Walt Disney Earnings Beat Market Estimates; Profit Slips at Parks

The entrance to Walt Disney studios is seen in Burbank, California, US August 6, 2018. REUTERS/Lucy Nicholson/File Photo Purchase Licensing Rights
The entrance to Walt Disney studios is seen in Burbank, California, US August 6, 2018. REUTERS/Lucy Nicholson/File Photo Purchase Licensing Rights
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Walt Disney Earnings Beat Market Estimates; Profit Slips at Parks

The entrance to Walt Disney studios is seen in Burbank, California, US August 6, 2018. REUTERS/Lucy Nicholson/File Photo Purchase Licensing Rights
The entrance to Walt Disney studios is seen in Burbank, California, US August 6, 2018. REUTERS/Lucy Nicholson/File Photo Purchase Licensing Rights

Walt Disney reported on Wednesday quarterly earnings that exceeded Wall Street expectations, buoyed by the success of animated Pixar film "Inside Out 2", which helped overcome a profit decline at theme parks.

April-June operating income nearly tripled at its Entertainment unit, with the combined streaming businesses of Disney+, Hulu and ESPN+ posting a profit for the first time, Reuters reported.

But the company's shares slipped 0.8% before the bell as its experiences segment that includes parks and consumer products - and makes up just over half of profit - recorded an operating income drop of 3%. Disney said "moderation" of demand at its US parks could continue through the next few quarters.

Operating income for the unit is likely to fall by "mid single digits" in the July-September quarter compared with the same period a year prior, Disney said.

Adjusted earnings-per-share reached $1.39 for Disney's fiscal third quarter, topping analyst estimates of $1.19, LSEG data showed. Revenue rose 4% to $23.2 billion, beating forecasts of $23.1 billion.

Chief Executive Bob Iger touted success in the entertainment division, where Disney's combined streaming businesses turned a profit a quarter ahead of its projections.

"We are confident in our ability to continue driving earnings growth through our collection of unique and powerful assets," Iger said in a statement.

Iger is working to rebuild Disney after billions of dollars in loss from streaming efforts, the decline of traditional television and a rough patch for its storied film studio.

The movie studio is showing signs of resurgence.

"Inside Out 2" notched $1.6 billion in global ticket sales and "Deadpool & Wolverine," which debuted in the current quarter, has brought in more than $850 million.

"After several years of misfires and muted successes, Disney has now in the span of a month and a half released the highest grossing animated film of all time and achieved the largest ever opening for an R-Rated film," MoffettNathanson media analyst Robert Fishman wrote ahead of Disney's earnings release.

While it remains to be seen whether those successes represent a return to form, Fishman said, the upcoming film slate is "filled with highly dependable" titles including "Moana 2" and Oscar-winning director Barry Jenkins' "Mufasa: The Lion King."

The Entertainment division, which includes the film, television and streaming businesses, reported operating income of $1.2 billion in the quarter.

The Disney+, Hulu and ESPN+ streaming services produced operating profit of $47 million.

At the Sports unit, which includes the ESPN network and Star India business, operating income reached $802 million, a 6% decline from the previous year as costs to air cricket matches increased.

The experiences unit reported operating income of $2.2 billion. Demand slid at domestic parks, cruise ships, consumer products and some international parks "delivered improved results," Disney said.

Ben Barringer, technology and media analyst at Quilter Cheviot, said the parks results "pour fuel onto the fire" of concern about a slowing US economy.

"Coupled with other travel companies recognizing poor growth, it is clear people are scaling back their spend when it comes to tourism and recreation," Barringer said. "Some of this is due to Disneyland Paris struggling due to the Olympics being in town, as well as China going through its own economic problems, but the guide is not a positive one and thus we should expect further struggles through the rest of the year."



Raspy-voiced Hit Machine Rod Stewart Turns 80

Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
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Raspy-voiced Hit Machine Rod Stewart Turns 80

Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File
Singer Rod Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s. Kirsty Wigglesworth / POOL/AFP/File

Singer Rod Stewart, who helped British rock conquer the world with a string of megahits, turns 80 on Friday -- with no plans to slow down.
Stewart, with his distinctive spiky blond hair and raspy voice, dominated pop charts during the 1970s and 1980s with hits like "Da Ya Think I'm Sexy?" and "Young Turks", notching up more than 250 million record sales worldwide.
He also made headlines for a prolific love life that included relationships with a string of models and actresses including Britt Ekland.
Despite his landmark birthday, Stewart says he has no plans to retire.
"I love what I do, and I do what I love. I'm fit, have a full head of hair and can run 100 meters (330 feet) in 18 seconds at the jolly old age of 79," he wrote last year.
The star will play the legends slot at the famed Glastonbury music festival this summer.
Although his forthcoming European and North American tour dates will be his last large-scale project, he has said he plans to concentrate on more intimate venues in the future.
He will headline a new residency in Las Vegas from March to June.
A tour is also slated for 2026 for Swing Fever, the album he released last year with pianist and ex-Squeeze band member Jools Holland.
As he has approached his ninth decade, Stewart has also made headlines for quirkier reasons such as his passion for model railways and his battle with potholes that have prevented him from driving his Ferrari near his home in eastern England.
The singer, who was knighted by Queen Elizabeth in 2016, has been married three times and has fathered eight children. His third wife is model and television personality Penny Lancaster.
From London to global star
Stewart's story began in north London on 10 January 1945, when Roderick Stewart was born into a middle-class family.
After a "fantastically happy childhood", he developed a love of music when his father bought him a guitar in 1959, and he formed a skiffle band with school friends a year later.
He joined the band Dimensions in 1963 as a harmonica player, exploring his love of folk, blues and soul music while learning from other artists such as Rolling Stones frontman Mick Jagger in London's blossoming rhythm and blues scene.
Stewart's career took off in 1967 when he joined the renowned guitarist Jeff Beck's eponymous new band, which also included future Rolling Stone Ronnie Wood, allowing him to develop his raw and soulful vocal style and stagecraft while exposing him to a US audience.
He and Wood took up the offer to join mod pioneers Small Faces following the departure of their singer Steve Marriott in 1969 -- the band soon changing its name to The Faces -- shortly before Stewart released his debut solo album.
It was his 1971 third solo release, "Every Picture Tells a Story", that confirmed him as one of the world's most successful artists, reaching number one in Britain, Australia and the United States, where it went platinum.
The album helped define Stewart's rock/folk sound, featuring heartfelt lyrics and heavy use of unusual instruments such as the mandolin, particularly prominent on the album's standout hit "Maggie May".
"I just love stories with a beginning, middle and end," he once said.
'I had the last laugh'
Focusing on his solo career after 1975, Stewart's "Da Ya Think I'm Sexy?" released in 1978 was not to everyone's taste.
"Once the most compassionate presence in music, he has become a bilious self-parody -– and sells more records than ever," Rolling Stone magazine said in 1980.
Never one to be cowed by the critics, Stewart defended this phase, telling an interviewer that audiences "absolutely love it, so I had the last laugh".
Richard Houghton, author of the book "Tell Everyone -- A People's History of the Faces" said that Stewart had "possibly the most distinctive voice in rock music".
The singer had successfully combined writing classic songs of his own such as "Maggie May" or "You Wear It Well" with taking other people's songs -- from Bob Dylan to Tom Waits -- and making them his own .
More recently, there had been four albums of the "classic songs of the 1930s from his Great American Songbook catalogue".
Houghton said audiences could expect to see plenty more of Stewart.
"He's like any entertainer. He loves the spotlight. He's not going to sit at home watching the television when somewhere around the world there's a crowd wanting to hear him sing 'Mandolin Wind' or 'First Cut Is The Deepest' one more time.
"Rod will keep singing until the day he drops," he added.