Walt Disney Earnings Beat Market Estimates; Profit Slips at Parks

The entrance to Walt Disney studios is seen in Burbank, California, US August 6, 2018. REUTERS/Lucy Nicholson/File Photo Purchase Licensing Rights
The entrance to Walt Disney studios is seen in Burbank, California, US August 6, 2018. REUTERS/Lucy Nicholson/File Photo Purchase Licensing Rights
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Walt Disney Earnings Beat Market Estimates; Profit Slips at Parks

The entrance to Walt Disney studios is seen in Burbank, California, US August 6, 2018. REUTERS/Lucy Nicholson/File Photo Purchase Licensing Rights
The entrance to Walt Disney studios is seen in Burbank, California, US August 6, 2018. REUTERS/Lucy Nicholson/File Photo Purchase Licensing Rights

Walt Disney reported on Wednesday quarterly earnings that exceeded Wall Street expectations, buoyed by the success of animated Pixar film "Inside Out 2", which helped overcome a profit decline at theme parks.

April-June operating income nearly tripled at its Entertainment unit, with the combined streaming businesses of Disney+, Hulu and ESPN+ posting a profit for the first time, Reuters reported.

But the company's shares slipped 0.8% before the bell as its experiences segment that includes parks and consumer products - and makes up just over half of profit - recorded an operating income drop of 3%. Disney said "moderation" of demand at its US parks could continue through the next few quarters.

Operating income for the unit is likely to fall by "mid single digits" in the July-September quarter compared with the same period a year prior, Disney said.

Adjusted earnings-per-share reached $1.39 for Disney's fiscal third quarter, topping analyst estimates of $1.19, LSEG data showed. Revenue rose 4% to $23.2 billion, beating forecasts of $23.1 billion.

Chief Executive Bob Iger touted success in the entertainment division, where Disney's combined streaming businesses turned a profit a quarter ahead of its projections.

"We are confident in our ability to continue driving earnings growth through our collection of unique and powerful assets," Iger said in a statement.

Iger is working to rebuild Disney after billions of dollars in loss from streaming efforts, the decline of traditional television and a rough patch for its storied film studio.

The movie studio is showing signs of resurgence.

"Inside Out 2" notched $1.6 billion in global ticket sales and "Deadpool & Wolverine," which debuted in the current quarter, has brought in more than $850 million.

"After several years of misfires and muted successes, Disney has now in the span of a month and a half released the highest grossing animated film of all time and achieved the largest ever opening for an R-Rated film," MoffettNathanson media analyst Robert Fishman wrote ahead of Disney's earnings release.

While it remains to be seen whether those successes represent a return to form, Fishman said, the upcoming film slate is "filled with highly dependable" titles including "Moana 2" and Oscar-winning director Barry Jenkins' "Mufasa: The Lion King."

The Entertainment division, which includes the film, television and streaming businesses, reported operating income of $1.2 billion in the quarter.

The Disney+, Hulu and ESPN+ streaming services produced operating profit of $47 million.

At the Sports unit, which includes the ESPN network and Star India business, operating income reached $802 million, a 6% decline from the previous year as costs to air cricket matches increased.

The experiences unit reported operating income of $2.2 billion. Demand slid at domestic parks, cruise ships, consumer products and some international parks "delivered improved results," Disney said.

Ben Barringer, technology and media analyst at Quilter Cheviot, said the parks results "pour fuel onto the fire" of concern about a slowing US economy.

"Coupled with other travel companies recognizing poor growth, it is clear people are scaling back their spend when it comes to tourism and recreation," Barringer said. "Some of this is due to Disneyland Paris struggling due to the Olympics being in town, as well as China going through its own economic problems, but the guide is not a positive one and thus we should expect further struggles through the rest of the year."



New York Film Festival Sets Main Slate with Movies by Pedro Almodovar, Sean Baker and Mati Diop

Pedro Almodovar. (AFP/Getty Images)
Pedro Almodovar. (AFP/Getty Images)
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New York Film Festival Sets Main Slate with Movies by Pedro Almodovar, Sean Baker and Mati Diop

Pedro Almodovar. (AFP/Getty Images)
Pedro Almodovar. (AFP/Getty Images)

The New York Film Festival on Tuesday unveiled the main slate for its 62nd edition, with selections including Sean Baker's Palme d'Or-winning "Anora," Pedro Almodovar's "The Room Next Door" and Mati Diop's "Dahomey."

Thirty-three features will make up the central lineup of the annual festival presented by Film at Lincoln Center. The main slate is particularly international this year, with films hailing from 24 countries, and including 19 directors making their debut in the festival's most prestigious section.

The festival, as previously announced, will kick off Sept. 27 with RaMell Ross' "Nickel Boys," an adaptation of Colson Whitehead’s Pulitzer Prize-winning 2019 novel. Almodovar, making his 15th appearance in New York's main slate, will present "The Room Next Door," starring Julianne Moore and Tilda Swinton, as the festival centerpiece. Steve McQueen's "Blitz," about the bombing of London in World War II, will be the closing night film.

A number of prize-winners from May's Cannes Film Festival will be making their US or North American premieres. Along with "Anora," that includes "Grand Tour," by Miguel Gomes, winner of Cannes' best director; Payal Kapadia's "All We Imagine as Light," winner of the Grand Prix; Rungano Nyoni's "On Becoming a Guinea Fowl," a standout from Un Certain Regard; and "The Seed of the Sacred Fig," from the dissident Iranian filmmaker Mohammad Rasoulof, who fled his home country to unveil his film.

"The festival’s ambition is to reflect the state of cinema in a given year, which often means also reflecting the state of the world," said Dennis Lim, the festival's artistic director, in a statement.

"The most notable thing about the films in the main slate — and in the other sections that we will announce in the coming weeks — is the degree to which they emphasize cinema’s relationship to reality. They are reminders that, in the hands of its most vital practitioners, film has the capacity to reckon with, intervene in, and reimagine the world."

Also are tap are Paul Schrader's "Oh, Canada," with Richard Gere and Jacob Elordi, Chinese filmmaker Jia Zhangke's "Caught by the Tides" and David Cronenberg's "The Shrouds," as well as a pair of highlights from Cannes sidebars: Roberto Minervini's American Civil War drama "The Damned" and Carson Lund's baseball elegy "Eephus."

Also coming to New York: Mike Leigh's "Hard Truths," Brady Corbet's "The Brutalist," starring Adrien Brody as an architect and Holocaust survivor, and the world premiere of Julia Loktev’s "My Undesirable Friends: Part I — Last Air in Moscow," a documentary about independent journalism in Putin’s Russia.

Two filmmakers have a pair of films in the main slate. Both "By the Stream" and "A Traveler's Needs" from the South Korean director Hong Sangsoo will debut at the festival, while the Chinese documentarian Wang Bing will present the second and third entries in his "Youth" trilogy: "Youth (Hard Times") and "Youth ("Homecoming").

The New York Film Festival, running Sept. 27 to Oct. 14, takes place at Lincoln Center and a handful of other venues around the city.