‘I’m Still Here’: Joan Chen Plays Thwarted Immigrant Mom in ‘Didi'

Chinese-American actress Joan Chen poses during a photocall for Chinese director Jia Zhang Ke's film '24 City' at the 61st Cannes International Film Festival on May 17, 2008 in Cannes, southern France. (AFP)
Chinese-American actress Joan Chen poses during a photocall for Chinese director Jia Zhang Ke's film '24 City' at the 61st Cannes International Film Festival on May 17, 2008 in Cannes, southern France. (AFP)
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‘I’m Still Here’: Joan Chen Plays Thwarted Immigrant Mom in ‘Didi'

Chinese-American actress Joan Chen poses during a photocall for Chinese director Jia Zhang Ke's film '24 City' at the 61st Cannes International Film Festival on May 17, 2008 in Cannes, southern France. (AFP)
Chinese-American actress Joan Chen poses during a photocall for Chinese director Jia Zhang Ke's film '24 City' at the 61st Cannes International Film Festival on May 17, 2008 in Cannes, southern France. (AFP)

Long before Joan Chen charmed Western audiences with seductive turns in "The Last Emperor" and "Twin Peaks" she was a child star in China, hand-picked for her debut movie role by Mao Zedong's wife.

That remarkable personal journey, from Red Army propaganda movies to glamorous Hollywood roles directed by Bernardo Bertolucci and David Lynch, could not appear more different to Chen's character in new coming-of-age film "Didi."

Chen plays Chungsing, a Taiwanese single mom and frustrated artist in California, whose 13-year-old is too busy trying to impress his skater friends and navigate adolescent crushes to be nice to his family.

Yet the role -- which is already earning Oscars buzz -- "poured out of me, because that's the life I've lived," Chen told AFP.

"I am, like Chungsing, an immigrant mother, who raised two American children -- with such an intimate, loving relationship, but also fraught with cultural chasm, misunderstanding, unmet expectations," she said.

It all started for Chen, aged 14, when she was spotted by a film director who worked for Chairman Mao's wife Jiang Qing.

"The director picked me out of school, then sent my dossier and my pictures for her to approve," recalls Chen.

"I was so happy that I happened to be the type that they needed. It wasn't my dream. I never thought about it, when they picked me to be an actress. And then slowly, I learned to love it."

She quickly became a beloved movie star in 1970s China -- a job that spared her from being sent to work in rural provinces during the devastating Cultural Revolution.

Chen moved to the US at age 20, studying film but skeptical about her prospects as an Asian woman in Hollywood.

She landed a lead role in Bertolucci's "The Last Emperor," as the wife of China's final dynastic ruler. The film won nine Oscars, including best picture.

Yet Chen, now 63, recalls: "Back then, there just weren't any Asian filmmakers or scriptwriters who could create a part for me."

"I could have been this ingenue, this breakout new lead (actress)... So that was a shame. Nothing could really follow up."

- 'Still here' -

In "Didi," out in theaters on August 16, Chen's character is a talented artist who had to forsake her ambitions for her family, in their new country.

Chungsing is stoic, quietly bearing her disappointment while devoting herself to her frequently oblivious, Americanized children.

Unlike her character, Chen continued to work prolifically through parenthood, acting and directing in both the US and Asian film industries.

Chen's part as femme fatale Josie Packard in "Twin Peaks" remains popular with fans of the cult TV series to this day.

But her Western roles have failed to match the success of her early career.

And she still reflects on the "night and day" difference between her daughters' experience growing up in the West, and her own arrival in the United States as an immigrant, with "that uncertainty of the ground you're standing on."

"The pains and joys we see in the film is a lived experience for myself as well," said Chen.

With "Didi" winning awards at the Sundance film festival, there are hints of a late-career comeback. Chen and director Sean Wang are earning mentions as dark horses for the next Academy Awards.

"I am so thrilled that young filmmakers like Sean exist... when there are enough scriptwriters, directors, then you create more parts for people who look like them," she said.

"It's wonderful. And I'm so happy that I'm still here."



Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
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Taylor Swift Bags Best-selling Artist of 2025 Award

FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo
FILE PHOTO: Taylor Swift poses at the red carpet during the 67th Annual Grammy Awards in Los Angeles, California, US, February 2, 2025. REUTERS/Daniel Cole/File Photo

US pop star Taylor Swift was crowned the biggest-selling global artist of 2025, industry body IFPI announced Wednesday, the fourth consecutive year and sixth time she has claimed its annual prize.

The 36-year-old's success was turbo-charged by the October release of her latest album, "The Life of a Showgirl", which set several streaming records, as well as the release of a docuseries about her record-breaking The Eras tour.

"2025 was another landmark year (for Swift), driven by exceptional worldwide engagement across streaming, physical and digital formats with the release of her 12th album ... and the documentary of her tour," IFPI said.

The body, which represents the recorded music industry worldwide, noted Swift had now won its top annual artist prize as many times as all other artists combined over the past 10 years, AFP.

IFPI hands out the Global Artist of the Year Award after calculating an artist's or group's worldwide sales across streaming, downloads and physical music formats during the calendar year and covers their entire body of work.

Swift beat out Korean group Stray Kids, which came in second -- its highest-ever ranking and the third consecutive year in the global top five.

Fresh from his Super Bowl halftime show, Puerto Rican artist Bad Bunny placed fifth in the rankings, his sixth consecutive year in the chart.

American rapper Tyler, The Creator marked his first appearance on the chart, in 12th place, with IFPI noting he had "continued to generate strong vinyl sales across his catalogue".

Meanwhile Japanese rock band Mrs. Green Apple entered the rankings for the first time one place below him, following what IFPI called "the success of their anniversary album '10'".


Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
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Berlin Film Festival Rejects Accusation of Censorship on Gaza

Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)
Berlinale Festival Director Tricia Tuttle speaks during the Berlinale Camera award ceremony honoring British composer Max Richter during the 76th Berlin International Film Festival, in Berlin, Germany, 18 February 2026. (EPA)

The director of the Berlin Film Festival on Wednesday rejected accusations from more than 80 film industry figures that the festival had helped censor artists who oppose Israel's actions in Gaza.

In an open letter published on Tuesday, Oscar-winning actors Javier Bardem and Tilda Swinton were among dozens who criticized the Berlinale's "silence" on the issue and said they were "dismayed" at its "involvement in censoring artists who oppose Israel's ongoing genocide against Palestinians in Gaza".

In an interview with Screen Daily, the Berlinale's director, Tricia Tuttle, said the festival backs "free speech within the bounds of German law".

She said she recognized that the letter came from "the depth of anger and frustration about the suffering of people in Gaza".

However, she rejected accusations of censorship, saying that the letter contained "misinformation" and "inaccurate claims about the Berlinale" made without evidence or anonymously.

The row over Gaza has dogged this year's edition of the festival since jury president Wim Wenders answered a question on the conflict by saying: "We cannot really enter the field of politics."

The comments prompted award-winning novelist Arundhati Roy, who had been due to present a restored version of a film she wrote, to withdraw from the festival.

Tuttle said the festival represents "lots of people who have different views, including lots of people who live in Germany who want a more complex understanding of Israel's positionality than maybe the rest of the world has right now".

German politicians have been largely supportive of Israel as Germany seeks to atone for the legacy of the Holocaust.

However, German public opinion has been more critical of Israeli actions in Gaza.

Commenting on the row to the Welt TV channel, German Culture Minister Wolfram Weimer defended Wenders and Tuttle from criticism, saying they were running the festival "in a very balanced way, very sensitively".

"Artists should not be told what to do when it comes to politics. The Berlinale is not an NGO with a camera and directors," Weimer said.

Gaza has frequently been a topic of controversy at the Berlinale in recent years.

In 2024, the festival's documentary award went to "No Other Land", which follows the dispossession of Palestinian communities in the Israeli-occupied West Bank.

German government officials criticized "one-sided" remarks about Gaza by the directors of that film and others at that year's awards ceremony.


Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
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Over 80 Berlin Film Festival Alumni Sign Open Letter Urging Organizers to Take Stance on Gaza 

12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)
12 February 2026, Berlin: President of the Berlinale jury Wim Wenders waves to the audience on the opening night of the 76th Berlin International Film Festival, before the premiere of the opening film "No Good Men" at the Berlinale Palast. (dpa)

More than 80 actors, directors and other ‌artists who have taken part in the Berlin Film Festival, including Tilda Swinton and Javier Bardem, signed an open letter to the organizers published on Tuesday calling for them to take a clear stance on Israel's war in Gaza.

"We call on the Berlinale to fulfil its moral duty and clearly state its opposition to Israel's genocide, crimes against humanity and war crimes against Palestinians," said the open letter, which was published in full in entertainment industry magazine Variety.

Multiple human rights experts, scholars and a UN inquiry say Israel's assault on Gaza amounts to genocide. Israel calls its actions self-defense after Hamas' October 2023 attack on Israel.

"We are appalled by Berlinale's institutional silence," ‌said the letter, which ‌was also signed by actors Adam McKay, Alia Shawkat and ‌Brian ⁠Cox, and director ⁠Mike Leigh.

It said organizers had not met demands to issue a statement affirming Palestinians' right to life and committing to uphold artists' right to speak out on the issue.

"This is the least it can - and should - do," the letter said.

The festival did not immediately respond to an emailed request for comment.

THE MOST POLITICAL FESTIVAL

The Berlin Film Festival is considered the most political of its peers, Venice and Cannes, and ⁠prides itself on showing cinema from under-represented communities and young ‌talent. However, it has been repeatedly criticized by pro-Palestinian activists ‌for not taking a stand on Gaza, in contrast to the war in Ukraine ‌and the situation in Iran.

Calls have also previously been made for the ‌entertainment industry to take a stance on Gaza.

Last year, over 5,000 actors, entertainers, and producers, including some Hollywood stars, signed a pledge to not work with Israeli film institutions that they saw as being complicit in the abuse of Palestinians by Israel.

Paramount studio later condemned that ‌pledge and said it did not agree with such efforts.

ROY PULLS OUT

Tuesday's letter also condemned statements by this year's ⁠jury president, German director ⁠Wim Wenders, that filmmakers should stay out of politics, writing: "You cannot separate one from the other."

Wenders' comments prompted Indian novelist Arundhati Roy, winner of the Booker Prize in 1997 for her novel "The God of Small Things", to pull out of the festival earlier this week.

Roy, who had been due to present "In Which Annie Gives It Those Ones", a 1989 film which she wrote, in the Berlinale's Classics section, characterized Wenders' comments as "unconscionable."

In response, festival director Tricia Tuttle issued a note on Saturday defending artists' decision not to comment on political issues.

"People have called for free speech at the Berlinale. Free speech is happening at the Berlinale," she said.

"But increasingly, filmmakers are expected to answer any question put to them," she wrote, and are criticized if they do not answer, or answer "and we do not like what they say."