Rocked by Cancellation of Vienna Concerts, Swifties Shake It off and Flock to London

 Fans pose by a Taylor Swift portrait painted on a stairway at Wembley Stadium in London, Wednesday, Aug. 14, 2024, ahead of a series of Taylor Swift concerts starting Thursday. (AP)
Fans pose by a Taylor Swift portrait painted on a stairway at Wembley Stadium in London, Wednesday, Aug. 14, 2024, ahead of a series of Taylor Swift concerts starting Thursday. (AP)
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Rocked by Cancellation of Vienna Concerts, Swifties Shake It off and Flock to London

 Fans pose by a Taylor Swift portrait painted on a stairway at Wembley Stadium in London, Wednesday, Aug. 14, 2024, ahead of a series of Taylor Swift concerts starting Thursday. (AP)
Fans pose by a Taylor Swift portrait painted on a stairway at Wembley Stadium in London, Wednesday, Aug. 14, 2024, ahead of a series of Taylor Swift concerts starting Thursday. (AP)

For Herve Tram, being a Taylor Swift fan isn’t just about the music.

The 28-year-old computer network engineer from Paris sees himself as part of a community, one of the Swifties as they are known. So, when the pop superstar's shows in Vienna were canceled last week because of a terror threat, Tram took a small personal step: He gave away two extra tickets to her upcoming concerts in London to two fans who missed the chance to see their guiding light in the Austrian capital.

“That’s the power of this fandom,” Tram said. “We look (out) for each other.”

The community of Swift fans, who have flocked to stadiums around the world to see the 3 1/2-hour shows on her Eras Tour and sing along with songs they know by heart, have been shaken in recent days.

First, a knife-wielding attacker murdered three little girls at a Swift-themed dance class in northern England, touching off a week of anti-immigrant unrest across the UK after right-wing activists spread misinformation about the suspect. Then the shows in Vienna were canceled after police arrested three ISIS-inspired extremists they believed were planning to attack the concert venue.

But none of that has damped fans’ enthusiasm to see Swift during five shows Thursday through Tuesday at London’s Wembley Stadium that will close out the European leg of the Eras Tour. The fans want to wear Swift-inspired outfits, swap handmade friendship bracelets and, of course, dance.

Take Meagan Berneaud, 30, of Columbus, Ohio, who has been a Swift fan since she was 13.

Berneaud had second thoughts about traveling to London after recent events reminded her of the 2 1/2 hours she spent locked down during a 2016 terror attack at Ohio State University. But she decided to go and even set up a thread on X, formerly known as Twitter, to connect fans who missed the Vienna shows with people who were willing to sell or give away tickets to the London concerts. She’s had more than 3,000 views.

“I just have to tell myself not to live in fear,” she said. “I have to put my trust ... that law enforcement can do their best to keep us safe.”

Some fans who had planned to see the show in Vienna were willing to overcome their anxieties to try to attend another show, taking encouragement from Swift’s song, “Fearless.”

“And I don’t know why. But with you I’d dance in a storm. In my best dress. Fearless."

It's a number that she belts out while swirling and twirling in an assortment of sparkly frocks in the song’s music video.

Presila Koleva, 26, a design engineer from Cambridge, England, had been looking forward to seeing Swift in Vienna for more than a year, buying a copy of a green dress that Swift wears during the Folklore set on the Eras tour and making 30 bracelets to trade with other fans. She was heartbroken when the shows were canceled.

But then she connected with Tram, who gave her one of his tickets. That dress will be worn.

“There (are) good people that will do something nice for someone that they don’t know, just because they’ve seen that they’ve been through this really awful situation,” she said. “It could have ended in such a bad way.”

The enthusiasm of Swift’s fans and a set list that includes more than 40 songs from all phases of her career have helped make the Eras Tour the biggest revenue earner of all time, with more than $1 billion in ticket sales last year, according to Pollstar Boxoffice, which collects data on the live music industry. The tour is expected to push that record to more than $2 billion before it ends later this year in Indianapolis.

Demand for the London concerts shows no signs of slacking, with ticket prices hitting thousands of pounds on unregulated sites.

With Swift’s tour coming to an end in Europe and youthful fans who have flexible schedules, especially during the summer, recent events won’t hurt demand for tickets to the London shows, said Rafi Mohammed, an expert on pricing strategies and founder of the Cambridge, Massachusetts-based consultancy Culture of Profit.

“If anything, you have three sold out concerts in Vienna that were canceled. This coupled with the end of the tour, you’ll likely see extra demand,” he said.

Even so, security is a concern.

London’s Metropolitan Police Service has tried to offer assurances, pointing out that it has learned lessons from the 2017 attack on an Ariana Grande concert at Manchester Arena that killed 22 people and injured hundreds more.

Organizers have promised “additional ticket checks” at the 90,000-seat Wembley Stadium, which prohibits concert goers from bringing anything much bigger than a tiny bag into the venue. Those without tickets will be moved away from the stadium.

“London is a big city. We’re used to putting on all of these events,” said Tracy Halliwell, the head of tourism for Visit London. “You’ll see there is a higher police presence on the ground and that’s really just to make sure that everything ... runs smoothly.”

For his part, Tram is focused on what the fans can do, recalling how Parisians responded after the attack on the Bataclan theater in 2015 to show that terror would not succeed.

“We saw hundreds of thousands of people go out into the streets to show they are not afraid, and I think that we (will) also see that in London,” he said. “Fans will show they are not afraid. And like Taylor said, we are fearless.”



Alyssa Milano to Make Her Broadway Debut in the Razzle-Dazzle Musical ‘Chicago’ This Fall

Alyssa Milano appears at a screening of "Maestro" in Los Angeles on Dec. 12, 2023. (AP File)
Alyssa Milano appears at a screening of "Maestro" in Los Angeles on Dec. 12, 2023. (AP File)
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Alyssa Milano to Make Her Broadway Debut in the Razzle-Dazzle Musical ‘Chicago’ This Fall

Alyssa Milano appears at a screening of "Maestro" in Los Angeles on Dec. 12, 2023. (AP File)
Alyssa Milano appears at a screening of "Maestro" in Los Angeles on Dec. 12, 2023. (AP File)

Alyssa Milano hopes to charm audiences when she makes her Broadway debut this fall in the musical “Chicago,” adding her celebrity to a show that skewers celebrity culture.

“The beauty of theater is that you get to try new things every night,” she tells The Associated Press. “That’s what I used to love about doing theater. And that’s what I hope that I can find again in doing ‘Chicago.’”

Milano, former star of “Who’s the Boss?” and “Charmed,” steps into the role of Roxie Hart at the Ambassador Theatre beginning Sept. 16 for an eight-week engagement through Nov. 10.

For Milano, hitting the stage is a return to her roots. She was in a national touring company of “Annie” at age 8 and she went on to star in Wendy Wasserstein’s “Tender Offer” at the off-Broadway Ensemble Studio Theater and “All Night Long” at Second Stage. She was in the first American musical adaptation of “Jane Eyre” and produced and starred in a Los Angeles production of “Butterflies Are Free.”

Milano says doing a stint on Broadway never felt right until now. Her children — ages 9 and 12 — are settled in school and extracurricular activities, and her husband is in a good place in his career.

“It just felt like when this offer came up that everything fell into place,” she says. “My 9-year-old daughter looked at me and said, ‘Mom, you would be an idiot not to do this.’”

In recent years, she was in the movies “Brazen” and “Wet Hot American Summer: Ten Years Later” and the Netflix series “Insatiable.” Milano also leant her stardom and voice to the #MeToo movement, launched clothing, jewelry and eyewear lines and has been a host of Lifetime’s “Project Runway All-Stars.”

Set in the 1920s, “Chicago” is a scathing satire of how show business and the media make celebrities out of criminals. It has Bob Fosse-inspired choreography, skimpy outfits and killer songs such as “All That Jazz” and “Cell Block Tango.”

“Chicago” tells the story of Roxie, a housewife and dancer who murders her on-the-side lover after he threatens to leave her. To avoid conviction, Roxie hires Chicago’s slickest criminal lawyer to help her dupe the public, media and her rival cellmate, Velma Kelly, by creating shocking headlines.

Milano says she wants to honor Ann Reinking — the iconic Fosse collaborator who originated Roxie in the 1996 revival and created the choreography in Fosse’s style. “I’m really trying to pay homage to her choreography and her portrayal of Roxie. Because she was profound.”

The celebrity-craving heroine at the heart of “Chicago″ has been played by dozens of women since the show opened in 1996, including Pam Anderson, Melanie Griffith, Christie Brinkley, Marilu Henner, Brooke Shields, Lisa Rinna, Gretchen Mol, Ashlee Simpson, Brandy Norwood, Jennifer Nettles and Robin Givens.

Milano hopes fans will come and see her more than once. “I guarantee you I’m going to keep finding things — keep finding little moments that will, hopefully, add onto the legacy of all the women who came before me.”