‘Shoot Me up with a Big One’: A Timeline of the Last Days of Matthew Perry

 Actor Matthew Perry arrives at the 64th Primetime Emmy Awards in Los Angeles on Sept. 23, 2012. (Photo by Jordan Strauss/Invision/AP, File)
Actor Matthew Perry arrives at the 64th Primetime Emmy Awards in Los Angeles on Sept. 23, 2012. (Photo by Jordan Strauss/Invision/AP, File)
TT

‘Shoot Me up with a Big One’: A Timeline of the Last Days of Matthew Perry

 Actor Matthew Perry arrives at the 64th Primetime Emmy Awards in Los Angeles on Sept. 23, 2012. (Photo by Jordan Strauss/Invision/AP, File)
Actor Matthew Perry arrives at the 64th Primetime Emmy Awards in Los Angeles on Sept. 23, 2012. (Photo by Jordan Strauss/Invision/AP, File)

The arrest of five people in the overdose death of Matthew Perry has revealed key details about the final days of the “Friends” star, most of them spent in the throes of an addiction to the surgical anesthetic ketamine.

Perry would die at age 54 on Oct. 28 after telling his assistant to shoot him up “with a big one.” Drawn from unsealed federal court documents and a medical examiner’s investigation, here’s a chronological look at the end of Perry’s life.

The final month

September 30 — Perry and his live-in personal assistant, Kenneth Iwamasa, met at their home in the Pacific Palisades neighborhood of Los Angeles with Dr. Salvador Plasencia. Perry had been receiving ketamine treatments for depression — an increasingly common off-label use — from his regular doctor, but wasn’t able to get as much as he wanted. Plasencia texted a doctor friend in San Diego, Mark Chavez, who agreed to obtain ketamine for him.

“I wonder how much this moron will pay,” Plasencia texted Chavez. The two met up the same day in Costa Mesa, halfway between Los Angeles and San Diego and exchanged at least four vials of ketamine.

Plasencia returned to Perry’s house, where Iwamasa paid him $4,500 in cash for the vials. Plasencia gave Perry two injections of ketamine, and instructed Iwamasa on how to give the injections to the actor. Plasencia texted Chavez that the experience “felt like a bad movie.”

October 2 — Iwamasa texted Plasencia saying he wanted to buy not just injection sessions, but to be left with more vials of ketamine, referring to it in agreed-upon code as “dr pepper.” Plasencia appeared, gave Perry the injections, and left behind the vials of the anesthetic.

October 4 — Iwamasa injected Perry himself for the first time. He texted the doctor that he had found “the sweet spot” to put the needle into his boss, but that trying different spots on Perry had led to them running out, and they needed more. Plasencia texted Chavez asking if he could keep supplying the drug so they could become Perry’s “go-to.”

October 6 — Iwamasa told Plasencia they were running low, and needed more. Plasencia went to Perry’s house and sold him one or more vials.

October 8 — In a late night meetup at a Santa Monica shopping plaza, Plasencia sold Iwamasa four vials of ketamine for $6,000 in cash.

October 10 — Iwamasa drove Perry to a public parking lot in Long Beach, where they met up with the doctor. He sold them more ketamine, and gave an injection to Perry while the actor sat in a car. On the same day, Iwamasa sought even more of the drug from an additional source of ketamine, reaching out to Erik Fleming, an acquaintance of Perry.

October 11 — Fleming messaged Iwamasa that he can get ketamine from a woman he knows. “It’s unmarked but it’s amazing – he take one and try it and I have more if he likes,” Fleming wrote. The woman, Jasveen Sangha, was known to her customers as the “Ketamine Queen.” Fleming texted Iwamasa that she only deals “with high end and celebs. If it were not great stuff she’d lose her business.”

October 12 — Plasencia went to Perry’s house, where he was paid $21,000 in cash, some of it owed to him for previous ketamine buys. While there he injected Perry. The actor immediately froze up and his blood pressure spiked. The assistant said the doctor told him, “let’s not do that again.”

October 13 — Perry got a sample of Sangha’s ketamine and tried it. He and Iwamasa would ask for 25 vials of it, for which he would pay $5,500. Fleming dropped it off at Perry’s house a day later.

On or around Oct. 20 — Perry received his last legal ketamine treatment from his regular physician, according to what a woman close to him whose name was redacted in official documents told medical examiner’s investigators. The woman said his previous doctor had given him treatments every other day, but his new doctor said Perry was doing well, his depression was managed, and he no longer needed so many treatments. The woman would tell investigators that she had believed Perry had been sober for 19 months and there had been no relapse.

The final week

Around October 24 — Perry talked to the unidentified woman for the last time. She told investigators he had been in good spirits.

October 25 — Iwamasa asked Fleming for another 25 vials of ketamine. After picking up $6,000 from Perry, Fleming picked up the ketamine from Sangha, who told him her own source is known as “Master Chef.” Meanwhile, Iwamasa gave Perry at least six shots of ketamine.

October 26 — Iwamasa again gave Perry at least six shots of ketamine.

October 27 — The assistant again gave the actor at least six shots of ketamine. With the supply coming from Fleming and Sangha, Perry and Iwamasa had been out of touch with Plasencia for about two weeks. Plasencia would text Iwamasa saying he had more to offer: “I know you mentioned taking a break. I have been stocking up.”

The final day

About 8:30 a.m. — Acting at Perry’s direction, using syringes from Plasencia and ketamine from Sangha, Iwamasa gave Perry an injection.

About 11 a.m. — Perry played pickleball, according to what Iwamasa told medical examiner’s investigators later in the day, though many elements of that initial story changed in his later talks to prosecutors.

About 12:45 p.m. — Iwamasa gave Perry his second shot of the day, and the actor began watching a movie.

Shortly before 1:30 p.m. — Iwamasa gave Perry his third and final injection of the day while Perry sat at his backyard jacuzzi. “Shoot me up with a big one,” Iwamasa remembered Perry telling him. The assistant then left to run errands.

About 4 p.m. — Iwamasa returned home to find Perry face down in the jacuzzi. He jumped in, pulled Perry to the steps and called 911. Paramedics arrived minutes later and declared Perry dead. Coroner’s investigators would say ketamine was the primary cause of his death, with drowning a secondary cause.

The defendants now

Iwamasa has pleaded guilty to conspiracy to distribute Ketamine. Fleming has pleaded guilty to distributing ketamine resulting in death. Both are cooperating with prosecutors.

Chavez has agreed to plead guilty to conspiracy to distribute the drug. Plasencia and Sangha, the two main targets of the investigation, have pleaded not guilty to multiple felony counts.

Plasencia’s lawyer Stefan Sacks said Thursday that everything his client did was in Perry’s best medical interest. Sangha’s attorney declined comment.

Attorneys for the other three men did not respond to multiple messages seeking comment from The Associated Press.



Artists Who Object to Trump Using Their Songs From Celine Dion and Isaac Hayes' Estate: How It Works

Celine Dion appears at a special screening of "I Am: Celine Dion" at Alice Tully Hall in New York on June 17, 2024, in New York, left, and Republican presidential candidate former President Donald Trump speaks at the National Association of Black Journalists (NABJ) convention in Chicago on July 31, 2024. (AP Photo)
Celine Dion appears at a special screening of "I Am: Celine Dion" at Alice Tully Hall in New York on June 17, 2024, in New York, left, and Republican presidential candidate former President Donald Trump speaks at the National Association of Black Journalists (NABJ) convention in Chicago on July 31, 2024. (AP Photo)
TT

Artists Who Object to Trump Using Their Songs From Celine Dion and Isaac Hayes' Estate: How It Works

Celine Dion appears at a special screening of "I Am: Celine Dion" at Alice Tully Hall in New York on June 17, 2024, in New York, left, and Republican presidential candidate former President Donald Trump speaks at the National Association of Black Journalists (NABJ) convention in Chicago on July 31, 2024. (AP Photo)
Celine Dion appears at a special screening of "I Am: Celine Dion" at Alice Tully Hall in New York on June 17, 2024, in New York, left, and Republican presidential candidate former President Donald Trump speaks at the National Association of Black Journalists (NABJ) convention in Chicago on July 31, 2024. (AP Photo)

Pop powerhouses, American classics, British artists and the estates of deceased legends — many musicians have objected to Donald Trump using their songs at campaign events.
After a video of Celine Dion performing her hit “My Heart Will Go On” was broadcast at a Trump campaign rally in Bozeman, Montana last weekend, the response from her team was swift.
“In no way is this use authorized, and Celine Dion does not endorse this or any similar use,” a statement posted on social media read. "...And really, THAT song?”
Dion joins a long list of performers who've objected to Trump using their songs. Ahead of the 2020 election, that included Bruce Springsteen, Rihanna, Phil Collins, Pharrell, John Fogerty, Neil Young, Eddy Grant, Panic! at the Disco, R.E.M. and Guns N' Roses.
It also includes the estates of deceased performers, too, like Leonard Cohen, Tom Petty and Prince, as well as English acts from across the pond, like the Rolling Stones, the Beatles and Adele, The Associated Press said.
However, Trump has obtained the cosign from a few celebrity musicians, including Kid Rock and Lee Greenwood, known for his patriotic anthem, “God Bless the USA.” Also heard at Trump's rally Thursday in Asheville, North Carolina: “Y.M.C.A.” by the Village People.
Who has recently rebuked the use of their songs by the Trump campaign? Since the 2020 election, several artists have objected to the use of their music at Trump rallies. The Smiths' “Please, Please, Please Let Me Get What I Want” played at a few Trump events, including a rally in Rapid City, South Dakota last September and in January of this year at a rally in Laconia, New Hampshire. On X, the Smiths' guitarist Johnny Marr wrote, "Ahh...right...OK. I never in a million years would’ve thought this could come to pass. Consider this s—- shut right down right now.”
In 2022, David Porter, one of the songwriters behind Sam and Dave’s “Hold On, I’m Coming," tweeted “Hell to the NO!” after learning Trump used the song at an NRA rally. (In 2017, it should be pointed out, Sam Moore of Sam and Dave performed “America the Beautiful” at a pre-inauguration concert for Trump.)
Fast forward to Monday, when the son of the late soul singer Isaac Hayes, whose father co-wrote “Hold On, I’m Coming,” announced on social media that he and his family have threatened legal action against Trump “for 134 counts copyright infringement for the unauthorized use of the song ‘Hold On I’m Coming’ at campaign rallies from 2022-2024.”
Can artists legally object to their songs being used in political campaigns? Yes, however, artists rarely have full control over where, when, and how their music is played. Performing rights organizations that represent most recognizable recorded music — ASCAP and BMI — require political campaigns to obtain licenses that allow them to use large troves of songs from their vast catalogs.
That means a political campaign does not have to do individual negotiations over every song used.
If a political license is acquired, artists can object to its use, and the song is pulled from the license.
The issue, of course, is that not every campaign immediately honors those requests.
And it is important to note that these political licenses go beyond a public performance license, which allows venues to play copyrighted music.
What are some other examples of artists objecting to the use of their songs in campaigns? Continuing with “Hold On, I'm Coming”: In 2008, Moore asked former President Barack Obama, then still a candidate, to stop using the song. He didn't want it to be considered an endorsement. They complied.
After Obama was elected president, Moore performed at the Creative Coalition’s Inaugural Ball alongside Sting and Elvis Costello.
How do artists stop politicians from using their songs? They can send cease-and-desist letters, like Pharrell Williams did after his song "Happy” was played at a Trump rally in 2018. John Fogerty did the same in October 2020 over the Trump campaign's use of “Fortunate Son” by his band Creedence Clearwater Revival.
Few escalate to the point of suing, but it is not unheard of: Neil Young filed a lawsuit in August 2020 over the Trump campaign’s use of his music including “Rockin’ in the Free World." He later voluntarily dismissed the case “with prejudice," which means it cannot be brought again.
Eddy Grant sued Trump in September over the use of his 1980s hit “Electric Avenue” in a Trump campaign animated video that mocked Joe Biden.