Brazilian Entertaining Legend Silvio Santos Dies at 93

A general view of the skyline of Sao Paulo April 2, 2015. REUTERS/Paulo Whitaker/File Photo
A general view of the skyline of Sao Paulo April 2, 2015. REUTERS/Paulo Whitaker/File Photo
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Brazilian Entertaining Legend Silvio Santos Dies at 93

A general view of the skyline of Sao Paulo April 2, 2015. REUTERS/Paulo Whitaker/File Photo
A general view of the skyline of Sao Paulo April 2, 2015. REUTERS/Paulo Whitaker/File Photo

Silvio Santos, a Brazilian television executive and presenter known for his beaming smile and catchphrase “Who wants money?” has died after a decades-long career in the spotlight. He was 93.

Santos owned the television network SBT and created several variety shows. The most famous of them carried his name, which he hosted since 1963, and in recent years had aired on Sunday nights. It is one of Brazil’s longest running television programs. Santos brought several other successful programs to his network, such as “Show of the Million” and the reality show "Artists’ House.”

“Today heaven is happy with the arrival of our beloved Silvio Santos. He lived 93 years to bring happiness and love to all Brazilians. ... That wide smile and familiar voice will forever be remembered with much gratitude,” the SBT network said in a statement Saturday on social media, The AP reported.

His passing will change weekends in millions of Brazilian homes that have tuned in to the “Silvio Santos Program” and were welcomed by its opening jingle: “Here comes Silvio Santos!” He folded airplanes of cash and tossed them over the crowd during his show, some episodes of which extended for as long as 10 hours. He constantly interacted with audience members and — with a custom microphone attached to his collar -- was free to wave his hands in the air.

Even into his 90s, he continued dying his hair brown, adding to the agelessness he exuded. His well-groomed hair became another of his trademarks.

In 2013, Forbes magazine compared him to Oprah Winfrey and movie directors Steven Spielberg and George Lucas.

Santos was known universally by his stage name, though he was born Senor Abravanel in the raucous Lapa neighborhood of downtown Rio de Janeiro. As an adolescent, he sold pens and plastic sleeves for electoral identification cards and did tricks with coins and playing cards.

So engaging were his sales pitches that they led to an offer to audition to be a radio host. He bounced from station to station in Rio and after a stint in the military finally found media success in Sao Paulo. His first television job came in the early 1960s with the Globo network, at the time called TV Paulista, where the “Silvio Santos Program” was later born.

About a decade later, he acquired his first television concession and set out to build an empire. He founded SBT, which by 2021 was the third most-watched network among the country’s 214 million people.

Not all of his quips landed well. He was repeatedly accused of misogyny for comments about women’s appearances or that caused discomfort.

Santos also had ventures in cosmetics, hotels and even a bank. Forbes estimated Santos’ net worth from 30 companies to be 2 billion reais (about $380 million) in 2020.

His broad appeal — not to mention his control over airwaves — at times drew the attention of political parties that proposed putting him up as a candidate for office. He tested the waters in 1989, with the launch of a presidential campaign, but the electoral authority barred his candidacy due to his ownership of a television network.

Still, he remained close to politicians, and kept a program on air for 15 years titled “The President’s Week." It exhibited positive things the leader had accomplished set to a soundtrack of trumpets and drums. It lauded the achievements of the last general who commanded Brazil during the dictatorship, João Figueiredo, up to Fernando Henrique Cardoso toward the turn of the century.

Later, Presidents Luiz Inácio Lula da Silva and Dilma Rousseff participated in a documentary about Santos shown in 2021, in honor of SBT’s 40th anniversary.

One of his sons-in-law, Fabio Faria, became the minister of communications under President Jair Bolsonaro's administration.

In January 2022, Faria posted on Instagram a black-and-white video showing Santos’ career that was narrated by the presenter himself.

"I’m just a street peddler in a suit and tie selling my products, selling the ads, the programs,” the presenter said in the video. “I also believe that it’s the voice, that there is something inexplicable about it. Because it’s the voice that touches the viewer, touches you who are on the other side.”

Santos is survived by his wife, Iris Abravanel, and six daughters.



Movie Review: Mark Wahlberg and Halle Berry Lead a Middling Spy Comedy in ‘The Union’

 Mark Wahlberg, left, and Halle Berry, cast members in "The Union," pose together at the premiere of the Netflix film at the Egyptian Theatre, Monday, Aug. 12, 2024, in Los Angeles. (AP)
Mark Wahlberg, left, and Halle Berry, cast members in "The Union," pose together at the premiere of the Netflix film at the Egyptian Theatre, Monday, Aug. 12, 2024, in Los Angeles. (AP)
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Movie Review: Mark Wahlberg and Halle Berry Lead a Middling Spy Comedy in ‘The Union’

 Mark Wahlberg, left, and Halle Berry, cast members in "The Union," pose together at the premiere of the Netflix film at the Egyptian Theatre, Monday, Aug. 12, 2024, in Los Angeles. (AP)
Mark Wahlberg, left, and Halle Berry, cast members in "The Union," pose together at the premiere of the Netflix film at the Egyptian Theatre, Monday, Aug. 12, 2024, in Los Angeles. (AP)

“The Union,” an action comedy with Mark Wahlberg and Halle Berry, should have been more fun. Or more exciting. It certainly had a lot working in its favor, including big stars and a budget for globetrotting. But it’s lacking a certain charm that could help it be something more than the Netflix movie playing in the background.

“The Union,” streaming Friday, is a fairy tale — a very male one, about a middle-aged everyman (Wahlberg) whose life never quite got started and who gets recruited to be a spy out of the blue. Mike is a broke construction worker still living in his hometown of Patterson, New Jersey (yes, there are Springsteen songs) with his mother and hanging with his old friends in bars.

That’s all to say that for Mike, it is a breath of fresh air when his old high school girlfriend Roxanne (Berry), walks into the bar one evening looking like a punk-rock superhero in a leather motorcycle jacket. Glamorous and confident and never bothered by the flop of hair getting in her eyes, she has clearly found a life outside Patterson.

The problem, or a problem, I think, is that we already know what she does. Instead of putting the audience in Mike’s shoes, as the fish out of water trying to figure out why he’s woken up in a luxury suite in London after meeting his high school ex in his hometown bar, “The Union” starts on Roxanne. It begins with a kind of “Mission: Impossible”-style extraction gone wrong, in Trieste, Italy, where most of her team ends up dead. She decides that they need some working class grit to reboot.

The idea for the movie came from Stephen Levinson, Wahlberg’s longtime business partner, who together helped bring another middle-of-the-road Netflix action-comedy to life in “Spenser Confidential.” It's directed very basically by Julian Farino, a journeyman who helmed many episodes of “Entourage,” and written by Joe Barton and David Guggenheim. And there is a sort of charming fantasy about the notion that anyone could be a moderately successful international spy given the opportunity and a few weeks of training. In the movies, women get to find out they’re secret royalty and men get to find out they’re secretly great spies.

But “The Union” never quite hits its stride tonally. It’s not silly enough to be a comedy, though I think that’s what it would prefer to be. J.K. Simmons is given too little to work with as the head of this secret agency, which also employs underwritten characters played by Jackie Earle Haley, Adewale Akinnuoye-Agbaje and Alice Lee. One of the more moderately successful running jokes is that Mike’s undercover character is from Boston (get it?). A hulking English henchman even has a heart-to-heart with him about “Good Will Hunting.”

Berry and Wahlberg are fine together, with an easy rapport, but zero chemistry. This would not be problem if the movie wasn’t also trying to be a will-they-won’t-they romance between a woman who forgot her roots and a guy who needs to. I never quite bought into the idea that either of them are actually still thinking about their high school relationship and what went wrong. There’s been a lot of life in the interim to dwell on decisions you made at 17. Not everyone can be Cary Grant and Katharine Hepburn, or even Helen Hunt and Bill Paxton – but maybe in this case the story should have changed to serve its actors better.

That's a nitpick for something with much larger problems. And ultimately “The Union” suffers the fate of many high-priced streaming movies before it: There’s just not enough there — action, comedy, romance, art — to demand (or, rather, earn) your full attention.