‘Alien: Romulus’ Bites off $41.5 Million to Top Box Office Charts 

English actor Archie Renaux, US actor Cailee Spaeny, English actor Spike Fearn and Uruguayan director Fede Álvarez pose on the red carpet upon arrival to attend the UK gala event for "Alien: Romulus" at Cineworld in Leicester square, central London on August 14, 2024. (AFP)
English actor Archie Renaux, US actor Cailee Spaeny, English actor Spike Fearn and Uruguayan director Fede Álvarez pose on the red carpet upon arrival to attend the UK gala event for "Alien: Romulus" at Cineworld in Leicester square, central London on August 14, 2024. (AFP)
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‘Alien: Romulus’ Bites off $41.5 Million to Top Box Office Charts 

English actor Archie Renaux, US actor Cailee Spaeny, English actor Spike Fearn and Uruguayan director Fede Álvarez pose on the red carpet upon arrival to attend the UK gala event for "Alien: Romulus" at Cineworld in Leicester square, central London on August 14, 2024. (AFP)
English actor Archie Renaux, US actor Cailee Spaeny, English actor Spike Fearn and Uruguayan director Fede Álvarez pose on the red carpet upon arrival to attend the UK gala event for "Alien: Romulus" at Cineworld in Leicester square, central London on August 14, 2024. (AFP)

“Alien: Romulus,” the latest installment in the 45-year-old franchise, opened in first place at the North American box office. The 20th Century Studios release earned an estimated $41.5 million in its first weekend, where it was playing in 3,885 locations in the US and Canada.

Including $66.7 million from international showings in 49 markets, “Alien: Romulus” boasted a $108.2 million global debut. The Walt Disney Co., which owns 20th Century Studios, claimed the top two spots on the charts, with Marvel’s “Deadpool & Wolverine” now in its fourth weekend, taking second place with $29 million. The company has been responsible for an estimated 42% of the industry’s summer box office haul, including hits “Inside Out 2” and “Kingdom of the Planet of the Apes.”

August can often be slow for the movie business, or, less charitably, a dumping ground. But while 2024 has lagged overall for the movie business, a string of recent hits including “Deadpool & Wolverine” and “It Ends With Us” helped build a momentum that put this late August weekend over 30% ahead of the same weekend last year. It’s also up over 10% from August 2019.

“The summer started off pretty gloomy, but it’s winding up really strong,” said Paul Dergarabedian, the senior media analyst for Comscore. “We thought we were going to coast through August, but now we’re powering through August towards a much better overall summer number than we expected for the box office.”

Fede Álvarez directed “Alien: Romulus,” set around the time of “Alien” and “Aliens,” and recruited a cast of up-and-coming 20-somethings to lead the cast including Cailee Spaeny, David Jonsson and Isabela Merced. The sci-fi film leans into Álvarez’s propensity for all things horror, as he is known for “Evil Dead” and “Don’t Breathe,” and embraces the franchise’s horror roots.

Reviews have been a little mixed, but mostly positive, with an 81% on Rotten Tomatoes. Audiences gave it a B+ CinemaScore.

The romantic drama “It Ends With Us” landed in third place with $24 million, down just 52% from its triumphant opening. The Sony movie starring Blake Lively and Justin Baldoni, who also directed, has made $97.8 million to date. It cost only $25 million to produce.

The film was adapted from the bestselling Colleen Hoover novel of the same name that follows Lively as Lily Bloom, a woman at a crossroads when a past love upends her current relationship with Baldoni’s Ryle Kincaid.

Rumors of behind-the-scenes drama on the film also continues to dominate social media discourse and tabloid headlines — but “Don’t Worry Darling” also taught us that gossip and chatter don’t always translate to box office returns.

“Twisters” placed fourth in its fifth weekend with $9.8 million from 3,483 theaters. The Universal release has made over $238.4 million domestically.

Rounding out the top five was a re-release: “Coraline,” which Fathom Events put on over 1,500 screens for its 15th anniversary where it made $11.3 million in four days and $8.6 million from Friday through Sunday. The stop-motion animated film was an adaptation of a Neil Gaiman novella, written and directed by Henry Selick and marked the first-ever release for Laika. It’ll be in theaters until Aug. 22.

“Borderlands,” the video game adaptation starring Cate Blanchett, Kevin Hart and Jamie Lee Curtis, brought in $2.4 million in its second weekend bringing its total box office earnings to $13.5 million compared to its reported $120 million budget.



Artists Who Object to Trump Using Their Songs From Celine Dion and Isaac Hayes' Estate: How It Works

Celine Dion appears at a special screening of "I Am: Celine Dion" at Alice Tully Hall in New York on June 17, 2024, in New York, left, and Republican presidential candidate former President Donald Trump speaks at the National Association of Black Journalists (NABJ) convention in Chicago on July 31, 2024. (AP Photo)
Celine Dion appears at a special screening of "I Am: Celine Dion" at Alice Tully Hall in New York on June 17, 2024, in New York, left, and Republican presidential candidate former President Donald Trump speaks at the National Association of Black Journalists (NABJ) convention in Chicago on July 31, 2024. (AP Photo)
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Artists Who Object to Trump Using Their Songs From Celine Dion and Isaac Hayes' Estate: How It Works

Celine Dion appears at a special screening of "I Am: Celine Dion" at Alice Tully Hall in New York on June 17, 2024, in New York, left, and Republican presidential candidate former President Donald Trump speaks at the National Association of Black Journalists (NABJ) convention in Chicago on July 31, 2024. (AP Photo)
Celine Dion appears at a special screening of "I Am: Celine Dion" at Alice Tully Hall in New York on June 17, 2024, in New York, left, and Republican presidential candidate former President Donald Trump speaks at the National Association of Black Journalists (NABJ) convention in Chicago on July 31, 2024. (AP Photo)

Pop powerhouses, American classics, British artists and the estates of deceased legends — many musicians have objected to Donald Trump using their songs at campaign events.
After a video of Celine Dion performing her hit “My Heart Will Go On” was broadcast at a Trump campaign rally in Bozeman, Montana last weekend, the response from her team was swift.
“In no way is this use authorized, and Celine Dion does not endorse this or any similar use,” a statement posted on social media read. "...And really, THAT song?”
Dion joins a long list of performers who've objected to Trump using their songs. Ahead of the 2020 election, that included Bruce Springsteen, Rihanna, Phil Collins, Pharrell, John Fogerty, Neil Young, Eddy Grant, Panic! at the Disco, R.E.M. and Guns N' Roses.
It also includes the estates of deceased performers, too, like Leonard Cohen, Tom Petty and Prince, as well as English acts from across the pond, like the Rolling Stones, the Beatles and Adele, The Associated Press said.
However, Trump has obtained the cosign from a few celebrity musicians, including Kid Rock and Lee Greenwood, known for his patriotic anthem, “God Bless the USA.” Also heard at Trump's rally Thursday in Asheville, North Carolina: “Y.M.C.A.” by the Village People.
Who has recently rebuked the use of their songs by the Trump campaign? Since the 2020 election, several artists have objected to the use of their music at Trump rallies. The Smiths' “Please, Please, Please Let Me Get What I Want” played at a few Trump events, including a rally in Rapid City, South Dakota last September and in January of this year at a rally in Laconia, New Hampshire. On X, the Smiths' guitarist Johnny Marr wrote, "Ahh...right...OK. I never in a million years would’ve thought this could come to pass. Consider this s—- shut right down right now.”
In 2022, David Porter, one of the songwriters behind Sam and Dave’s “Hold On, I’m Coming," tweeted “Hell to the NO!” after learning Trump used the song at an NRA rally. (In 2017, it should be pointed out, Sam Moore of Sam and Dave performed “America the Beautiful” at a pre-inauguration concert for Trump.)
Fast forward to Monday, when the son of the late soul singer Isaac Hayes, whose father co-wrote “Hold On, I’m Coming,” announced on social media that he and his family have threatened legal action against Trump “for 134 counts copyright infringement for the unauthorized use of the song ‘Hold On I’m Coming’ at campaign rallies from 2022-2024.”
Can artists legally object to their songs being used in political campaigns? Yes, however, artists rarely have full control over where, when, and how their music is played. Performing rights organizations that represent most recognizable recorded music — ASCAP and BMI — require political campaigns to obtain licenses that allow them to use large troves of songs from their vast catalogs.
That means a political campaign does not have to do individual negotiations over every song used.
If a political license is acquired, artists can object to its use, and the song is pulled from the license.
The issue, of course, is that not every campaign immediately honors those requests.
And it is important to note that these political licenses go beyond a public performance license, which allows venues to play copyrighted music.
What are some other examples of artists objecting to the use of their songs in campaigns? Continuing with “Hold On, I'm Coming”: In 2008, Moore asked former President Barack Obama, then still a candidate, to stop using the song. He didn't want it to be considered an endorsement. They complied.
After Obama was elected president, Moore performed at the Creative Coalition’s Inaugural Ball alongside Sting and Elvis Costello.
How do artists stop politicians from using their songs? They can send cease-and-desist letters, like Pharrell Williams did after his song "Happy” was played at a Trump rally in 2018. John Fogerty did the same in October 2020 over the Trump campaign's use of “Fortunate Son” by his band Creedence Clearwater Revival.
Few escalate to the point of suing, but it is not unheard of: Neil Young filed a lawsuit in August 2020 over the Trump campaign’s use of his music including “Rockin’ in the Free World." He later voluntarily dismissed the case “with prejudice," which means it cannot be brought again.
Eddy Grant sued Trump in September over the use of his 1980s hit “Electric Avenue” in a Trump campaign animated video that mocked Joe Biden.