Artists Who Object to Trump Using Their Songs From Celine Dion and Isaac Hayes' Estate: How It Works

Celine Dion appears at a special screening of "I Am: Celine Dion" at Alice Tully Hall in New York on June 17, 2024, in New York, left, and Republican presidential candidate former President Donald Trump speaks at the National Association of Black Journalists (NABJ) convention in Chicago on July 31, 2024. (AP Photo)
Celine Dion appears at a special screening of "I Am: Celine Dion" at Alice Tully Hall in New York on June 17, 2024, in New York, left, and Republican presidential candidate former President Donald Trump speaks at the National Association of Black Journalists (NABJ) convention in Chicago on July 31, 2024. (AP Photo)
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Artists Who Object to Trump Using Their Songs From Celine Dion and Isaac Hayes' Estate: How It Works

Celine Dion appears at a special screening of "I Am: Celine Dion" at Alice Tully Hall in New York on June 17, 2024, in New York, left, and Republican presidential candidate former President Donald Trump speaks at the National Association of Black Journalists (NABJ) convention in Chicago on July 31, 2024. (AP Photo)
Celine Dion appears at a special screening of "I Am: Celine Dion" at Alice Tully Hall in New York on June 17, 2024, in New York, left, and Republican presidential candidate former President Donald Trump speaks at the National Association of Black Journalists (NABJ) convention in Chicago on July 31, 2024. (AP Photo)

Pop powerhouses, American classics, British artists and the estates of deceased legends — many musicians have objected to Donald Trump using their songs at campaign events.
After a video of Celine Dion performing her hit “My Heart Will Go On” was broadcast at a Trump campaign rally in Bozeman, Montana last weekend, the response from her team was swift.
“In no way is this use authorized, and Celine Dion does not endorse this or any similar use,” a statement posted on social media read. "...And really, THAT song?”
Dion joins a long list of performers who've objected to Trump using their songs. Ahead of the 2020 election, that included Bruce Springsteen, Rihanna, Phil Collins, Pharrell, John Fogerty, Neil Young, Eddy Grant, Panic! at the Disco, R.E.M. and Guns N' Roses.
It also includes the estates of deceased performers, too, like Leonard Cohen, Tom Petty and Prince, as well as English acts from across the pond, like the Rolling Stones, the Beatles and Adele, The Associated Press said.
However, Trump has obtained the cosign from a few celebrity musicians, including Kid Rock and Lee Greenwood, known for his patriotic anthem, “God Bless the USA.” Also heard at Trump's rally Thursday in Asheville, North Carolina: “Y.M.C.A.” by the Village People.
Who has recently rebuked the use of their songs by the Trump campaign? Since the 2020 election, several artists have objected to the use of their music at Trump rallies. The Smiths' “Please, Please, Please Let Me Get What I Want” played at a few Trump events, including a rally in Rapid City, South Dakota last September and in January of this year at a rally in Laconia, New Hampshire. On X, the Smiths' guitarist Johnny Marr wrote, "Ahh...right...OK. I never in a million years would’ve thought this could come to pass. Consider this s—- shut right down right now.”
In 2022, David Porter, one of the songwriters behind Sam and Dave’s “Hold On, I’m Coming," tweeted “Hell to the NO!” after learning Trump used the song at an NRA rally. (In 2017, it should be pointed out, Sam Moore of Sam and Dave performed “America the Beautiful” at a pre-inauguration concert for Trump.)
Fast forward to Monday, when the son of the late soul singer Isaac Hayes, whose father co-wrote “Hold On, I’m Coming,” announced on social media that he and his family have threatened legal action against Trump “for 134 counts copyright infringement for the unauthorized use of the song ‘Hold On I’m Coming’ at campaign rallies from 2022-2024.”
Can artists legally object to their songs being used in political campaigns? Yes, however, artists rarely have full control over where, when, and how their music is played. Performing rights organizations that represent most recognizable recorded music — ASCAP and BMI — require political campaigns to obtain licenses that allow them to use large troves of songs from their vast catalogs.
That means a political campaign does not have to do individual negotiations over every song used.
If a political license is acquired, artists can object to its use, and the song is pulled from the license.
The issue, of course, is that not every campaign immediately honors those requests.
And it is important to note that these political licenses go beyond a public performance license, which allows venues to play copyrighted music.
What are some other examples of artists objecting to the use of their songs in campaigns? Continuing with “Hold On, I'm Coming”: In 2008, Moore asked former President Barack Obama, then still a candidate, to stop using the song. He didn't want it to be considered an endorsement. They complied.
After Obama was elected president, Moore performed at the Creative Coalition’s Inaugural Ball alongside Sting and Elvis Costello.
How do artists stop politicians from using their songs? They can send cease-and-desist letters, like Pharrell Williams did after his song "Happy” was played at a Trump rally in 2018. John Fogerty did the same in October 2020 over the Trump campaign's use of “Fortunate Son” by his band Creedence Clearwater Revival.
Few escalate to the point of suing, but it is not unheard of: Neil Young filed a lawsuit in August 2020 over the Trump campaign’s use of his music including “Rockin’ in the Free World." He later voluntarily dismissed the case “with prejudice," which means it cannot be brought again.
Eddy Grant sued Trump in September over the use of his 1980s hit “Electric Avenue” in a Trump campaign animated video that mocked Joe Biden.



Rocked by Cancellation of Vienna Concerts, Swifties Shake It off and Flock to London

 Fans pose by a Taylor Swift portrait painted on a stairway at Wembley Stadium in London, Wednesday, Aug. 14, 2024, ahead of a series of Taylor Swift concerts starting Thursday. (AP)
Fans pose by a Taylor Swift portrait painted on a stairway at Wembley Stadium in London, Wednesday, Aug. 14, 2024, ahead of a series of Taylor Swift concerts starting Thursday. (AP)
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Rocked by Cancellation of Vienna Concerts, Swifties Shake It off and Flock to London

 Fans pose by a Taylor Swift portrait painted on a stairway at Wembley Stadium in London, Wednesday, Aug. 14, 2024, ahead of a series of Taylor Swift concerts starting Thursday. (AP)
Fans pose by a Taylor Swift portrait painted on a stairway at Wembley Stadium in London, Wednesday, Aug. 14, 2024, ahead of a series of Taylor Swift concerts starting Thursday. (AP)

For Herve Tram, being a Taylor Swift fan isn’t just about the music.

The 28-year-old computer network engineer from Paris sees himself as part of a community, one of the Swifties as they are known. So, when the pop superstar's shows in Vienna were canceled last week because of a terror threat, Tram took a small personal step: He gave away two extra tickets to her upcoming concerts in London to two fans who missed the chance to see their guiding light in the Austrian capital.

“That’s the power of this fandom,” Tram said. “We look (out) for each other.”

The community of Swift fans, who have flocked to stadiums around the world to see the 3 1/2-hour shows on her Eras Tour and sing along with songs they know by heart, have been shaken in recent days.

First, a knife-wielding attacker murdered three little girls at a Swift-themed dance class in northern England, touching off a week of anti-immigrant unrest across the UK after right-wing activists spread misinformation about the suspect. Then the shows in Vienna were canceled after police arrested three ISIS-inspired extremists they believed were planning to attack the concert venue.

But none of that has damped fans’ enthusiasm to see Swift during five shows Thursday through Tuesday at London’s Wembley Stadium that will close out the European leg of the Eras Tour. The fans want to wear Swift-inspired outfits, swap handmade friendship bracelets and, of course, dance.

Take Meagan Berneaud, 30, of Columbus, Ohio, who has been a Swift fan since she was 13.

Berneaud had second thoughts about traveling to London after recent events reminded her of the 2 1/2 hours she spent locked down during a 2016 terror attack at Ohio State University. But she decided to go and even set up a thread on X, formerly known as Twitter, to connect fans who missed the Vienna shows with people who were willing to sell or give away tickets to the London concerts. She’s had more than 3,000 views.

“I just have to tell myself not to live in fear,” she said. “I have to put my trust ... that law enforcement can do their best to keep us safe.”

Some fans who had planned to see the show in Vienna were willing to overcome their anxieties to try to attend another show, taking encouragement from Swift’s song, “Fearless.”

“And I don’t know why. But with you I’d dance in a storm. In my best dress. Fearless."

It's a number that she belts out while swirling and twirling in an assortment of sparkly frocks in the song’s music video.

Presila Koleva, 26, a design engineer from Cambridge, England, had been looking forward to seeing Swift in Vienna for more than a year, buying a copy of a green dress that Swift wears during the Folklore set on the Eras tour and making 30 bracelets to trade with other fans. She was heartbroken when the shows were canceled.

But then she connected with Tram, who gave her one of his tickets. That dress will be worn.

“There (are) good people that will do something nice for someone that they don’t know, just because they’ve seen that they’ve been through this really awful situation,” she said. “It could have ended in such a bad way.”

The enthusiasm of Swift’s fans and a set list that includes more than 40 songs from all phases of her career have helped make the Eras Tour the biggest revenue earner of all time, with more than $1 billion in ticket sales last year, according to Pollstar Boxoffice, which collects data on the live music industry. The tour is expected to push that record to more than $2 billion before it ends later this year in Indianapolis.

Demand for the London concerts shows no signs of slacking, with ticket prices hitting thousands of pounds on unregulated sites.

With Swift’s tour coming to an end in Europe and youthful fans who have flexible schedules, especially during the summer, recent events won’t hurt demand for tickets to the London shows, said Rafi Mohammed, an expert on pricing strategies and founder of the Cambridge, Massachusetts-based consultancy Culture of Profit.

“If anything, you have three sold out concerts in Vienna that were canceled. This coupled with the end of the tour, you’ll likely see extra demand,” he said.

Even so, security is a concern.

London’s Metropolitan Police Service has tried to offer assurances, pointing out that it has learned lessons from the 2017 attack on an Ariana Grande concert at Manchester Arena that killed 22 people and injured hundreds more.

Organizers have promised “additional ticket checks” at the 90,000-seat Wembley Stadium, which prohibits concert goers from bringing anything much bigger than a tiny bag into the venue. Those without tickets will be moved away from the stadium.

“London is a big city. We’re used to putting on all of these events,” said Tracy Halliwell, the head of tourism for Visit London. “You’ll see there is a higher police presence on the ground and that’s really just to make sure that everything ... runs smoothly.”

For his part, Tram is focused on what the fans can do, recalling how Parisians responded after the attack on the Bataclan theater in 2015 to show that terror would not succeed.

“We saw hundreds of thousands of people go out into the streets to show they are not afraid, and I think that we (will) also see that in London,” he said. “Fans will show they are not afraid. And like Taylor said, we are fearless.”