In Show Stretched over 50 Years, Slovenian Director Shoots for Space

The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP
The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP
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In Show Stretched over 50 Years, Slovenian Director Shoots for Space

The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP
The first performance took place in 1995, and the last one will be in 2045. Jure Makovec / AFP

In an innovative show directed by Slovenian artist and space enthusiast Dragan Zivadinov, a crew of actors is putting on the same play once a decade over 50 years.

And if they die before the half-century run of performances ends? They are replaced by satellite-like devices that the director says will eventually be launched into space.

"If you ask me who will be the audience of these emancipated, auto-poetic devices -- it will be the Sun!" Zivadinov, 65, told AFP after the latest staging in the remote Slovenian town of Vitanje last month.

The first performance in the series took place on April 20, 1995, in the capital Ljubljana; the second was in Star City, a town outside Moscow that has prepared generations of Soviet and Russian cosmonauts. And the last one will be in 2045.

This time, 12 actors, most of them in their sixties, took part, wearing futuristic monochrome coveralls and dancing along a spaceship-like cross-shaped stage made of monitors.

Two so-called "umbots" -- artistic satellite-like devices emitting sounds -- replaced actors who have died since 1995.

'Makes you think'

Hundreds turned up to watch the play, "Love and Sovereignty", a tragedy set in the early 17th century by Croatian playwright Vladimir Stojsavljevic. It deals with power and art and features English playwright William Shakespeare as a character.

"It is an interesting experience, makes you think," Eneja Stemberger, who studies acting in Ljubljana, told AFP after watching the packed show.

Tickets offered for free online quickly ran out, but the organizers allowed even those who came without tickets to watch the show, standing or sitting on the floor.

German art consultant Darius Bork told AFP that he had already seen the play 10 years ago, describing Zivadinov's work as "absolutely fantastic".

Zivadinov became internationally recognized in the 1980s as one of the founders of Slovenia's avant-garde movement Neue Slowenische Kunst (New Slovenian Art), which criticized totalitarian regimes in then-Communist Yugoslavia.

At the end of the century, Zivadinov turned to develop "post-gravity art".

He also helped set up a space research center in Vitanje, named after the early space travel theorist Herman Potocnik, who went by the pseudonym of Noordung and whose work inspired Stanley Kubrick's film "2001: A Space Odyssey".

The Center Noordung hosted this year's and the 2015 performance.

The "Noordung: 1995-2025-2045" project's final performance will feature only "umbots" and so be "liberated from human influence", Zivadinov said.

At the end of the project, the "umbots" -- containing digitalized information, including the actors' DNA -- will be propelled into space to "culturize" it, he added, without detailing how he would do that.

"They will all be launched simultaneously, each one into a different direction, deep into space," he said.



Film ‘One in a Million’ Follows Young Syrian Refugee’s Journey Over 10 Years

(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)
(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)
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Film ‘One in a Million’ Follows Young Syrian Refugee’s Journey Over 10 Years

(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)
(L-R) Israa, Itab Azzam and Jack MacInnes attend the "One In A Million" Premiere during the 2026 Sundance Film Festival at the Yarrow Theater in Park City, Utah, US, Jan. 23, 2026. (AFP)

Israa was 11 years ‌old and selling cigarettes with her father on a street corner in Türkiye when filmmakers Jack MacInnes and Itab Azzam met the Syrian refugee in 2015.

They were charmed by the bubbly young girl and wanted to tell her story as her family, who had fled war-ravaged Aleppo, journeyed across eight countries to settle in Germany.

"We were with them the whole time ... we slept with them ... in the street, in the rain. We were, like, in freezing conditions in Serbia and Croatia ... And ‌by the time ‌we arrived in Germany, it was like ‌we ⁠became like a ⁠family and we really bonded," Azzam told Reuters.

That was when the idea came about for "One in a Million," the couple's documentary filmed over 10 years following Israa to adulthood.

The intimate coming-of-age story shows Israa and her family crossing borders and adapting in Germany, where new-found freedoms jar with old traditions.

Viewers follow Israa ⁠into adolescence, marriage and motherhood as she seeks ‌to find herself amid fracturing ‌shifts at home. A married Israa eventually returns to visit Syria with her ‌husband after the 2024 overthrow of Bashar al-Assad.

“Migration ...(has) become ‌such a sort of political football that has so much to do with the way we feel about each other and the way we feel about our own country and has so little ‌to do with what it's actually like to be a refugee," MacInnes said.

"And what we ⁠hope is ⁠that you can watch this film and walk for an hour and a half in a refugee's shoes and understand the complexity of it."

"One in a Million", which opens in UK cinemas on Friday, premiered at January's Sundance Film Festival where it won the Audience Award.

“We... brought Israa out as a surprise, and the place just went wild," MacInnes said.

"It was so emotional for us to see this girl... who we'd met 11 years previously ... selling cigarettes on a street corner, being beaten up by police, no one gave a damn about her. And ... suddenly here she is getting her moment."


Dolly Parton’s Manager Drops Lawsuit Against Nephew

Dolly Parton. (Getty Images)
Dolly Parton. (Getty Images)
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Dolly Parton’s Manager Drops Lawsuit Against Nephew

Dolly Parton. (Getty Images)
Dolly Parton. (Getty Images)

The manager of US country music legend Dolly Parton dropped a civil lawsuit against the singer's nephew on Thursday, US media reported, after a row enveloped the late musician's estate.

The lawsuit filed in September by Parton's longtime manager Danny Nozell accused her nephew, Bryan Seaver, of attempting to extort money from the estate, which includes an amusement park, a hotel and a soon-to-be-opened museum.

Seaver, who broke the news of the singer's death at age 80 in an emotional video in August, had provided security for Parton for years but was abruptly fired, according to TMZ.

Court filings alleged that Seaver sent threats including a text message warning he would become "the hand of retribution for my entire family," The New York Times reported.

A judge had issued a temporary restraining order against Seaver as part of the proceedings, which were voluntarily dismissed Thursday in a Nashville court, multiple US media said.

Parton rose from grinding poverty to become a rhinestone-studded legend with hits like "Jolene" and "I Will Always Love You."

She also starred in multiple films and donated millions of dollars to charities as she built a vast business empire that includes her popular Dollywood theme park in Tennessee, cosmetics, pet apparel, baking mixes and even a truck stop.


South Korean TV Drama Industry Seeks $746 Million in Support as Output Declines

Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
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South Korean TV Drama Industry Seeks $746 Million in Support as Output Declines

Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)
Shin Mina as Empress Navier in Disney+/Hulu's new K-drama “The Remarried Empress”. (Disney+/Hulu)

Twelve South Korean industry groups warned on Wednesday that the country's television drama production base was at risk and called on the government to set up a 1 trillion won ($746 million) investment fund to support production of Korean dramas, known as K-dramas.

K-dramas have been hugely popular globally, ‌but the number produced ‌has fallen from 141 titles in 2022 ‌to ⁠about 115 in 2025, ⁠according to research by Korea IR Service.

Three domestic broadcast networks cut drama output from 91 titles in 2012 to 32 in 2023, and some channels have stopped airing weekday dramas altogether, the groups said.

Such an environment makes it difficult for "a new writer's second work, a supporting actor's first lead role and an assistant ⁠crew member's directing debut", said Song Byeong-joon, chairman ‌of the Korea Drama Production Association.

The ‌groups, which represent industry workers including TV drama producers, directors, writers, ‌actors, cinematographers and crew, attributed the decline in long-form drama production to ‌rising production costs, which they linked to competition with global streaming platforms such as Netflix, and broadcasters' reduced capacity to invest.

They also cited competition from short-form content and AI for audiences and production.

Pay for top-billed ‌stars was the main driver of production costs, Korea IR Service said in a 2025 report, ⁠with pay ⁠climbing as streaming services competed for audience-drawing talent.

Kim Yong-hee, a professor of business administration at Sun Moon University, said the difficulties the groups cited largely reflected the decline of terrestrial broadcasting rather than the sector as a whole.

Official data showed employment across the content industry edged up to 693,090 in 2025 from 688,122 a year earlier, according to the Korea Creative Content Agency.

Broadcasting employment, however, fell 2.3% in 2024, according to a government survey.

A Netflix Korea spokesperson was reached but did not have an immediate comment.

Netflix launched in South Korea in 2016 and in 2023 pledged to invest $2.5 billion in the market over four years.