of people waiting, no communication, no explanation. I guess even she needs a day off." 

The Louvre has become a bellwether of global overtourism, overwhelmed by its own popularity. As tourism magnets from Venice to the Acropolis scramble to cap crowds, the world’s most iconic museum is reaching a reckoning of its own. 

The spontaneous strike erupted during a routine internal meeting, as gallery attendants, ticket agents and security personnel refused to take up their posts in protest over unmanageable crowds, chronic understaffing and what one union called "untenable" working conditions. 

It’s rare for the Louvre to close its doors. It has happened during war, during the pandemic, and in a handful of strikes, including spontaneous walkouts over overcrowding in 2019 and safety fears in 2013. But seldom has it happened so suddenly, without warning, and in full view of the crowds. 

What's more, the disruption comes just months after President Emmanuel Macron unveiled a sweeping decade-long plan to rescue the Louvre from precisely the problems now boiling over - water leaks, dangerous temperature swings, outdated infrastructure, and foot traffic far beyond what the museum can handle. 

But for workers on the ground, that promised future feels distant. 

"We can’t wait six years for help," said Sarah Sefian of the CGT-Culture union. "Our teams are under pressure now. It’s not just about the art; it’s about the people protecting it." 

The Mona Lisa’s daily mob  

At the center of it all is the Mona Lisa, a 16th-century portrait that draws modern-day crowds more akin to a celebrity meet-and-greet than an art experience. 

Roughly 20,000 people a day squeeze into the Salle des États, the museum’s largest room, just to snap a selfie with Leonardo da Vinci’s enigmatic woman behind protective glass. The scene is often noisy, jostling, and so dense that many barely glance at the masterpieces flanking her. Works by Titian and Veronese that go largely ignored. 

"You don’t see a painting," said Ji-Hyun Park, 28, who flew from Seoul to Paris. "You see phones. You see elbows. You feel heat. And then, you’re pushed out." 

Macron’s renovation blueprint, dubbed the "Louvre New Renaissance," promises a remedy. The Mona Lisa will finally get her own dedicated room, accessible through a timed-entry ticket. A new entrance near the Seine River is also planned by 2031 to relieve pressure from the overwhelmed pyramid hub. 

"Conditions of display, explanation and presentation will be up to what the Mona Lisa deserves," Macron said in January. 

But Louvre workers call Macron hypocritical and say the €700–800 million renovation plan masks a deeper crisis. While Macron is investing in new entrances and exhibition space, the Louvre’s annual operating subsidies from the French state have shrunk by more than 20% over the past decade, even as visitor numbers soared. 

"We take it very badly that Monsieur Le President makes his speeches here in our museum," Sefian said, "but when you scratch the surface, the financial investment of the state is getting worse with each passing year." 

While many striking staff plan to remain off duty all day, Sefian said some workers may return temporarily to open a limited "masterpiece route" for a couple of hours, allowing access to select highlights including the Mona Lisa and the Venus de Milo. The full museum might reopen as normal on Wednesday, and some tourists with time-sensitive tickets for Monday may be allowed to reuse them then. On Tuesday the Louvre is closed. 

A museum in limbo  

The Louvre welcomed 8.7 million visitors last year, more than double what its infrastructure was designed to accommodate. Even with a daily cap of 30,000, staff say the experience has become a daily test of endurance, with too few rest areas, limited bathrooms, and summer heat magnified by the pyramid’s greenhouse effect. 

In a leaked memo, Louvre President Laurence des Cars warned that parts of the building are "no longer watertight," that temperature fluctuations endanger priceless art, and that even basic visitor needs, such as food, restrooms, signage, fall far below international standards. She described the experience simply as "a physical ordeal." 

"What began as a scheduled monthly information session turned into a mass expression of exasperation," Sefian said. Talks between workers and management began at 10:30 a.m. and continued into the afternoon. 

The full renovation plan is expected to be financed through ticket revenue, private donations, state funds, and licensing fees from the Louvre’s Abu Dhabi branch. Ticket prices for non-EU tourists are expected to rise later this year. 

But workers say their needs are more urgent than any 10-year plan. 

Unlike other major sites in Paris, such as Notre Dame cathedral or the Centre Pompidou museum, both of which are undergoing government-backed restorations, the Louvre remains stuck in limbo — neither fully funded nor fully functional. 

President Macron, who delivered his 2017 election victory speech at the Louvre and showcased it during the 2024 Paris Olympics, has promised a safer, more modern museum by the end of the decade. 

Until then, France’s greatest cultural treasure and the millions who flock to see it remain caught between the cracks. 



Thieves Steal Paintings by Renoir, Cézanne and Matisse from Italian Private Museum

A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)
A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)
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Thieves Steal Paintings by Renoir, Cézanne and Matisse from Italian Private Museum

A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)
A visitor looks at works by Auguste Renoir during the press review of the exhibition 'Renoir the draughtsman at 'the Orsay museum, Monday, March 16, 2026, in Paris, France. (AP Photo/Emma Da Silva)

Thieves made off with three paintings by Renoir, Cézanne and Matisse worth millions of euros (dollars) from a museum near the city of Parma in northern Italy, police said on Monday.

The heist took place on the night of March 22-23, with thieves forcing open the entrance door, The Associated Press quoted police as saying.

The three stolen paintings are “Fish” by Auguste Renoir, “Still Life with Cherries” by Paul Cézanne, and “Odalisque on the Terrace” by Henri Matisse.

The Magnani Rocca Foundation, a private museum, lies in the heart of the countryside 20 kilometers (12 miles) from Parma.

Local media reported that the thieves were able to nab the paintings in less than three minutes and escape across the museum gardens.

Established in 1977, the foundation hosts the collection of the art historian Luigi Magnani and also includes works by Dürer, Rubens, Van Dyck, Goya and Monet.

The museum believes a structured and organized gang was responsible for the theft, which was interrupted by the alarm, local media reported.

The museum didn't post any statement about the theft on its website and wasn't reachable for a comment, as it is closed on Monday.

The crime in Parma comes after a series of high-profile heists at major European museums, including a major incident in October where thieves stole jewels and other items worth 88 million euros ($101 million) from the Louvre in Paris.


Iran Says US, Israeli Strikes Damage 120 Museums, Historic Buildings

 First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)
First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)
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Iran Says US, Israeli Strikes Damage 120 Museums, Historic Buildings

 First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)
First responders inspect a residential building hit in an earlier US-Israeli strike in Tehran, Friday, March 27, 2026. (AP)

US and Israeli strikes on Iran have damaged at least 120 culturally or historically significant sites across the country since the start of the war, the head of Tehran city council's heritage committee said.

"At least 120 museums, historical buildings and cultural sites across various provinces were directly targeted and sustained serious structural damage," said Ahmad Alavi.

He was quoted by state TV as naming UNESCO-listed Golestan Palace -- sometimes likened to Versailles -- as well as Tehran's Marble Palace, Teymourtash house and Saadabad Palace.

One of the capital's most visited sites, the Saadabad Palace complex includes an extensive park and museums dedicated to Iranian history.

In addition to the cultural institutions, it also houses the residences of the Iranian president and governor of Tehran province, with judicial and Revolutionary Guards facilities located nearby.

The United States and Israel launched their campaign against Iran on February 28, killing its supreme leader and setting off a war that has since embroiled practically all of the Middle East.

Iran, whose history spans several millennia, possesses significant cultural heritage that has largely been spared from mass tourism.

According to the UN, at least four of the country's 29 UNESCO-listed sites have been damaged in the war: Golestan Palace, Chehel Sotoun Palace in Isfahan, the Masjed-e Jame mosque in the same city, and the prehistoric sites of the Khorramabad Valley.


Saudi Culture Ministry Launches UK-KSA Arabian Peninsula Cultural Research Fellowships

The Saudi flag. Asharq Al-Awsat
The Saudi flag. Asharq Al-Awsat
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Saudi Culture Ministry Launches UK-KSA Arabian Peninsula Cultural Research Fellowships

The Saudi flag. Asharq Al-Awsat
The Saudi flag. Asharq Al-Awsat

The Ministry of Culture has launched the UK-KSA Arabian Peninsula Cultural Research Fellowships in partnership with Effat University and the National Archives of the United Kingdom, to support archival-based research, advance cultural inquiry on the Arabian Peninsula, and strengthen collaboration between researchers and institutions in Saudi Arabia and the United Kingdom.

The program includes a 10-week research residency at the National Archives of the United Kingdom, where participants receive hands-on training in archival methods and gain access to a wide range of archival collections and cultural institutions across the UK. It supports diverse areas of cultural research related to the Arabian Peninsula.

This initiative aligns with the Ministry of Culture’s strategic vision for advancing cultural research, reflecting its commitment to fostering both local and international collaboration and promoting meaningful cultural exchange.

The fellowship is open to researchers and cultural heritage specialists capable of conducting independent research in English, regardless of their professional level.