'Avatar' and 'Star Wars' Films Revealed at Disney Event

Every two years, thousands flock to a California convention center, dressed as their favorite Disney princesses and heroes, for D23. Patrick T. FALLON / AFP/File
Every two years, thousands flock to a California convention center, dressed as their favorite Disney princesses and heroes, for D23. Patrick T. FALLON / AFP/File
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'Avatar' and 'Star Wars' Films Revealed at Disney Event

Every two years, thousands flock to a California convention center, dressed as their favorite Disney princesses and heroes, for D23. Patrick T. FALLON / AFP/File
Every two years, thousands flock to a California convention center, dressed as their favorite Disney princesses and heroes, for D23. Patrick T. FALLON / AFP/File

Disney lifted the lid on "Avatar: Fire and Ash" and presented new footage from "Star Wars" and Pixar movies at a giant showcase in front of 12,000 fans in California on Friday.
"Avatar" director James Cameron took the stage at the company's biennial D23 fan gathering to announce the name of the latest installment of his sci-fi franchise, due out December 2025, said AFP.
"The new film is not what you expect. But it's definitely what you want," teased Cameron of his third visit to Pandora.
The previous two "Avatar" films are the highest and third-highest grossing movies of all time, earning $5.2 billion combined.
Images from the new movie, currently in production in New Zealand, showed its blue Na'vi characters dancing around a campfire, as well as images of giant floating ships and flying beasts.
The director promised higher emotional stakes, and "new cultures and settings and creatures and new biomes."
"You'll see a lot more Pandora, the planet, that you never saw before," he said.
The fourth and fifth "Avatar" films are scheduled for 2029 and 2031.
Also in Friday's presentation, Disney fans saw a first glimpse of "The Mandalorian and Grogu."
Out in May 2026, it will be the first "Star Wars" film since 2019's divisive "The Rise of Skywalker."
Disney, which had been churning out a new "Star Wars" film every year to that point, dramatically slammed the brakes in the face of diminishing box office returns.
"We're putting 'Star Wars' back on the big screen,'" said Dave Filoni, producer of the new movie -- which is spun off from streaming series "The Mandalorian," and will feature its beloved Baby Yoda.
Footage showed the cutesy creature and his mercenary friend speeding around a snowy planet.
On the television side, Jude Law plays a Jedi in "Skeleton Crew," streaming in December.
The kid-centric show is "in the spirit of... coming-of-age films of the '80s like 'The Goonies' and 'E.T.,'" promised Law.
'Who else?'
The giant D23 fan gathering caters to and showcases the obsessive loyalty of Disney's most die-hard devotees.
Every two years, thousands flock to a California convention center, dressed as their favorite princesses and heroes.
Tickets -- ranging from $80 to an eye-watering $2,600 VIP pass -- allow attendees to spend yet more money on rare merchandise, and watch starry presentations unveiling new films, shows and theme park rides.
"Who else but Disney could pull off a weekend like D23, right?" CEO Bob Iger asked the packed crowd at Anaheim's NHL professional ice hockey arena, to cheers.
Seconds later, the suited executive was replaced on stage by a troupe of hula-ing Polynesian dancers and Dwayne "The Rock" Johnson, promoting "Moana 2."
But beneath the euphoria, Friday night's presentation of new movies and TV shows comes at a key time for Disney.
The company's Pixar and Marvel franchises have suffered uncharacteristically poor runs in recent years, with high-profile flops like "Lightyear" and "The Marvels."
Disney's stock price remains well below half its 2021 peak. Rounds of cost-cutting have seen thousands of jobs cut since last year, mirroring trends across Hollywood.
This summer has brought welcome relief, with monster hits "Deadpool & Wolverine," and "Inside Out 2" -- already the biggest animated film of all time.
'Toy meets tech'
Pixar on Friday announced "Hoppers," a new animated movie about a young girl who can "hop" her brain into a robotic beaver.
Out in spring 2026, it will follow her undercover adventures into the animal world, where she befriends a "regal beaver" called King George, and helps battle an evil mayor voiced by Jon Hamm.
And Pixar's "Toy Story 5," out a few months later, will see the beloved toys vie with electronic devices like phones and tablets for children's attention.
"This time around, it's toy meets tech," said director Andrew Stanton.



New York Film Festival Sets Main Slate with Movies by Pedro Almodovar, Sean Baker and Mati Diop

Pedro Almodovar. (AFP/Getty Images)
Pedro Almodovar. (AFP/Getty Images)
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New York Film Festival Sets Main Slate with Movies by Pedro Almodovar, Sean Baker and Mati Diop

Pedro Almodovar. (AFP/Getty Images)
Pedro Almodovar. (AFP/Getty Images)

The New York Film Festival on Tuesday unveiled the main slate for its 62nd edition, with selections including Sean Baker's Palme d'Or-winning "Anora," Pedro Almodovar's "The Room Next Door" and Mati Diop's "Dahomey."

Thirty-three features will make up the central lineup of the annual festival presented by Film at Lincoln Center. The main slate is particularly international this year, with films hailing from 24 countries, and including 19 directors making their debut in the festival's most prestigious section.

The festival, as previously announced, will kick off Sept. 27 with RaMell Ross' "Nickel Boys," an adaptation of Colson Whitehead’s Pulitzer Prize-winning 2019 novel. Almodovar, making his 15th appearance in New York's main slate, will present "The Room Next Door," starring Julianne Moore and Tilda Swinton, as the festival centerpiece. Steve McQueen's "Blitz," about the bombing of London in World War II, will be the closing night film.

A number of prize-winners from May's Cannes Film Festival will be making their US or North American premieres. Along with "Anora," that includes "Grand Tour," by Miguel Gomes, winner of Cannes' best director; Payal Kapadia's "All We Imagine as Light," winner of the Grand Prix; Rungano Nyoni's "On Becoming a Guinea Fowl," a standout from Un Certain Regard; and "The Seed of the Sacred Fig," from the dissident Iranian filmmaker Mohammad Rasoulof, who fled his home country to unveil his film.

"The festival’s ambition is to reflect the state of cinema in a given year, which often means also reflecting the state of the world," said Dennis Lim, the festival's artistic director, in a statement.

"The most notable thing about the films in the main slate — and in the other sections that we will announce in the coming weeks — is the degree to which they emphasize cinema’s relationship to reality. They are reminders that, in the hands of its most vital practitioners, film has the capacity to reckon with, intervene in, and reimagine the world."

Also are tap are Paul Schrader's "Oh, Canada," with Richard Gere and Jacob Elordi, Chinese filmmaker Jia Zhangke's "Caught by the Tides" and David Cronenberg's "The Shrouds," as well as a pair of highlights from Cannes sidebars: Roberto Minervini's American Civil War drama "The Damned" and Carson Lund's baseball elegy "Eephus."

Also coming to New York: Mike Leigh's "Hard Truths," Brady Corbet's "The Brutalist," starring Adrien Brody as an architect and Holocaust survivor, and the world premiere of Julia Loktev’s "My Undesirable Friends: Part I — Last Air in Moscow," a documentary about independent journalism in Putin’s Russia.

Two filmmakers have a pair of films in the main slate. Both "By the Stream" and "A Traveler's Needs" from the South Korean director Hong Sangsoo will debut at the festival, while the Chinese documentarian Wang Bing will present the second and third entries in his "Youth" trilogy: "Youth (Hard Times") and "Youth ("Homecoming").

The New York Film Festival, running Sept. 27 to Oct. 14, takes place at Lincoln Center and a handful of other venues around the city.